Search - Arcangelo Corelli, Andrew Manze, Richard Egarr :: Corelli: Violin Sonatas, Op. 5, Nos. 1-12 - Complete

Corelli: Violin Sonatas, Op. 5, Nos. 1-12 - Complete
Arcangelo Corelli, Andrew Manze, Richard Egarr
Corelli: Violin Sonatas, Op. 5, Nos. 1-12 - Complete
Genre: Classical
 
  •  Track Listings (30) - Disc #1
  •  Track Listings (23) - Disc #2

Corelli's Op. 5 Violin Sonatas have always been admired by chamber music fans; there are a couple of good recordings of them already available. But this new one by Baroque specialist and virtuoso Andrew Manze and harpsicho...  more »

     
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CD Details

All Artists: Arcangelo Corelli, Andrew Manze, Richard Egarr
Title: Corelli: Violin Sonatas, Op. 5, Nos. 1-12 - Complete
Members Wishing: 0
Total Copies: 0
Label: Harmonia Mundi
Original Release Date: 1/1/2000
Re-Release Date: 3/11/2003
Album Type: Import
Genre: Classical
Styles: Chamber Music, Historical Periods, Classical (c.1770-1830)
Number of Discs: 2
SwapaCD Credits: 2
UPC: 093046729820

Synopsis

Amazon.com
Corelli's Op. 5 Violin Sonatas have always been admired by chamber music fans; there are a couple of good recordings of them already available. But this new one by Baroque specialist and virtuoso Andrew Manze and harpsichordist Richard Egarr presents the sonatas in such a bright, exciting, and improvisatory light that they seem brand new. During the composer's lifetime, these sonatas were widely played and tremendously influential; there's a good chance that it was assumed that virtuosi took what was written on the page as a starting point for embellishing and sheer showing off. Manze is breathtaking--fast, articulate, conscious of the genuinely good tunes some of these sonatas contain--and his variances from the written music are thrilling. Egarr knows how to embellish too, and he matches Manze every step of the way. If you're wondering if 131 minutes of only two instruments can keep your interest, don't worry. This will. --Robert Levine

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CD Reviews

Pure italian baroque
drollere | Sebastopol, CA United States | 08/27/2003
(4 out of 5 stars)

"this is really fine music. corelli is the paragon of the "italian" style of baroque (at least until vivaldi caught bach's attention), and these sonatas are perhaps finer than the italianate sonatas by handel. there is marvelous poetry and variety in these pieces, brought forward by the spare instrumentation of violin, bass and harpsichord, and everything is wrapped in corelli's creamy, effortless, halcyon musical world. my reservation is that manze at times takes these pieces with a raspy vigor that is better left for tartini. the "folias" variations in particular, while tremendous fun and inspiringly ornamented, omit that key (and historically correct) baroque attribute known as decorum. the equally virtuosic recordings by elizabeth wallfisch have the edge on that point.by the way, if you enjoy this recording, i strongly urge you to get corelli's magnificent concerti grossi, a true pinnacle in the form and one of the great achievements of baroque music."
Captivating
original_instrument_fan | London United Kingdom | 09/02/2003
(5 out of 5 stars)

"I usually think of Corelli as nice "background music," pleasant, but without the emotional depth of Vivaldi, Bach or Handel. However, with this disc I find myself stopping and losing myself in the beautiful tones of Manze's baroque violin. The playing is superb and subtle, revealing these pieces as intimate and poetic. Harmonia Mundi's recording quality is excellent as well. Highly recommended. I can't wait to see what the venerable English Concert does under Manze's new leadership."
Music to delight the head--and heart
A reader and a writer | Arlington, VA, USA | 09/13/2004
(5 out of 5 stars)

"Confession: I have never loved these sonatas. Respected them, yes, of course; but with a polite detachment that their exclusively intellectual and technical achievements seemed to merit.



Well, this album changed all that. It's a masterly performance, effortlessly virtuosic, that shows forth the music in all its lapidary clarity. More than that, though: it is also luminously expressive, replete with moments of such unadorned and lyrical tenderness that the heart opens up, amazed.



For those who think they know this music no less than those who know they do not, Manze and Egarr's achievement is an exquisite revelation."