J. F. Laurson | Washington, DC United States | 08/04/2005
(5 out of 5 stars)
"This recording has been in my player for the last few months and has given me utter enjoyment and many a relieved smile since. It was so enchanting, I even forgot to write a review for ionarts.org about it (for the purpose of which I had gotten it a little before the release date). Now that everyone else and their aunt have agreed that this is absolutle superb, I'll chime in: It is! It is likely the best Bach recital on the piano I have heard in many years... heck - I think it's the best Bach recital I have. Musicality and technical ability combine to a wonderfully rewarding, masterful approach in this program of transcriptions *by* Bach. Although all taken from other (Italian - hence the name of the disc, apart from offering the "Italian Concerto") composers - which was the way to learn new and master old styles back then - they all very much have Bach stamped on them. You couldn't ask for more. Look for this disc to be included among the top 10 of 2005. (http://ionarts.blogspot.com/2005/12/best-recordings-of-2005.html)
--- update, 02.Jan 2009 ---
This disc has, if anything, gained in appreciation with me. It is absolutely tremendous and belongs into the Pantheon of Bach recital discs... perhaps even in the Pantheon of piano recital discs. Whether for the jaded completist who already has 4000 recordings or as an introduction to classical music, this recording is bound to impress."
Stunning Performance
W. Saumweber | San Francisco, California | 05/09/2005
(5 out of 5 stars)
"I have at least five different records of the Italian Concertos, including Glenn Gould's. This is by far the most enjoyable, the most vivid, the most thoughtful interpretation. I can't wait for Tharaud's next album."
Beautiful music that would have made Papa Bach proud!
Bert Kleinkauf | Tucson, AZ, USA | 10/14/2007
(5 out of 5 stars)
"Some works come along that so speak to us that we play them over and over, never tiring of them. This is such a work. Anyone expecting pure authentic period Bach should look elsewhere. But if you're open the the charms of Johan Sebastian with the grace and lilt of the modern piano and the virtuosity of a great artist, you're in for a treat. To say this music is beautiful is an understatement."
Gifted Pianist Explores All Interpretive Possibilities With
Raymond Vacchino | Toronto, ON. Canada | 11/30/2008
(5 out of 5 stars)
"Pianist Alexandre Tharaud has an unique gift which allows him the ability to take remarkable command of J.S. Bach's musical styles and dialects.
Throughout this recording of the 'Concertos Italiens', Tharaud's vibrant and varied sonorities perpetually sing, while his contrapuntal acumen leaves no detail unconsidered nor unduly fussed over. The playing follows history and manifestation of the genre as seen through his eyes offering magnificent insight to amateurs, students and virtuoso's.
Tharaud's tempi always seem right for what the music has to express, and textures gorgeously showcase his fluent, utterly natural conversational give and take between the hands. The Italian Concertos were in all likelihood, brought back from Amsterdam by Bach's employer in Wiemar and then transcribed in about 1714.
Tharaud's unique abilities are also found in the way he conveys the "real voice" of Vivaldi. By creating various moods that move from a yearning lament to a measured pulse, non-legato touch, and strong melodic projection he highlights the F major'Italian Concerto's' inner rhythmic motion, decorative lines and lyricism, while his left hand provides a strong decisive underpinning. Even at a brisk tempo, the music speaks clearly and eloquently while every accent, syncopation and cross-rhythmic gesture is perfectly placed. It is in the second movement that Tharaud displays his truly interpretive gift.
Every possibility is explored, but the playing remains a model of musical grace. There is such a sense of inner repose and inclusiveness from start to finish, complimented by impeccable taste and musicianship. The last movement obtains such a wide variety of articulations and a keen ear for harmonic tension and release. As well the icing on the cake is made delicious in the finale, due to the strict pulse he maintains in the "perpetuum mobile" motion.
The expertise Tharaud displays throughout this recording makes you totally aware of the way convention and style are enlivened by Bach's genius. One comes away dazzled by the unique sonorities, imagination and elan of these magnificent transcribed performances.
Pianist Alexandre Tharaud yields to fantasy, allure and the breeziness which Bach would have both admired and wanted.
I personally feel that Tharaud has created a masterpiece that will be treasured, as well as setting a presedent of virtuosic excellence that will indeed challenge the most formidable of concert-pianists to surpass!
Author: Raymond Vacchino M.Mus. Classical Music Critic"
Little Known Transcriptions, Perfectly Performed
John Hopfensperger | Midland, MI | 03/30/2008
(5 out of 5 stars)
"It is easy to forget that Bach had competition as a Baroque composer (or, indeed, that he wasn't even as famous as this competition in his own time). And so, this disc comes as a pleasant surprise. To hear his own transcriptions of music by Vivaldi (as well as Alessandro and Benedetto Marcello) reveals the contemporary influences on Bach's music. After all, this was how Bach learned to compose - by studying and transcribing the music of his predecessors.
And then he would transcend them. The comparison of Bach to his contemporaries is illustrative not only of Bach's mastery of the keyboard - his ability to capture the full essence of their concerti with just the unaccompanied piano - but also of his progression into the master of the Baroque. The Italian Concerto is clearly the major work on this disc, and this performance is remarkably full of life
Tharaud captures nearly the contrapuntal clarity of Perahia (who is unmatched in this regard), but plays with greater speed and excitement. This may be the best recording of Bach's concerto on disc.
The other, lesser works are also realized with technical perfection and unobjectionable music taste. The sound, of demonstration quality, fully meets the high expectations of the Harmonia Mundi label. This disc may be pricey (though, if you've the technology, the Amazon-mp3 album is a steal at mid-price), but it is simply beyond reproach in any regard.