Springsville [Master] - Miles Davis, Carisi, Johnny
The Maids of Cadiz [Master] - Miles Davis, Delibes, Leo
The Duke [Master] - Miles Davis, Brubeck, Dave
My Ship [Master] - Miles Davis, Gershwin, Ira
Miles Ahead [Master] - Miles Davis, Davis, Miles
Blues for Pablo [Master] - Miles Davis, Evans, Gil
New Rhumba [Master] - Miles Davis, Jamal, Ahmad
The Meaning of the Blues [Master] - Miles Davis, Troup, Bobby
Lament [Master] - Miles Davis, Johnson, J.J. [Trom
I Don't Wanna Be Kissed (By Anyone But You) [Master] - Miles Davis, Elliott, Jack
Springsville [Remake Take 7] - Miles Davis, Carisi, Johnny
The Maids of Cadiz [Take 1] - Miles Davis, Delibes, Leo
The Duke [Take 11] - Miles Davis, Brubeck, Dave
My Ship [Take 1] - Miles Davis, Gershwin, Ira
Miles Ahead [Take 4] - Miles Davis, Davis, Miles
Blues for Pablo [Take 1] - Miles Davis, Evans, Gil
New Rhumba [Take 5] - Miles Davis, Jamal, Ahmad
The Meaning of the Blues [Rehearsal Take] - Miles Davis, Troup, Bobby
Lament [Rehearsal Take] - Miles Davis, Johnson, J.J. [Trom
I Don't Wanna Be Kissed (By Anyone But You) [Take 8] - Miles Davis, Elliott, Jack
[Pause Track] - Miles Davis,
Track Listings (21) - Disc #2
Buzzard Song [Master] - Miles Davis, Gershwin, George
Bess, You Is My Woman Now [Master] - Miles Davis, Gershwin, George
Gone [Master] - Miles Davis, Gershwin, George
Gone, Gone, Gone [Master] - Miles Davis, Gershwin, George
Summertime [Master] - Miles Davis, Gershwin, George
Oh Bess, Oh Where's My Bess? [Master] - Miles Davis, Gershwin, George
Prayer (Oh Doctor Jesus) [Master] - Miles Davis, Gershwin, George
Fisherman, Strawberry and Devil Crab [Master] - Miles Davis, Gershwin, George
My Man's Gone Now [Master] - Miles Davis, Gershwin, George
It Ain't Necessarily So [Master] - Miles Davis, Gershwin, George
Here Come de Honey Man [Master] - Miles Davis, Gershwin, George
I Loves You, Porgy [Master] - Miles Davis, Gershwin, George
There's a Boat That's Leaving Soon for New York [Master] - Miles Davis, Gershwin, George
Gone [Take 3] - Miles Davis, Gershwin, George
Summertime [Take 2] - Miles Davis, Gershwin, George
Prayer (Oh Doctor Jesus) [Take 2] - Miles Davis, Gershwin, George
I Loves You, Porgy [Take 1, Second Version] - Miles Davis, Gershwin, George
There's a Boat That's Leaving Soon for New York [Take 2] - Miles Davis, Gershwin, George
Oh Bess, Oh Where's My Bess? [Take 5] - Miles Davis, Gershwin, George
Gone [Take 4] - Miles Davis, Gershwin, George
[Pause Track] - Miles Davis,
Track Listings (12) - Disc #3
Concierto de Aranjuez (Adagio) [Master] - Miles Davis, Rodrigo, Joaquin
Will O' the Wisp [Master] - Miles Davis, Cinelu, Mino
The Pan Piper [Master] - Miles Davis, Evans, Gil
Saeta [Master] - Miles Davis, Evans, Gil
Solea [Master] - Miles Davis, Evans, Gil
Song of Our Country [Issued Take][Version] - Miles Davis, Evans, Gil
Saeta [Full Version of Master] - Miles Davis, Evans, Gil
The Pan Piper [Take 1] - Miles Davis, Evans, Gil
Concierto de Aranjuez (Adagio), Pt. 1 [Alternate Take] - Miles Davis, Rodrigo, Joaquin
Concierto de Aranjuez (Adagio), Pt. 2 [Alternate Take] - Miles Davis, Rodrigo, Joaquin
Song of Our Country [Take 14] - Miles Davis, Evans, Gil
[Pause Track] - Miles Davis,
Track Listings (20) - Disc #4
Song No. 2 [Master] - Miles Davis, Davis, Miles
Once upon a Summertime [Master] - Miles Davis, Barclay, Eddie
Aos Pes da Cruz [Master] - Miles Davis, Goncalves, Pedro
Song No. 1 [Master] - Miles Davis, Davis, Miles
Wait Till You See Her [Master] - Miles Davis, Hart, Lorenz
Corcovado [Master] - Miles Davis, Jobim, Antonio Carl
Blue Xmas (To Whom It May Concern) [Master] - Miles Davis, Dorough, Bob
Nothing Like You [Master] - Miles Davis, Dorough, Bob
Devil May Care [Master] - Miles Davis, Dorough, Bob
The Time of the Barracudas - Miles Davis, Davis, Miles
Falling Water [Take 4] - Miles Davis, Evans, Gil
Falling Water [Take 6] - Miles Davis, Evans, Gil
Falling Water [Take 8] - Miles Davis, Evans, Gil
Falling Water [Take 9] - Miles Davis, Evans, Gil
Springsville [Take 5] - Miles Davis, Carisi, Johnny
The Maids of Cadiz [Take 11] - Miles Davis, Delibes, Leo
The Maids of Cadiz [Take 11, Insert 1] - Miles Davis, Delibes, Leo
Lament [Medley: Take 2][Medley] - Miles Davis, Johnson, J.J. [Trom
The Duke [Take 1] - Miles Davis, Brubeck, Dave
I Don't Wanna Be Kissed (By Anyone But You) [53225 Issued Version] - Miles Davis, Elliott, Jack
Track Listings (23) - Disc #5
Springsville [Rehearsal Sequence] - Miles Davis, Carisi, Johnny
Springsville [Rehearsal with Piano] - Miles Davis, Carisi, Johnny
The Maids of Cadiz [Take 9] - Miles Davis, Delibes, Leo
The Maids of Cadiz [Take 10] - Miles Davis, Delibes, Leo
The Maids of Cadiz [Rehearsal Sequence] - Miles Davis, Delibes, Leo
Count off for the Duke [Take 3] - Miles Davis, Brubeck, Dave
The Duke [Take 8] - Miles Davis, Brubeck, Dave
The Duke [Piano Take 3][Version] - Miles Davis, Brubeck, Dave
My Ship [Take 6] - Miles Davis, Gershwin, Ira
Miles Ahead [Rehearsal Sequence] - Miles Davis, Davis, Miles
Miles Ahead [Take 12] - Miles Davis, Davis, Miles
Miles Ahead [Take 15] - Miles Davis, Davis, Miles
Studio Discussion - Miles Davis,
My Ship [Take 7] - Miles Davis, Gershwin, Ira
Miles Ahead [Piano Insert-Mono] - Miles Davis, Davis, Miles
Blues for Pablo [Rehearsal Sequence] - Miles Davis, Evans, Gil
New Rhumba [Take 2] - Miles Davis, Jamal, Ahmad
Lament [Take 1] - Miles Davis, Johnson, J.J. [Trom
I Don't Wanna Be Kissed (By Anyone But You) [Rehearsal] - Miles Davis, Elliott, Jack
I Don't Wanna Be Kissed (By Anyone But You) [Take 5] - Miles Davis, Elliott, Jack
Studio Discussion - Miles Davis,
I Don't Wanna Be Kissed (By Anyone But You) [Piano Take 4][Version] - Miles Davis, Elliott, Jack
[Pause Track] - Miles Davis,
Track Listings (30) - Disc #6
Studio Discussion - Miles Davis,
Springsville [Take 8 Without Overdubs] - Miles Davis, Carisi, Johnny
Studio Discussion - Miles Davis,
Miles Ahead [Take 11 Without Overdubs] - Miles Davis, Davis, Miles
I Don't Wanna Be Kissed (By Anyone But You) [Take 3 Without Overdubs] - Miles Davis, Elliott, Jack
Springsville [Overdub Take 1][Take] - Miles Davis, Carisi, Johnny
Springsville [Overdubbed Solos 4-5] - Miles Davis, Carisi, Johnny
Springsville [Overdubbed Solos 6-9] - Miles Davis, Carisi, Johnny
Springsville [Issued Overdubbed Solo] - Miles Davis, Carisi, Johnny
Miles Ahead [Issued Overdubbed Solo] - Miles Davis, Davis, Miles
Miles Ahead [Overdubbed Solo] - Miles Davis, Davis, Miles
I Don't Wanna Be Kissed (By Anyone But You) [Overdubbed Solo 1] - Miles Davis, Elliott, Jack
I Don't Wanna Be Kissed (By Anyone But You) [Overdubbed Solo 2] - Miles Davis, Elliott, Jack
I Don't Wanna Be Kissed (By Anyone But You) [Overdubbed Solo 4] - Miles Davis, Elliott, Jack
I Don't Wanna Be Kissed (By Anyone But You) [Overdubbed Solo 8] - Miles Davis, Elliott, Jack
I Don't Wanna Be Kissed (By Anyone But You) [Overdubbed Solo 19 & 19C] - Miles Davis, Elliott, Jack
Miles Ahead [Mono Master] - Miles Davis, Davis, Miles
Gone [Rehearsal Sequence] - Miles Davis, Gershwin, George
Gone, Gone, Gone [Rehearsal Sequence] - Miles Davis, Gershwin, George
Studio Discussion - Miles Davis,
Bess, You Is My Woman Now [Rehearsal Take] - Miles Davis, Gershwin, George
It Ain't Necessarily So [Take 1] - Miles Davis, Gershwin, George
Oh Bess, Oh Where's My Bess? [Take 3] - Miles Davis, Gershwin, George
I Loves You, Porgy [Rehearsal Sequence] - Miles Davis, Gershwin, George
There's a Boat That's Leaving Soon for New York [Remake] - Miles Davis, Gershwin, George
My Man's Gone Now [Remake Take] - Miles Davis, Gershwin, George
Song of Our Country [Take 9] - Miles Davis, Evans, Gil
Concierto de Aranjuez (Adagio) [Rehearsal] - Miles Davis, Rodrigo, Joaquin
Concierto de Aranjuez (Adagio) [Alternate Ending] - Miles Davis, Rodrigo, Joaquin
[Pause Track] - Miles Davis,
From their first work together on the Birth of the Cool sessions in 1949, Miles Davis and Gil Evans forged a unique relationship as great soloist and brilliant arranger. The real opportunity to explore their shared vision ... more »didn't come until 1957, however, when Davis had forged a relationship with a major record label able to support it. Though a product of the big-band tradition, Evans was never limited by sectional voicings and riffs. He had an interest in unusual instrumentation and a talent for creating subtle mixes of distinct voices, adding French horns, oboe, bassoon, and harp to the conventional big band and thinning its saxophone, trumpet, and trombone sections. His arrangements for Davis are like settings for the finest jewels, whether he's creating rich, brass chords or adding only light percussion to the trumpeter's solitary lament. Together Davis and Evans produced three orchestral masterpieces: Miles Ahead (1957), Porgy and Bess (1958), and Sketches of Spain (1960). They're all here, along with less-inspired, later projects like the Quiet Nights bossa nova album. What most distinguishes the box set is the archival work of Phil Schaap, who has compiled a wealth of alternate takes. They reveal much about the processes that went into these works, including extensive editing and even some overdubbing. As early as 1957, Evans and Davis were already beginning to use the studio itself as an integral part of their music. --Stuart Broomer« less
From their first work together on the Birth of the Cool sessions in 1949, Miles Davis and Gil Evans forged a unique relationship as great soloist and brilliant arranger. The real opportunity to explore their shared vision didn't come until 1957, however, when Davis had forged a relationship with a major record label able to support it. Though a product of the big-band tradition, Evans was never limited by sectional voicings and riffs. He had an interest in unusual instrumentation and a talent for creating subtle mixes of distinct voices, adding French horns, oboe, bassoon, and harp to the conventional big band and thinning its saxophone, trumpet, and trombone sections. His arrangements for Davis are like settings for the finest jewels, whether he's creating rich, brass chords or adding only light percussion to the trumpeter's solitary lament. Together Davis and Evans produced three orchestral masterpieces: Miles Ahead (1957), Porgy and Bess (1958), and Sketches of Spain (1960). They're all here, along with less-inspired, later projects like the Quiet Nights bossa nova album. What most distinguishes the box set is the archival work of Phil Schaap, who has compiled a wealth of alternate takes. They reveal much about the processes that went into these works, including extensive editing and even some overdubbing. As early as 1957, Evans and Davis were already beginning to use the studio itself as an integral part of their music. --Stuart Broomer
The Miles Davis and Gil Evans Box Set - Great Remasters And
Mark | East Coast | 09/04/2008
(5 out of 5 stars)
"The Miles Davis and Gil Evans: Complete Columbia Studio Recordings box set is a treasure trove for those who must have every recording. Less serious fans may want to start with less expensive issues of the individual albums.
Miles Davis has many box sets devoted to him, and this one is by far the most unique. After purchasing several of the Miles Davis box sets that have been re-released by Columbia, I have to say that I am very pleased. Eventually I will get them all, but my love of Gil Evans in addition to Miles is what made me pull the trigger on this set.
For starters, what comes through this set even with a casual listen is the incredible influence that Gil had on the arrangements and approach taken during their greatest collaborations. On many of the tracks, the horn arrangements and solos are pushed center stage, with Gil's play only providing a subtle backdrop. That's typical Gil, though I do wonder what the outcome might have been if he had allowed himself to step forward more in those early years.
Still, the tracks manage to be both incredibly traditional and daring at the same time, and this especially true of the alternate takes. Once you hear the alternate takes, rehearsal tracks, and overdubs it's clear that the sound has to be in large part to Gil's credit. In fact, the only way to describe the sound on some of these tracks is *large*. The encyclopedic inclusion of various alternate takes and rehearsal takes provides tremendous insight and could easily be used by students of this music and history who want to get inside the minds of these recording artists and compare against the final product.
That's another reason why this reissue is so worth getting. While I have no complaints about the original recordings, several of the tracks are so greatly improved by the remastering to almost make the listening experience completely new for me. I am slowly being converted to the remastering camp. If all the reissued box sets sound this good, I may start to purchase multiple copies of each of them. :)
I was somewhat confused by the *placement* of many of the tracks, especially the way certain retakes are split between different disks. At times they correspond to the original albums and at other times they don't. I don't know why Mr. Schaap chose to do it this way, but I am pretty certain there were very good reasons. It does make you wonder, but it doesn't change the fact that these are very listenable disks.
Now because this is a set of the complete studio recordings, there are some tracks here that I am not particularly crazy about. Among them are "Blue Xmas" and "Nothing Like You." Those tracks made me glad that not every song on here has alternate and rehearsal takes included.
The box is certainly attractive, though understated. It is certainly more durable and functional than other recent boxes I have purchased.
As with all Miles Davis sessions under Columbia, these recordings showcase fantastic musicians. Miles Ahead and Porgy and Bess are clearly the most highly regarded albums that resulted from Gil's work with Miles, but Sketches of Spain will probably always be my personal favorite of the group. I am also a fond of Quiet Nights, which has probably been over-criticized IMHO. Yet the extra takes means that even if you own those albums you still have a very good reason to purchase this set.
If you haven't yet purchased this set, take this opportunity to add it to your collection.
Enjoy!
"
The first of 8 deluxe boxes
Jim Z | 12/18/2007
(5 out of 5 stars)
"Shame you can barely find this is in the metal encased box as it was originally released. Glad I snatched it up when it came out in 1997. This is the first RELEASED Columbia boxes that took from 1997 until 2007 to complete. Chronologically , it would be the 2nd box. Fabulous sound on this reissue. The people who put this entire series together did so with extreme care and meticulous detail.The music ? C'mon , it's MILES...put it in your shopping cart !"
Too Complete - Many Rehearsal Takes and Re-takes
D. Guthridge | Chicago | 10/06/2008
(4 out of 5 stars)
"Somewhat difficult to get into the groove of listening, because the set is more of an academic study of the recording sessions with these two giants of the jazz world.
I will edit the set to separate the listenable from the historic; some charts stop in the middle in order to begin another take.
This set also includes several takes of the same chart, as well as different solo break overdubs.
If you're looking for a set to immediately have for an evening's playlist, you'll need to spend some time picking and choosing. You may prefer to purchase their studio CDs individually. However, it's well worth the journey.
At the end of the day, it's Miles Davis during a very introspective yet lyrical point of his journey, and for me, while I could still understand what he was trying to achieve."