SONGS INCLUDE : Act 1. The Overture / Act 1. Huckleberry Pie / Mysterious Ways — / Act 1. Somebody Gonna Love You / Act 1. Our Prayer / Act 1. That Fine Mister / Act 1. Big Dog / Act 1. Lily of the Field / Act 1. Dear God -... more » Sofia / Act 1. A Tree Named Sofia / Act 1. Hell No! / Act 1. Brown Betty / Act 1. Shug Avery Comin' to Town / Act 1. All We've Got to Say / Act 1. Dear God - Shug / Act 1. Too Beautiful for Words / Act 1. Push Da Button / Act 1. Uh Oh! / Act 1. What About Love? / Act 1. Finale / Act 1. African Homeland / Act 2. The Color Purple / Act 2. Church Ladies' Easter / Act 2. I Curse You Mister / Act 2. Celie's Curse/ Act 2. Miss Celie's Pants / Act 2. Any Little Thing / Act 2. What About Love? (reprise) / Act 2. I'm Here / Act 2. The Color Purple (reprise)« less
SONGS INCLUDE : Act 1. The Overture / Act 1. Huckleberry Pie / Mysterious Ways
/ Act 1. Somebody Gonna Love You / Act 1. Our Prayer / Act 1. That Fine Mister / Act 1. Big Dog / Act 1. Lily of the Field / Act 1. Dear God - Sofia / Act 1. A Tree Named Sofia / Act 1. Hell No! / Act 1. Brown Betty / Act 1. Shug Avery Comin' to Town / Act 1. All We've Got to Say / Act 1. Dear God - Shug / Act 1. Too Beautiful for Words / Act 1. Push Da Button / Act 1. Uh Oh! / Act 1. What About Love? / Act 1. Finale / Act 1. African Homeland / Act 2. The Color Purple / Act 2. Church Ladies' Easter / Act 2. I Curse You Mister / Act 2. Celie's Curse/ Act 2. Miss Celie's Pants / Act 2. Any Little Thing / Act 2. What About Love? (reprise) / Act 2. I'm Here / Act 2. The Color Purple (reprise)
I admired her on the cast recording of "Once on This Island," but that was a long time ago, and now, in the space of a month, she's appeared in a starring role on two major cast recordings: the new Stephen Flaherty-Lynn Ahrens musical "Dessa Rose" and now this one, "The Color Purple." She's fantastic in both. What is particularly impressive is that though her two characters are not exactly miles apart (both are downtrodden women who age over the course of the show and eventually triumph over troubling beginnings), LaChanze creates two fully realized portraits-- you can listen to both recordings one after another and not mix up her Dessa with her Celie here. This is strong acting and she's very impressive. "Dessa Rose" is long gone, but I'm sure LaChanze can expect a Tony nomination for her work in "Purple."
While we're speculating on nominations, let's not forget Elisabeth Withers-Mendes, who's songstress Shug Avery is a sexy highlight on this recording. Felicia P. Fields also makes a memorable impression on disc as the strong and defiant Sofia. Okay, really the whole cast is good-- men included. They are the best reasons to own this recording.
As for the music-- well it's not the most distinguished you'll hear, but it's fairly full of energy and works well enough. If some of it tends towards the generic, there are also moments of power sprinkled throughout. There's a lot of variety in musical styles (though the time period feels like it moves from the 1930's to the 60's or so, rather than the 10's to the 40's, or really just back and forth all over the century). There are also little "snippets" of music in addition to longer, traditional numbers. That's a trend in musicals I like-- in which not every musical number needs to be a bona fide "song." The score is by first time musical composers Brenda Russell, Allee Willis, and Stephen Bray. If it's not a complete success, it's a worthy attempt, and a perfectly enjoyable listen.
Plus it has LaChanze. (Did I mention she's really, really good?)
"
So Much Promise, But Only A Few Standout Tunes
AJK | Chicago, IL | 02/21/2006
(4 out of 5 stars)
"Alice Walker's classic novel and outstanding 1985 motion picture adaptation raise the bar quite high for a Broadway offering. The results are nice & performances, especially Tony Winner LaChanze (Celie), Felicia Fields (Sophia) & Elisabeth Winters-Mendes (Shug), are excellent.
The score, contains a few noteworthy tunes, but could/should have been so much more. Best tracks:
Hell No!
Push Da Button
What About Love?
The Color Purple
"
Too beatiful for words
Dennis Marquez | Den Helder, Holland | 08/09/2006
(5 out of 5 stars)
"I'm from the Netherlands, and just got back from my trip to NYC. I saw the show twice, both times at the first row (had to stand in line for six hours both times) and I was totally amazed.
I've see so many shows over the past 15 years but never saw one like this. I think this cast album is especially great when you've seen the show, since it brings back such great memories and lets you go through the show again in a wonderful way. Though it doesn't compare to what you've seen on stage.
I didn't have laChanze both times, but her standby (Kenita) may even have been better, at least I liked her voice better. I want to share this musical with everyone and would recommend it to everyone.
I sort of feel like how Oprah felt when she first read the novel, and started to give away copies to complete strangers. That's how I feel with having seen this shows, I would love to share this with everyone, since it has left me such a great feeling of which I think it's gonna last for a long time. There's only one small issue, and that is that I don't have Oprah's money, so you'll just have to go and buy your tickets yourselves ;) But this CD may be a nice warming-up for the show, and is one of the best cast-albums I own. They should have made a 2-cd with the entire show!
Be inspired!"
Enjoyed a Few Songs, but ...
MmC | Traverse City, Michigan | 06/25/2006
(3 out of 5 stars)
"I really enjoyed a few of the songs, esp. "What About Love", "The Color Purple" & "Hell No" ... but there are so many songs I just skip."
Hell No!
Tom George | Wash. DC | 03/04/2008
(2 out of 5 stars)
"I am a huge fan of the Speilberg fim (I still think it's his best work..and not an alien or dinosaur in sight..), and found the book to be profoundly moving, so I had high hopes for the musical. However, now I just don't see the point. How can a musical in 2 and a half hours capture all the power and beauty of Alice Walker's book, or Spielberg's masterpiece of a film. It can't. But they sure do try! Even though the performances are all first rate, LaChance is wonderful as Celie, it all seems strained and forced, as though the writers were desperate to incorporate all the elements of the book and film into the musical, and it doesn't work. You can even tell when a big song is coming, it's right after a memorable line from the film or book occurs...cue big number!! The finale doesn't come close to the sheer power and beauty of the ending of the film. And while the score has a couple pleasant melodies to recommend, on the whole it seems to be a hodge-podge of music, and the orchestrations don't help. They don't seem to fit the period. Start with the overture which sounds like the soundtrack for a bad 70's movie, it's too brassy and too synthesized.
If you are a true theater fanatic, or a devotee of the book or movie, stay away, you'll be hugely disappointed."