Italian Concerto, for solo keyboard in F major (Clavier-Übung II/1), BWV 971 (BC L7): [--]
Italian Concerto, for solo keyboard in F major (Clavier-Übung II/1), BWV 971 (BC L7): Andante
Italian Concerto, for solo keyboard in F major (Clavier-Übung II/1), BWV 971 (BC L7): Presto
Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: [Ouverture]
Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Courante
Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Gavotte 1, 2
Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Passepied 1, 2
Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Sarabande
Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Bourrée 1, 2
Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Gigue
Overture in the French Manner, partita for keyboard in B minor (Clavier-Übung II/2), BWV 831: Echo
Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Prelude
Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Fuga
Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Allegro
Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34): Fantasia
Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34): Fuga
In 1735, Bach entrusted the second part of his Clavier-Übung to a Nuremburg engraver. The two pieces brought together in the second part of the Clavier-Übung--the Concerto in the Italian Style and the Overture ... more » in the French Manner--share more than one unifying element, and present several very particular aspects within the work of the composer, as well as within the style of keyboard composition then current in Europe.« less
In 1735, Bach entrusted the second part of his Clavier-Übung to a Nuremburg engraver. The two pieces brought together in the second part of the Clavier-Übung--the Concerto in the Italian Style and the Overture in the French Manner--share more than one unifying element, and present several very particular aspects within the work of the composer, as well as within the style of keyboard composition then current in Europe.