With a career work ethic that would shame the slackest slacker--or even Randy Newman--this 2002 release marks just the second album by inveterate L.A. music fixture Chuck E. Weiss (and subject of Rickie Lee Jones's 1979 hi... more »t, "Chuck E.'s in Love") in 18 years. And unlikely as it seems, this follow up to his 1999 rough-cut jewel, Extremely Cool, finds Weiss on a creative, if typically slapdash, roll. This gleefully haphazard cocktail of blues, swing, be-bop, and Dixieland still can't escape comparisons with old pal Tom Waits, except that Weiss's self-dubbed "alternative jungle music" is typically more accessible--and infinitely more hilarious--than his better-publicized peer. Typically (and gratifyingly), Weiss approaches this music with all the dignity of a lush at an open bar: slave chants rub shoulders with middle-aged Jew hoodoo ("Congo Square at Midnight"); the tale of "Sweetie-O" swings to a spare hipster groove laid down by guitarist Tony Gilkyson; the patent falsetto-weirdness of "Piggly Wiggly" segues like old grease into the '50s trash-can-rhythm shuffle of "Two Tone Car." The toy piano of "Anthem for Old Souls" and loopy rhymes of "Sneaky Jesus" may also recall the Waits connection, but the goofily heartfelt lament of "No Hep Cats" and smoky jazz of "Blood Alley" argue that Weiss holds his distinctly American bohemian traditions, musical and otherwise, in high regard. As if to underscore the point, Weiss has included "Down the Road Apiece," his 1970 duet with blues legend Willie Dixon, a track that's perhaps the album's most jarringly normal. Also included is a video enhanced bonus track of "Cub Scout Suit (With the Butt Cut Out)" recorded live at L.A.'s Viper Room. A compelling argument that strong roots can nonetheless yield a spectacularly twisted tree. --Jerry McCulley« less
With a career work ethic that would shame the slackest slacker--or even Randy Newman--this 2002 release marks just the second album by inveterate L.A. music fixture Chuck E. Weiss (and subject of Rickie Lee Jones's 1979 hit, "Chuck E.'s in Love") in 18 years. And unlikely as it seems, this follow up to his 1999 rough-cut jewel, Extremely Cool, finds Weiss on a creative, if typically slapdash, roll. This gleefully haphazard cocktail of blues, swing, be-bop, and Dixieland still can't escape comparisons with old pal Tom Waits, except that Weiss's self-dubbed "alternative jungle music" is typically more accessible--and infinitely more hilarious--than his better-publicized peer. Typically (and gratifyingly), Weiss approaches this music with all the dignity of a lush at an open bar: slave chants rub shoulders with middle-aged Jew hoodoo ("Congo Square at Midnight"); the tale of "Sweetie-O" swings to a spare hipster groove laid down by guitarist Tony Gilkyson; the patent falsetto-weirdness of "Piggly Wiggly" segues like old grease into the '50s trash-can-rhythm shuffle of "Two Tone Car." The toy piano of "Anthem for Old Souls" and loopy rhymes of "Sneaky Jesus" may also recall the Waits connection, but the goofily heartfelt lament of "No Hep Cats" and smoky jazz of "Blood Alley" argue that Weiss holds his distinctly American bohemian traditions, musical and otherwise, in high regard. As if to underscore the point, Weiss has included "Down the Road Apiece," his 1970 duet with blues legend Willie Dixon, a track that's perhaps the album's most jarringly normal. Also included is a video enhanced bonus track of "Cub Scout Suit (With the Butt Cut Out)" recorded live at L.A.'s Viper Room. A compelling argument that strong roots can nonetheless yield a spectacularly twisted tree. --Jerry McCulley
almosthappy | San Diego, CA, California | 01/24/2002
(4 out of 5 stars)
"I was very delighted-no, overjoyed!-when I spotted Chuck E Weiss's low-key, no-publicity new album in a local music store. It wasn't displayed, it wasn't on the new-releases shelf, a single copy was simply and humbly filed next to his 1999 aptly titled LP "Extremely Cool". Chuck E is like one of your weird uncles who smokes and drinks too much, and nobody in your family likes him. But you don't mind chewing the fat with him, sipping a spiked lemonade on the porch while listening to his wild stories from the good old Bohemian days, or even occasionally taking some avuncular advices from the old man on women, cigarettes and various other un-kosher activities. The songs on this new collection call to mind many influences. Comparisons to his old pal, Tom Wais, are inevitable. Other people will probably talk to you about all the similarities, so I won't go into them. Instead, I'll tell ya how this new album is dissimilar to Tom Waits in many ways. First of all, it's not produced, co-wrote, or guest-stared by Tom. The songs are written almost exclusively by Chuck himself. Makes one wonder what the sources of his new-found inspirations are (after all, we are talking about a man with a disproportional 40-year career and a 3-LP catalog). Second departure from Tom is indicated by the ecstatic joy that can be found in the new songs. Bluesy and earthy, quite different from some of Tom's recent works which are thick, dark, theatrical, and Kurt Weill-esque (Don't get me wrong, I LOVE Tom's recent stuff and hope he never stops making them. I'm just saying that Chuck's new songs have a different vibe.) The new set of Chuck E songs are raw, rowdy, playful, soulful, and definitely more accessible. A rich tapestry of different schools of Americana, reminiscent of the swampy Dr. John and Professor Longhair's Cajun brew. A wonderful album and arrived just in time, a nice mental retreat from the harsh Canadian winter. If you wish you were in New Orleans as well, I suggest you go buy the Wolf Tickets and ride the slow train with the Old Souls to the gay old Cajun country!"
Early Candidate for "Best of '02" List
D. Sean Brickell | gorgeous Virginia Beach, VA United States | 02/01/2002
(5 out of 5 stars)
"To my ears, this is an amazing new release by Chuck E. Weiss, and one that actually has me starting my "Best Of" list only 31 days into '02. It fulfills the promise made last year on Weiss's first effort in almost two decades. How? By standing apart from (possibly, above!) his primary musical and lyrical influences. What makes this CD especially memorable is the appearance of Mr. Willie Dixon. While most often Weiss is compared to his old running mate Tom Waits -- for prettydamngoodreason -- this time it's also impossible not to hear other strong influences reminiscent of Dr. John and Professor Longhair at their Cajun-gumbo-best.Anyone who needs a shot of rhythm & blues can get a distillery-load off this disc.The songs are sometimes simultaneously humorous and serious, but none are done simply to be clever. This is a display of the real crafts of songwriting and tunesmithing.Maybe it's simply wishful thinking on my part, but in my mind, I can hear Van Morrison doing these songs. The relaxed and confident freeform style is so comparable. I wish-to-god Morrison would listen to this disc and re-ignite his dedication to original blues/jazz/rock roots."
Refreshing Blues With A Twist!
deepbluereview | SACRAMENTO, CALIFORNIA USA | 03/29/2002
(5 out of 5 stars)
"Chuck E. Weiss is the epitome of cool. As a teenager, Chuck E. toured various venues with the late Lightnin' Hopkins and Willie Dixon and in the late 70's he was the subject of Rickie Lee Jones top ten tune "Chuck E.'s In Love". His friends include Tom Waits and Johnny Depp. In fact, Weiss together with Depp founded the Viper Room in Los Angeles which is featured in the video enhanced track contained on the disc "Dixieland Funeral". Musically, Weiss recorded a solo album in the 70's which, for unknown reasons, received only limited distribution. So dismal were the results, Weiss opted to perform in clubs of his choosing and did not record another solo CD until coaxed back to the studio in 1999 by friend, Tom Waits who co-produced the exceptional "Extremely Cool". While, Waits does not play a role in the production of this disc, his influence is heard throughout, especially in tunes like "Congo Square At Midnight", "No Hep Cats" and "Sneaky Jesus". Overall, the CD is not blues in the more traditional sense. It is, however, heavily jazz/ blues influenced and some songs, like "Down The Road A Piece" and "Dixieland Funeral" would be at home in any Dixie bar. This is a musical experience not to be missed. Pick this up and then seek out "Extremely Cool"."
Did I mention he is an acquired taste?
SUPERMAN | THE 40 WATT IN ATHENS | 03/09/2006
(3 out of 5 stars)
"How to describe Chuck E. Weiss, hmmmm, well he is one part Tom Waits and then throw in some Dr. John. The New Orleans sound is dominant as are rambling songs that appear to be spontaneous takes. Hell, let's just say he is different and not for everybody. But if you are in the right mood, that perfect mood, this album cannot last long enough."