Piano Concerto No. 1 in E minor, Op. 11, CT. 47: I. Allegro maestoso
Piano Concerto No. 1 in E minor, Op. 11, CT. 47: II. Romanze - Larghetto
Piano Concerto No. 1 in E minor, Op. 11, CT. 47: III. Rondo - Vivace
Waltz for piano No. 3 in A minor, Op. 34/2, CT. 209
Variations on 'La ci darem' from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225
In his second volume of Chopin on a mid-19th-century Érard, Ax continues to demonstrate both the qualities of the instrument and his own artistry. The best test of the disc is the second movement of the concerto, in w... more »hich Ax makes the Érard sing, plays with artistic flexibility and taste, and interacts beautifully and convincingly with the period-instrument orchestra. (Chopin's often-maligned orchestration sounds better than usual with these instruments.) Ax turns the waltz into a miniature tone poem in an exquisite performance. The early variations, which led Schumann to proclaim Chopin a genius, sound like fluff today, but these players make it entertaining. This disc is both an artistic experience and a musical education. --Leslie Gerber« less
In his second volume of Chopin on a mid-19th-century Érard, Ax continues to demonstrate both the qualities of the instrument and his own artistry. The best test of the disc is the second movement of the concerto, in which Ax makes the Érard sing, plays with artistic flexibility and taste, and interacts beautifully and convincingly with the period-instrument orchestra. (Chopin's often-maligned orchestration sounds better than usual with these instruments.) Ax turns the waltz into a miniature tone poem in an exquisite performance. The early variations, which led Schumann to proclaim Chopin a genius, sound like fluff today, but these players make it entertaining. This disc is both an artistic experience and a musical education. --Leslie Gerber
"...Ax has, in my estimation, a brilliance for being subtle. His playing won't jump out and smack you upside the head (such as Kempff's playing does to me) - you have to be paying attention. His playing will provide the listener with sheer delight to the sense, if the senses are tuned into what he is doing.This CD is no exception. Although is all-around great, the most shining gem on this CD is the second movement of the Chopin Concerto. Here, Ax does an exceptionally brilliant interpretation - and he is backed by an orchestra wonderfully sympathetic to his style of playing. He doesn't "jump out," and neither do that (they couldn't anyways; they're on period instruments).But don't just take my word for it - buy it and hear it yourself! ...this CD is a delight. More than that, it's fun!"
Another Great Chopin Recording From Ax, Mackerras Et Al.
John Kwok | New York, NY USA | 12/19/2001
(5 out of 5 stars)
"Emanuel Ax follows up his excellent performance of Chopin's 2nd Piano Concerto with this splendid version of the first concerto, which again is also performed on a vintage 1851 Erard piano. Just as he did with the first concerto, Ax is content to give an understated performance, that is still replete with drama. It is one which certainly works well on this instrument. Again, he is superbly backed by Mackerras and the period instrument ensemble Orchestra Of The Age Of Enlightenment. Those who prefer Argerich's dramatic interpretations may find this recording a bit of a disappointment. However, I think Ax's interpretation is as valid as hers. Once more, the sound quality is exceptional."
Genuine Magic
Mike Simonsen | San Francisco, CA | 07/09/2007
(5 out of 5 stars)
"If you like your Chopin pianism percussive, or even merely aggressive, this CD is not for you. The 1851 instrument has a gentle and rarified sound, and a fortissimo here can't be compared with the results of a rabid assault on a contemporary Steinway or Bosendorfer.
The performance overall is fairly loose-limbed, a surprise from Mackerras who usually errs on the side of trim efficiency. I do not consider the relaxed tempi a result of sleepwalking, but rather a reaction to the bell-like resonance of the keyboard sound. Often musicians will slow down if the beauty of their work surprises them, to prolong and deepen the happiness, and that's my explanation for what happens on this CD.
This is a great second version of the concerto to own. It will force you to reexamine a lot of your assumptions about Chopin, unless of course your temperament does not allow for such things."
Wonderful recording on an historic piano
Naomi Ridout | Ontario, Canada | 01/02/2008
(5 out of 5 stars)
"I rushed to buy this disk after hearing an hour long radio program in which Emmanuel Ax discussed the conerto in detail, playing excerpts of this recording, alongside those by Martha Argerich and Ivo Pogorelich. I would have been very pleased to own any of these interpretations, but found this one,played on a smaller piano with a very different sound from the huge modern concert instruments, particularly rewarding. I also highly recommend Ax's series "the Concerto According to Manny", a CBC 12 disk production from CBC RAdio Two, which discusses many of the great piano concerti."