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This is perhaps the most cohesive set Mingus ever made, recorded during a crisis of personnel in 1960. After many months with Mingus, Eric Dolphy and Ted Curson had decided to leave. These sessions and a few to follow for ... more »Mingus and the Jazz Artists Guild were to be their last tie with Mingus. He decided to set the mood that might resemble a night in the club, hence his announcements on the recording and the reason he wanted the lights turned out during the recording. In these sessions, everyone reached and maintained that level of daring to make their instruments become extensions of themselves.« less
This is perhaps the most cohesive set Mingus ever made, recorded during a crisis of personnel in 1960. After many months with Mingus, Eric Dolphy and Ted Curson had decided to leave. These sessions and a few to follow for Mingus and the Jazz Artists Guild were to be their last tie with Mingus. He decided to set the mood that might resemble a night in the club, hence his announcements on the recording and the reason he wanted the lights turned out during the recording. In these sessions, everyone reached and maintained that level of daring to make their instruments become extensions of themselves.
"Although the sound on this CD is less than great, to give it less than 5 stars would be a crime. The performances here are fantastic. At the start of the CD, Mingus tells the audience not to talk, clap, ring the cash register, or rattle the ice in their glasses. The first time I heard this intro, I laughed. Now I realize that Mingus was setting the stage for a band whose utter and complete concentration was essential for their performance. Any outside intrusion could throw them off. The music ranges from simple and beautiful to satirical and enraged (the vocal version of "Original Faubus Fables" is a treasure) to utter chaos, but Mingus somehow steers his band clear of any obnoxious free-jazz indulgence.I initially picked this disc up desperate to hear more Eric Dolphy, and I was not disappointed. His solos and interplay with Mingus, Richmond, and Curson are fantastic.In short, if you are a Mingus fan or a Dolphy fan and you don't have this disc, you're really missing out."
No Applause you might disturb the band!
Stalwart Kreinblaster | Xanadu | 01/19/2006
(5 out of 5 stars)
"Charles Mingus - truly one of a kind...This album is one of his best as far as improvisation goes..Eric Dolphy and Ted Curson are on fire! Mingus also delivers some inspired playing..and the general sound of the group is very free..which contrasts nicely with Mingus' airtight compositional style. I would also like to recommend his album titled 'Mingus' also on the candid label (in fact all of Mingus' work during this period is phenomenal)."
Mingus Upfront
directions | Space Time Foam | 06/30/2006
(5 out of 5 stars)
"Charles Mingus during his lifetime bristled at his music being labeled "free jazz". However, his unique style and changes in tonality obviously were highly influential on later free jazz musicians. Also taking the influence of the big band sound and making it dissonant certainly was noted by later musicians. What put me off from listening to this cd at first is the fact that Mingus speaks during some of the pieces. However, his "introduction" to the pieces, as if an audience were there is a hilarious parody of live jazz albums where the musicians feels like they have to "explain" each piece. Also his take on racism, "Original Fauvus Fables" was powerful for its time. Spoken word over free jazz albums became more common after this, eventually culminating in the Last Poets, a proto-rap group. Charles Mingus' band with Eric Dolphy was not only his best group, it is one of the greatest jazz groups of all time. It still sounds contemporary and is jolting, not aimless jams but a fully focused sucker punch."
Audio Desecration of a Musical Masterpiece
SwissAmerican | 09/16/2010
(1 out of 5 stars)
"The engineer who transferred this landmark innovative jazz session should have turned down the job once he heard the source material provided to him. The original 1960 recording was done in two-channel format, intended for a mono mix. Around 1970, a two-channel copy generations removed from the original tape was used to master the Barnaby label LP of this recording. 30 years later, someone in the UK who has licensed the Candid label name sends this tape (or an even later generation copy) to an engineer who clearly has no conception of the historical significance of what he's listening to. Radical noise reduction completes the vandalism.
Fortunately, an alternative to this CD exists. Pure Pleasure Records, whose products are distributed by Acoustic Sounds online, did their diligence and located a pristine mono mix of the original recording. The LP is pressed on quiet 180-gram vinyl, and reveals the full emotional range of this unique session in the Mingus discography.
If you love music, if you treasure the contributions of Charles Mingus and Eric Dolphy, do yourself a favor and buy the Pure Pleasure Records reissue. If you already own this CD, get the LP and do an A/B comparison. The difference is astonishing.