6 Stes, BWV 1007-1012: Ste I in G, BWV 1007: Allemande
6 Stes, BWV 1007-1012: Ste I in G, BWV 1007: Courante
6 Stes, BWV 1007-1012: Ste I in G, BWV 1007: Sarabande
6 Stes, BWV 1007-1012: Ste I in G, BWV 1007: Menuet I/Menuet II
6 Stes, BWV 1007-1012: Ste I in G, BWV 1007: Gigue
6 Stes, BWV 1007-1012: Ste IV in E flat, BWV 1010: Prld
6 Stes, BWV 1007-1012: Ste IV in E flat, BWV 1010: Allemande
6 Stes, BWV 1007-1012: Ste IV in E flat, BWV 1010: Courante
6 Stes, BWV 1007-1012: Ste IV in E flat, BWV 1010: Sarabande
6 Stes, BWV 1007-1012: Ste IV in E flat, BWV 1010: Bourree I/Bourree II
6 Stes, BWV 1007-1012: Ste IV in E flat, BWV 1010: Gigue
6 Stes, BWV 1007-1012: Ste V in c, BWV 1011: Prld
6 Stes, BWV 1007-1012: Ste V in c, BWV 1011: Allemande
6 Stes, BWV 1007-1012: Ste V in c, BWV 1011: Courante
6 Stes, BWV 1007-1012: Ste V in c, BWV 1011: Sarabande
6 Stes, BWV 1007-1012: Ste V in c, BWV 1011: Gavotte I/Gavotte II
6 Stes, BWV 1007-1012: Ste V in c, BWV 1011: Gigue
Track Listings (18) - Disc #2
6 Stes, BWV 1007-1012: Ste III in C, BWV 1009: Prld (Presto)
6 Stes, BWV 1007-1012: Ste III in C, BWV 1009: Allemande
6 Stes, BWV 1007-1012: Ste III in C, BWV 1009: Courante
6 Stes, BWV 1007-1012: Ste III in C, BWV 1009: Sarabande
6 Stes, BWV 1007-1012: Ste III in C, BWV 1009: Bourree I/Bourree II
6 Stes, BWV 1007-1012: Ste III in C, BWV 1009: Gigue
6 Stes, BWV 1007-1012: Ste II in d, BWV 1008: Prld
6 Stes, BWV 1007-1012: Ste II in d, BWV 1008: Allemande
6 Stes, BWV 1007-1012: Ste II in d, BWV 1008: Courante
6 Stes, BWV 1007-1012: Ste II in d, BWV 1008: Sarabande
6 Stes, BWV 1007-1012: Ste II in d, BWV 1008: Menuet I/Menuet II
6 Stes, BWV 1007-1012: Ste II in d, BWV 1008: Gigue
6 Stes, BWV 1007-1012: Ste VI in D, BWV 1012: Prld
6 Stes, BWV 1007-1012: Ste VI in D, BWV 1012: Allemande (Adagio/Molt' Adagio)
6 Stes, BWV 1007-1012: Ste VI in D, BWV 1012: Courante
6 Stes, BWV 1007-1012: Ste VI in D, BWV 1012: Sarabande
6 Stes, BWV 1007-1012: Ste VI in D, BWV 1012: Gavotte I/Gavotte II
6 Stes, BWV 1007-1012: Ste VI in D, BWV 1012: Gigue
Most period cello or gamba renditions of the Bach suites are characterized by a softer, more veiled sonority and narrower dynamic range than afforded by the modern instrument. Suzuki, however, produces a penetrating yet cu... more »riously unattractive sound. The lower strings, for instance, have more buzz than body, while the cellist's forays into the treble clef (especially in the sixth suite) leave a rather vinegary residue. The playing is stylish and accurate, yet somewhat faceless in light of fierce competition in the catalog from period and standard instrument versions alike. --Jed Distler« less
Most period cello or gamba renditions of the Bach suites are characterized by a softer, more veiled sonority and narrower dynamic range than afforded by the modern instrument. Suzuki, however, produces a penetrating yet curiously unattractive sound. The lower strings, for instance, have more buzz than body, while the cellist's forays into the treble clef (especially in the sixth suite) leave a rather vinegary residue. The playing is stylish and accurate, yet somewhat faceless in light of fierce competition in the catalog from period and standard instrument versions alike. --Jed Distler