Right in Front of You - Celine Dion, DioGuardi, Kara
Have You Ever Been in Love - Celine Dion, Astrom, Peer
Rain, Tax (It's Inevitable) - Celine Dion, Britten, Terry
A New Day Has Come [Radio Remix] - Celine Dion, Moccio, Stephan
Ten Days - Celine Dion, De Palmas, Gerald
Goodbye's (The Saddest Word) - Celine Dion, Lange, R.J.
Prayer - Celine Dion, Foster, David [1]
I Surrender - Celine Dion, Biancaniello, Louis
At Last - Celine Dion, Gordon, Mack
Sorry for Love - Celine Dion, Astrom, Peer
Aun Existe Amor - Celine Dion, Ballesteros, Ignaci
The Greatest Reward - Celine Dion, Carlsson, Andreas
When the Wrong One Loves You Right - Celine Dion, Briley, Martin
A New Day Has Come - Celine Dion, Moccio, Stephan
Nature Boy - Celine Dion, Ahbez, Eden
Doubters who expect little from Celine Dion but turgid ballads will be surprised by her return to recording after several years. On A New Day Has Come, the big production numbers most associated with the Canadian superstar... more »'s name ("My Heart Will Go On," "Because You Loved Me") are evoked by the two versions of "I Surrender" and somewhat lifeless covers of "At Last" and "Nature Boy." At the same time, though, Dion shows her willingness to stretch on the classic-house homage "Sorry for Love" and the unavoidably catchy "Right in Front of You" and "Ten Days." The album's unexpected, often low-key production allows Dion to emote in a straightforward way that gracefully skirts the chest thumping of past days, and the relative subtlety works in her favor. Still, New Day will hardly prove a shocker for her many fans. Crowning the conservative Dion a forward-thinking diva seems a bit premature, but this agreeable record opens the door to such a possibility. --Rickey Wright« less
Doubters who expect little from Celine Dion but turgid ballads will be surprised by her return to recording after several years. On A New Day Has Come, the big production numbers most associated with the Canadian superstar's name ("My Heart Will Go On," "Because You Loved Me") are evoked by the two versions of "I Surrender" and somewhat lifeless covers of "At Last" and "Nature Boy." At the same time, though, Dion shows her willingness to stretch on the classic-house homage "Sorry for Love" and the unavoidably catchy "Right in Front of You" and "Ten Days." The album's unexpected, often low-key production allows Dion to emote in a straightforward way that gracefully skirts the chest thumping of past days, and the relative subtlety works in her favor. Still, New Day will hardly prove a shocker for her many fans. Crowning the conservative Dion a forward-thinking diva seems a bit premature, but this agreeable record opens the door to such a possibility. --Rickey Wright