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Carlos Surinach: Melorhythmic Dramas; Symphonic Variations; Feria Magica Overture; Sinfonietta Flamenca
Carlos Surinach, Jorge Mester, Robert Whitney
Carlos Surinach: Melorhythmic Dramas; Symphonic Variations; Feria Magica Overture; Sinfonietta Flamenca
Genre: Classical
 
Carlos Surinach (1915-1997) wrote some of the most entertaining concert music of the 20th century. If you're unacquainted with his work, go straight to the Sinfonietta Flamenca which, despite slightly cloudy mono sound, co...  more »

     
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Carlos Surinach (1915-1997) wrote some of the most entertaining concert music of the 20th century. If you're unacquainted with his work, go straight to the Sinfonietta Flamenca which, despite slightly cloudy mono sound, comes blazing through with its flamenco-inspired fury and excitement. Melorhythmic Dramas, which opens the disc, is a more thoughtful and subtle piece, but after the other Spanish-flavored works have got you under their spell you'll go back to the Dramas for another side of this wonderful, unjustly neglected composer. (He was also a fine conductor.) This is a very useful compilation from the old Louisville First Editions catalog. Although it betrays its origins in uneven sound quality (two of the items are mono) and incomplete program notes (no useful up-to-date overview of Surinach's career), the music is what counts and it's more than worth the modest asking price. And watch for his Piano Concerto (preferably the premiere recording by De Larrocha, not yet on CD), one of the greatest such works of the 20th century. --Leslie Gerber
 

CD Reviews

A Fine Introduction to Surinach
Eugene G. Barnes | Dunn Loring, VA USA | 08/19/2005
(5 out of 5 stars)

"I was at the premiere of the Melorhythmic Dramas at the Meadowbrook Festival (Detroit's summer venue) in 1966, as Sixten Ehrling conducted the Detroit Symphony. Words can't describe the effect this music had on the audience, who were expecting something rather more, er, cerebral. The end of the piece (it's a suite) is very noisy and could not be successfully captured in the grooves of an LP (I heard the Louisville recording when it first came out). I assume the CD has more success. Point is, don't by any means think that Ms. Gerber's assessment above means the work is in any way hard to get to. It is not, and you will be moved by it (possibly physically if your sound system is turned up).



Also, we can update the status of the Piano Concerto recording. It is now out on CD, right now as an import, but judging from its sales popularity, it may be released in the USA any time.



Do yourself a big favor and get to know this composer!"