"It's always difficult to play Franck's two masterpieces, "Prelude, Choral et Fugue" and "Prelude, Aria et Finale", since it is not intended to show off a pianist's virtuosity even though technical demands on him/her are still very heavy. Mr. Hough plays these pieces very nicely. His technique is exceptional (For example, listen to his "Finale". Martellato playing is astonishing.). Also I heard his deep affection to these pieces. However, the best is "Troisieme Chorale" by his own transcription. Even though there are many transcriptions for this Franck's swan song, Mr. Hough's transcription seems to be the most well-written. He utilizes a wide range of keyboards in order it to sound like organ, yet plays this really pianistically. In my personal opinion, this can be sitting next to Bach-Busoni's Chacconne in the history of transcriptions for piano, if Mr. Hough allows to publish this."
Marvellous
01/30/1999
(5 out of 5 stars)
"The pianism of Stephen Hough is stunning. So said a music magazine - I agree. The music is superb, the playing is superb. Hough's transcription of the 3rd chorale left me speechless - the loud, meaty chords at the beginning have more notes in them than I thought it was possible to play all at once! This is a brilliant recording."
I Agree.
06/22/2002
(5 out of 5 stars)
"I concur with the above reviewers. This is a superb disc on one of the best of the "micro-brewed" classical labels, the British label Hyperion. Hough's performances are excellent, the recording quite good. The piano music of Franck of course is stunning--the first piano music out of Belgium/France to rival Beethoven's. If you want a less pricey disc, I heartily recomment Ashley Wass' permormance on Naxos for about half the price."
One piece is chronically missing
Katherine the Great | Philadelphia, PA USA | 09/02/2006
(5 out of 5 stars)
"When I discovered music of Cesar Franck not that long ago, I got mesmerized by it immediately, not only as a listener, but even more as a piano player. It touched me thoroughly. Who can get bored by those endless spiral-like modulations? I think this CD is a great collection particularly for those who seek new horizons in music. Even though this music is written in 19th century, it's not Liszt, Beethoven, or Tchaikovsky. It's cosmic if you wish. It's sad though the CD lacks a piece that's hard to find anyway: piano version of Prelude, Fugue and Variations in b-mol. Originally written for organ and not demanding technically at all, it's like a cute baby of Franck's - tender and unique.
I could talk more..."
Unforgettable
stephen sittler | oak lawn, il United States | 11/19/2008
(5 out of 5 stars)
"For those that listen to classical piano music this recording is indispensable. On two grounds: at his best (Prelude/aria/fugue, and the Troisieme Choral), Franck approaches Bach in his implacable, peremptory use of figured bass; and Beethoven in his creation of 'inevitable' music, by which I mean he enlists our unconscious intuition of where he's going, to wonderful effect. He had apparently a sad life mostly. So what! This is glorious music anyway. And in Hough he's found a great kindred spirit, and the organ-ization of the 'troisieme' is technically magical as well. This is one of maybe 20 musical recordings I return to over and over. Get it, life's too short."