Search - By Nourhan and Yousry Sharif ~ Karim Nagi :: Bellydance Music ~ Middle Eastern Music ~ Egyptian Music ~ Arabic Rhythms vol. 3 ~ Arabic Rhythms for the Advanced Dancer

Bellydance Music ~ Middle Eastern Music ~ Egyptian Music ~ Arabic Rhythms vol. 3 ~ Arabic Rhythms for the Advanced Dancer
By Nourhan and Yousry Sharif ~ Karim Nagi
Bellydance Music ~ Middle Eastern Music ~ Egyptian Music ~ Arabic Rhythms vol. 3 ~ Arabic Rhythms for the Advanced Dancer
Genre: International Music
 
  •  Track Listings (13) - Disc #1

This is Volume #3 of Arabic Rhythms, a collection of great arabic, lebanese and egyptian Rhythms used for Bellydancing. Percussionists, musicians, Composers, Teachers of Belly Dancing, and students of this refined and volu...  more »

     
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CD Details

All Artists: By Nourhan and Yousry Sharif ~ Karim Nagi
Title: Bellydance Music ~ Middle Eastern Music ~ Egyptian Music ~ Arabic Rhythms vol. 3 ~ Arabic Rhythms for the Advanced Dancer
Members Wishing: 0
Total Copies: 0
Label: Egyptian Academy of Oriental Dance
Original Release Date: 1/31/2004
Release Date: 1/31/2004
Genre: International Music
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 630504664769

Synopsis

Album Description
This is Volume #3 of Arabic Rhythms, a collection of great arabic, lebanese and egyptian Rhythms used for Bellydancing. Percussionists, musicians, Composers, Teachers of Belly Dancing, and students of this refined and voluptuous dance, will find this collection of magical and stylized rhythms, a perfect companion for their artistic development. Volume # 3 (Talata) Arabic Rhythms for the Advanced Dancer, has a collection of rhythms and arabic music that offer a savory and intense experience to the practitioners and listeners of this music. This CD was created to develop and increase the "vocabulary" of dancers. From Karim Nagi: The music in this disc was chosen from the arabic tradition of the Muwashahaat. These are poems dating back to the Arab ruled Andalusia Spain (800s AD to 1400s). These poems had complex and intricate meters that accomodated the luscious delivery of the text. Musical compositions using them were created only until late 1800s, by great composers such as Omar AL-Batch (Syria) and Sayyed Darwish (Egypt). The rhythms extracted from these Muwashahaat poems and songs provide an intense collection of material for the advanced musician or dancer. The Essential percussive instrument of the Muwashahaat rhythms is the Riqq (fish skin tambourine with brass cymbals). However, the rhythms are enhanced and bolstered here by adding Arabic Tabla, Dhola, Segat, and Bass Drums. For this reason, complex, energetic and creative choreographies can be developed. Also, the dancer can learn to interpret the Dum and Tak placement of each rhythm, to create new combinations and sequences beyond the conventional norm. This will help carry the art of Raqs Sharqi to a higher level of Artistic expression. - Karim Nagi
 

CD Reviews

How to
J. Zubi | Houston, TX | 05/07/2007
(2 out of 5 stars)

"All this CD had on it was how to play the table for the dancer and the various beats and combination of beats. I thought I was getting actual bellydance music, not a how to. Wish I hadn't bought it."