Using the simplest melodies as his canvas, Delta bluesman Bukka White painted vivid pictures of his own life in the rural South, punctuating his words with a highly percussive steel-guitar attack. Among his subjects: train... more »s, booze, sex, prison, and death. After shooting an old Mississippi rival during a roadside showdown, White had allegedly jumped bail to record his first two songs in 1937. The bawdy "Shake 'Em On Down" was a hit, but White spent two years in prison for his indiscretion. When White returned to Chicago in 1940 to record again, producer Lester Melrose rejected his roster of cover tunes, giving him two days to come up with his own material. Under the gun, White created the 10 autobiographical gems that round out this collection. --Marc Greilsamer« less
Using the simplest melodies as his canvas, Delta bluesman Bukka White painted vivid pictures of his own life in the rural South, punctuating his words with a highly percussive steel-guitar attack. Among his subjects: trains, booze, sex, prison, and death. After shooting an old Mississippi rival during a roadside showdown, White had allegedly jumped bail to record his first two songs in 1937. The bawdy "Shake 'Em On Down" was a hit, but White spent two years in prison for his indiscretion. When White returned to Chicago in 1940 to record again, producer Lester Melrose rejected his roster of cover tunes, giving him two days to come up with his own material. Under the gun, White created the 10 autobiographical gems that round out this collection. --Marc Greilsamer
A brilliant recording of Mr. Booker White in his prime.
09/17/1999
(5 out of 5 stars)
"If you are looking to identify one Bukka White CD to own, this is the one, IMHO. He was a legendary slide guitar stylist with an ability to compose great blues songs for his style. He was a notable singer. This recording captures him in peak form, and, in addition, represents one of the last important country blues recording sessions to have taken place before WWII.By the early 40's, musical tastes were changing. Electric guitars, big bands, pre-bebop, etc. were all hitting. There was a huge exodus of southerners from the rural south to northern cities, and the country blues was out of fashion as a musical form.To his credit, Booker, when presented with this opportunity to record, stuck to what he did best and did not get trendy. The result was a legendary country blues session, and this CD documents that. Every song on this recording sounds great, & the sound quality is pretty good to boot (compared to other early blues recordings). The thing that always gets me is the rhythmic creativity. Even though this was an old time country blues recording, Mr. White was a true funkster, & his rhythm sense still sounds contemporary & exciting."
Songs from a Blues Master
Richard M. Affleck | Lake Hopatcong, NJ USA | 11/15/2002
(5 out of 5 stars)
"I first heard Booker "Bukka" White on a compilation and finally got around to picking up this CD awhile back. What the listener is treated to is good, old-fashioned, country blues, highlighted by White's strong, straight-ahead rhythms and vocal intensity. His raspy/quavery vocals are a perfect accompaniment to his chugging guitar style, and White is backed up on most of these songs, recorded mainly in 1940, by Washboard Sam, who provides strong rhythmic counterpoint to the sound White gets from his National steel guitar. Although I like all the tracks on this CD, "Parchman Farm Blues", the first Bukka White song I ever heard, is still my favorite."
A Consumate Blues Man
Alan Beggerow | Rock Falls, IL USA | 01/25/2004
(5 out of 5 stars)
"The first song I heard by Bukka White was 'Fixin' To Die Blues' on a blues anthology disc. With his rhythmic playing and voice that expresses a wide range of emotion, he was one of the consumate blues men. He had quite a story to tell, and there isn't a single song on this disc that doesn't lure you in to his telling of the human condition. A must for anyone that can appreciate what this Black American art form truly is...emotions and strife set to music. Recommended!"
Story Tellin' Bad A**
wednightprayermeeting | Bellview, CA | 09/30/2000
(5 out of 5 stars)
"THese are Bukka's complete recordings from the late 30s and early 40s.This man had a haunting voice, and a wild steel guitar that accentuated his dramatic story telling with precision and intensity.Although not regarded as on the same level with Robert Johnson and other early Mississippi bluesmen, Bukka White's songs have been covered by the likes of Led Zeppelin, John Mayall and Bob Dylan, sporting a unique and tortured view of life in the early 1900s south.Stand outs include "Fixin To Die," Shake Em On Down," Parchman Farm" and the sorrowful "When Can I Change My Clothes."Bukka was a truly unique figure in the annals of blues history. A required purchase for any Delta Blues admirer."
An underrated bluesman
Docendo Discimus | Vita scholae | 04/04/2006
(4 out of 5 stars)
"It's too bad that this 14-track collection omits Booker White's earliest sides, including the two religious songs that he recorded for Victor in May, 1930. Catfish's 20-track compilation "Shake 'Em On Down" and Document's similar "Aberdeen Mississippi Blues" are better choices, really, since they include the six non-Vocalion sides that this collection does not.
But having said that, this is indeed an impressive 39 minutes of music. Booker White (his name was misspelled by the label) sang in a loud, very rough baritone voice, and played his steel-bodies National guitar like a stringed drum, and he penned some truly classic country blues tunes. People often forget about White when they throw names like Charlie Patton, Son House, Robert Johnson and Tommy Johnson around, and that's a shame, because everybody with an interest in "classic" country blues ought to hear B.B. King's older cousin Booker White and his powerful, strongly rhythmic guitar playing.
The best of these 20 tunes belong in the all-time pantheon of prewar blues songs, and if anything could ever match the intensity of Son House's razor-edged "Death Letter", it must be the sound of Booker T. Washington White growling the incredibly stark, personal, open-wound lyrics to the desperate "When Can I Change My Clothes" and the hopeless "Parchman Farm Blues" in his ragged, raspy voice.
"Shake 'Em On Down" is another classic, and White displays some impressive slide guitar prowess on the 1939 Library of Congress recording of "Po' Boy"...
Oh no, wait, the L of C recordings are missing as well.
Come on, just get the Document compilation instead."