Piano Concerto No. 9 in E flat major ('Jeunehomme,' 'Jenamy'), K. 271: Allegro
Piano Concerto No. 9 in E flat major ('Jeunehomme,' 'Jenamy'), K. 271: Andantino
Piano Concerto No. 9 in E flat major ('Jeunehomme,' 'Jenamy'), K. 271: Rondo (Presto - Menuetto: Cantabile - Presto)
Piano Concerto No. 14 in E flat major, K. 449: Allegro vivace
Piano Concerto No. 14 in E flat major, K. 449: Andantino
Piano Concerto No. 14 in E flat major, K. 449: Allegro ma non troppo
Track Listings (16) - Disc #2
Fantasie (Obolen auf Beethovens Monument) for piano in C major, Op. 17: Durchaus phantastisch und leidenschaftlich vorzutragen
Fantasie (Obolen auf Beethovens Monument) for piano in C major, Op. 17: Massig, durchaus energisch
Fantasie (Obolen auf Beethovens Monument) for piano in C major, Op. 17: Langsam getragen, durchweg leise zu halten
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Theme
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 1
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 2
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 3
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 4
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 5
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 6
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 7
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 8
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 9
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 10
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 11
Symphonic Etudes ('Etudes in the form of variations') for piano (2 versions), Op. 13: Etude No. 12
Track Listings (22) - Disc #3
Piano Sonata No. 19 in C minor, D. 958: Allegro
Piano Sonata No. 19 in C minor, D. 958: Adagio
Piano Sonata No. 19 in C minor, D. 958: Menuetto-Trio (Allegro)
Piano Sonata No. 19 in C minor, D. 958: Allegro
Piano Sonata No. 15 in C major ('Relique'), D. 840: Moderato
Piano Sonata No. 15 in C major ('Relique'), D. 840: Andante
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 1
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 2
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 3
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 4
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 5
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 7
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 8
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 13
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 14
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 9
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 10
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 11
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 12
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 15
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 16
German Dances (16) and Ecossaises (2) for piano, D. 783 (Op. 33): No. 6
Track Listings (6) - Disc #4
Polonaise for piano No. 6 in A flat major ('H?roique'), Op. 53, CT. 155
Polonaises (2) for piano, Op. 40, CT. 152-153: No. 2 in C minor
Polonaise for piano No. 5 in F sharp minor, Op. 44, CT. 154
Polonaise-fantasy for piano No. 7 in A flat major, Op. 61, CT. 156
Andante spianato and Grande Polonaise for piano & orchestra, Op. 22: Andante Spianato
Andante spianato and Grande Polonaise for piano & orchestra, Op. 22: Grande Polonaise
Track Listings (7) - Disc #5
Hungarian Rhapsody, for piano No. 15 in A minor (R?k?czi-Marsch III), S. 244/15 (LW A132/15)
Hungarian Rhapsody, for piano No. 3 in B flat minor, S. 244/3 (LW A132/3)
Hungarian Rhapsody, for piano No. 2 (the 'original' No. 2) in C sharp minor (I & II), S. 244/2 (LW A132/2)
Hungarian Rhapsody, for piano No. 13 in A minor, S. 244/13 (LW A132/13)
Hungarian Rhapsody, for piano No. 8 in F sharp minor ('Lento a capriccio'), S. 244/8 (LW A132/8)
Hungarian Rhapsody, for piano No. 17 in D minor, S. 244/17 (LW A132/17)
Cs?rd?s obstin?e, for piano, S. 225/2 (LW A333)
Track Listings (15) - Disc #6
Piano Sonata No. 8 in A minor, K. 310 (K. 300d): Allegro maestoso
Piano Sonata No. 8 in A minor, K. 310 (K. 300d): Andante cantabile con espressione
Piano Sonata No. 8 in A minor, K. 310 (K. 300d): Presto
Movement for violin & piano (or piano solo) in C minor (fragment), K. 396 (K. 385f)
Rondo for piano No. 3 in A minor, K. 511
Variations (9) on a minuet by Duport for piano in D major, K. 573: Theme
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 1
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 2
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 3
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 4
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 5
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 6
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 7
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 8
Variations (9) on a minuet by Duport for piano in D major, K. 573: Var. 9
This set collects six single releases (all transfers of recordings, originally released on LP, made from 1965 to 1968) at a reduced price. They show Brendel at his best and worst. The Chopin polonaises have integrity and ... more »some imagination--more like treatises on Chopin than convincing performances. Nobody will confuse Brendel's Liszt with the flash and excitement of Cziffra or Horowitz, but he has a good time with these showpieces and even inserts a cadenza of his own into the Second Hungarian Rhapsody. He also plays free with the text of the Mozart concerto's slow movements; all pianists should embellish these scores, which Mozart just regarded as outlines. These concertos are excellent, although the small orchestra still sounds a bit bloated, perhaps due to hall acoustics. The disc of Mozart solo music shows why the pianist sometimes earns the derisive nickname Brendull; he drains the drama from Mozart's most dramatic sonata and leaves the other pieces sounding uneventful. Brendel's Schubert is superb; heart and mind meet in ideal balance, probing intellect bringing out meaningful details in the context of deeply emotional music making. The thrilling march at the heart of Schumann's fantasy is much too subdued, but the rapturous playing of the finale makes up for a lot, and the Symphonic Études are quite powerful and committed, although lacking the posthumously published variations. All in all, a mixed bag, but a fascinating portrait of a major artist. --Leslie Gerber« less
This set collects six single releases (all transfers of recordings, originally released on LP, made from 1965 to 1968) at a reduced price. They show Brendel at his best and worst. The Chopin polonaises have integrity and some imagination--more like treatises on Chopin than convincing performances. Nobody will confuse Brendel's Liszt with the flash and excitement of Cziffra or Horowitz, but he has a good time with these showpieces and even inserts a cadenza of his own into the Second Hungarian Rhapsody. He also plays free with the text of the Mozart concerto's slow movements; all pianists should embellish these scores, which Mozart just regarded as outlines. These concertos are excellent, although the small orchestra still sounds a bit bloated, perhaps due to hall acoustics. The disc of Mozart solo music shows why the pianist sometimes earns the derisive nickname Brendull; he drains the drama from Mozart's most dramatic sonata and leaves the other pieces sounding uneventful. Brendel's Schubert is superb; heart and mind meet in ideal balance, probing intellect bringing out meaningful details in the context of deeply emotional music making. The thrilling march at the heart of Schumann's fantasy is much too subdued, but the rapturous playing of the finale makes up for a lot, and the Symphonic Études are quite powerful and committed, although lacking the posthumously published variations. All in all, a mixed bag, but a fascinating portrait of a major artist. --Leslie Gerber