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Get Used To It: The Tom Moulton Mixes
Brand New Heavies
Get Used To It: The Tom Moulton Mixes
Genres: Dance & Electronic, International Music, Jazz, Pop, R&B
 
  •  Track Listings (12) - Disc #1

Here is the story of The Brand New Heavies' "Get Used To It: The Tom Moulton Mixes": in the summer of 2007, Delicious Vinyl released a historic 12" record, Tom Moulton's mix of The Brand New Heavies comeback cover versio...  more »

     
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CD Details

All Artists: Brand New Heavies
Title: Get Used To It: The Tom Moulton Mixes
Members Wishing: 1
Total Copies: 0
Label: Delicious Vinyl
Original Release Date: 1/1/2008
Re-Release Date: 8/5/2008
Genres: Dance & Electronic, International Music, Jazz, Pop, R&B
Styles: House, Europe, Britain & Ireland, Dance Pop, Contemporary R&B, Funk, Soul
Number of Discs: 1
SwapaCD Credits: 1
UPC: 829357904225

Synopsis

Product Description
Here is the story of The Brand New Heavies' "Get Used To It: The Tom Moulton Mixes": in the summer of 2007, Delicious Vinyl released a historic 12" record, Tom Moulton's mix of The Brand New Heavies comeback cover version of Stevie Wonder's immortally lovelorn "I Don t Know Why (I Love You)." A live-wire lattice of gutbucket Clavinet, rock-ribbed rimshots, and too-true diva N'Dea Davenport plumbing emotion from her burning heart, Moulton's mix was a marriage made in musical heaven, and it was just the jumping off point for the full-length you now read about. Tom Moulton has been called "one of the most important people in the history of dance music." A true soul/R&B/disco pioneer, Moulton played a crucial role in the creation of the now-standard format of the 12" single, and is renowned for mixing vintage hits including MFSB's "Love Is The Message" and The Andrea True Connection's "More, More, More", as well as producing Grace Jones' 1977 debut album "Portfolio." His masterful mixes are synonymous with the greatness of the Salsoul Records' catalog, and the label credit 'A Tom Moulton Mix' is guaranteed to make any DJ or disco break freak start salivating. As for The Brand New Heavies, the soul-saving R&B/Funk group has long outlasted the "Acid Jazz" movement they spearheaded in the mid-to-late '80s. Having remained a formidable live and in-studio act ever since, drummer/keyboardist Jan Kincaid, guitarist Simon Bartholemew, and bassist Andrew Levy reunited with original singer N'Dea Davenport in 2006 to record the strongest album of their career, "Get Used To It." That set the stage for Tom Moulton to enter the frame. "So last year when Tom reached out ranting and raving about the Heavies," says Mike Ross, owner of Delicious Vinyl, "and once I realized who he was, he quickly became my new best friend. Tom was experiencing The Heavies for the first time, and he was so excited about their sound and what he could do with it, I was like, 'yeah man, do your thing!' I knew Tom mixing The Heavies would be something special. The only thing was, we'd already mixed and released the album by the time Tom contacted us! But I began sending him the tracks anyway, and he started sending back his mixes, one by one." And what mixes they turned out to be. "Get Used To It: The Tom Moulton Mixes" is nothing less than a new high-point in the continuum of Soul music. Fans familiar with the original version of "Get Used To It" will find much to love about Moulton's discernibly different mixes, while those coming here first will have hit the proverbial jackpot straight away. No one is more excited about this newly mixed album than The Heavies themselves. This enthusiasm is in copious evidence when Heavies guitarist Simon Bartholomew calls in from London to speak for the group: "It s our proud pleasure, an honor really to have our music touched by the extraordinary brilliance of Tom. He's a dancefloor legend! I would almost describe it as risk-taking compared to the way we use it. Tom's mixes are definitely seductive!" Seductive? You bet. And it's that sense of delirious helplessness under the spell of magical music that s best articulated by the mix maestro himself, "You can't fight a good Soul record. Soul goes so deep it gets right to the gut. If there s an ounce of soul in any record, I will find it. And TBNH have a lot more than an ounce of soul!" So dim the lights, break out the bubbly, and get ready to "Get Used To It"... again, Tom Moulton style.
 

CD Reviews

Now THIS is what the album should sound like...
K. Kapalko | 10/19/2008
(5 out of 5 stars)

"Nearly two years after it's initial release, "Get used to it" gets overhauled by legendary mixologist Tom Moulton.

The result is nothing less than spectacular!!!



While the original mixes sounded muddy, muffled, and somewhat flat, Tom's mixes are sparkling, crystaline, alive, and warm.

Considering the fact that the Heavies are basically a throwback to 70's funk and soul, this is a match made in heaven, as Tom's work in this decade has become synonymous with CLASSIC dance music.

In addition to the mixing, Tom's extending and isolating of the best musical elements contained within these songs really push them over the edge.

For example, just have a listen to "Let's do it again", particularly the outro vamp/groove, and you will see why Tom Moulton defined the remix (and the mix, for that matter)

Tom's use of reverb is second to none. Giving these songs the spaceousness barely hinted at in the original mixes.....



The songs are all very solid, and now being mixed to perfection, fans can all agree that "Get used to it" ranks among the band's best work.



Reeno

[...]"
Not neccessary
CoolPoet | Alabama, USA | 11/08/2008
(2 out of 5 stars)

"I agree with trevnyc, I don't see the point of this album. It sounds like a live session which is great if you want that sound, but it's a studio album so I'm confused at what this album contributes other than the instrumentals at the end which is the only contribution to me. The main album is much more polished. I guess it's like vinyl versus digital which is arguable."
OK, but...
trevtnyc | New York, NY United States | 11/07/2008
(4 out of 5 stars)

"I do like the remixes of the "Get Used to It" album, but I totally disagree with the other reviewer that this is a better album and the songs on the original album are "muddled". Although the remixes are good on here they are stripped down to the point that they don't even sound like they were recorded at the same time, they lose almost all of the "funkiness" and energy that is heard throughout the original album. The songs now sound very industrial, almost robotic on this remix album, the saving grace is N'dea Davenport's glorious vocals and the superior instrumentals of the rest of the band. The overall beat of this album seems to be alot slower than the original album as well, which makes some of the songs labor whereas they have a great groove and danceable beat on the original album. Tom Moulton even strips alot of N'dea's beautiful backing vocals and ad-libs off the songs, further robbing it of it's R&B, Hip-Hop and Acid Jazz power. The Brand New Heavies pride themselves on being one of the best live bands in the business, and their albums prove it. This is a good, not great remix album that in my opinion has too much going on because everything is stripped and replayed as if it were all recorded seperately, it loses alot in the process. It's worth listening to, I downloaded it off Rhapsody, actually glad I didn't purchase it."