Sym No.2 in D, Op.73: 2. Adagio non troppo-L'istesso tempo, ma grazioso
Sym No.2 in D, Op.73: 3. Allegretto grazioso (Quasi Andantino)-Presto ma non assai-Tempo I
Sym No.2 in D, Op.73: 4. Allegro con spirito
Aca Festival Ov, Op.80: Allegro-L'istesso tempo, un poco maestoso-animato-Maestoso
Much as I admire Lenny, who was a genius by any standard, there's something about Brahms that just didn't sit well with him. He tries much too hard to do something with music that always works best when presented in the si... more »mplest, most unaffected manner possible. His tempos fluctuate wildly, but are almost always too slow, while constant indulgence in musical point-making is just too much of a good thing. Most people like chocolate, but not as a topping for fried liver and onions. Well, like that combination, Bernstein and Brahms just don't mix. --David Hurwitz« less
Much as I admire Lenny, who was a genius by any standard, there's something about Brahms that just didn't sit well with him. He tries much too hard to do something with music that always works best when presented in the simplest, most unaffected manner possible. His tempos fluctuate wildly, but are almost always too slow, while constant indulgence in musical point-making is just too much of a good thing. Most people like chocolate, but not as a topping for fried liver and onions. Well, like that combination, Bernstein and Brahms just don't mix. --David Hurwitz
Juan Jose Braham | Queretaro, Qro. Mexico | 10/07/1999
(5 out of 5 stars)
"I was really shocked when I saw David Hurwitz review of this CD. I have listened to it for two years and I just love it. It may indeed be a little slow on some parts, but the passion with which Bernstein plays Brahms (and specially this symphony) is unsurpassed. The second movement is simply the best interpretation I have listened to, with such passion you can't believe it! I highly recommend it."
Excellent!
Juan Jose Braham | 09/01/1999
(5 out of 5 stars)
"David Hurwitz seems to be wrong again--this is a fine recording of Brahms's second symphony. The playing of the Vienna Philharmonic is unsurpassed for its beauty, and Bernstein calls attention to many details that are hidden in other performances. This is a very chamber-like interpretation of Brahms. It is true that the opening movement is much longer than you hear on most recordings (although it's about the same length as Abbado's widely-praised version), but Bernstein holds everything together and brings out the shape of the musical phrases in a way that is utterly convincing. The second movement is the most beautiful I've heard. In the third, Bernstein brings out the pizzicato passages very nicely. The fourth is electrifying! The slightly slower tempo causes the final bars to be that much more intense. All in all, this recording is crisp and full of delightful little moments, not just a slick run-through like Karajan sometimes was guilty of (as much as I love his work). Perhaps the critics don't like this version, but I think you'll really be missing out if you believe what they're saying. Give Bernstein a try!"
A revelatory Brahms 2nd
Michael Bernstein | Coulterville, California United States | 04/14/2006
(5 out of 5 stars)
"This is not your typical Brahms 2nd. Bernstein, unlike in his conventional earlier Sony recording - which is outstanding, by the way - at this later stage in his career saw this symphony as a bridge between the symphonies of Beethoven and those of Bruckner. The scale of the work is enormously expanded, compared to usual performances, and the work benefits in three ways: first (and foremost), it achieves a monumental, epic quality. Second, all the lush Brahms' lyricism is gloriously elicited. Third all of Brahms' details are clearly brought out.
This might not be the version you first turn to, but it is one that will leave you with a greater knowledge of the music than you would otherwise have.
This later Bernstein approach to conducting didn't always work, as in his DG recording of Brahms 3rd. But this 2nd is an amazing success."
Still a great version of the Brahms 2nd Symphony
John Kwok | New York, NY USA | 12/19/2004
(5 out of 5 stars)
"Leonard Bernstein's tempi for the Brahms 2nd Symphony may be among the slowest I've encountered, yet this early Deutsche Grammophon digital recording remains one of the finest recordings I have heard of this symphony. Bernstein leads the Vienna Philharmonic in approximately forty five minutes of exquisite playing, memorable for the electrifying performances of the second, and especially fourth, movements. It is a fine interpretation which holds its own against more recent ones by the likes of Abbado, Harnoncourt, Masur, and especially, Haitink. And more to the point, some music critics still regard this as the definitive recording of the Brahms 2nd Symphony. At any rate, it is a splendid recording emphasizing the strong kinship felt between Bernstein and the Vienna Philharmonic for each other. If you're not interested in acquiring Bernstein's Deutsche Grammophon recordings of all of the Brahms symphonies, then this single CD should be acquired as a testament to splendid music making by one of the 20th Century's greatest conductors."
One of Bernstein's most natural and genial Brahms performanc
Santa Fe Listener | Santa Fe, NM USA | 02/17/2006
(5 out of 5 stars)
"It's irksome to read David Hurwitz's absurd ex cathedra remarks, and to realize that Amazon pays him for them. Bernstein was cosistently a great Brahmsian, and this Second Sym. from Vienna, recorded live in 1983, is one of his warmest and most natural performances. There are few tempo fluctuations, no mannerisms, and slow speeds only (marginally) in the finale--why can't Hurwitz even get the facts straight?
This is Brahms on a smaller scale than Bernstein's earlier version with the NY Phil. on Sony, closer to Bruno Walter's intimacy than Karajan's grandeur. Which is perfect for the Second, the most pastoral of the four symphonies. The orchestra plays with inner life, and even DG's early digital sound, which could be suspect, is balanced and natural. In all, a great recording, a standout in Bernstein's DG cycle."