Everyone a 'live' winner
Mr. Ian A. Macfarlane | Fife, Scotland | 01/08/2001
(5 out of 5 stars)
"All admirers of Boult wish there were more CDs of this kind of repertoire. He became typecast for British music - which he did supremely well, with the extra authority of a man who knew well Elgar, Holst, Vaughan Williams, Walton and others - but he was also the founder-conductor of the BBCSO, premiered Bartok, Schoenberg and 'Wozzeck' in Britain (and Copland in New York!) and was trained at Leipzig in the central European tradition. He was probably happiest of all conducting Brahms and Schubert. These are all live performances. Every one is captivating. 'Daphnis' was a Boult speciality (he conducted it for Ravel in London in the 20s) and I cannot imagine it done with greater beauty or atmosphere, or greater genuine excitement at the end. You also hear some thrilling detail which is not always evident in other performances. The thrilled reaction of the Proms audience is no surprise. The Schubert is fine (somewhat faint praise because I don't think it's the best Boult 'Unfinished ' I have heard, but it will still stand comparison with any) and the Bizet charming, especially in the beautifully phrased slow movements. Boult was a good Sibelian - there are two excellent CDs of tone poems and legends currently available - and this symphony suits him perfectly, because he laid great stress on architectural structure in symphonic music, which is one thing this extraordinary piece absolutely must have. Here it moves with great inevitability, but also, again, lovely phrasing in the beautifully characteristic wind and string figures which permeate the work. The three big brass calls arise from the orchestral sound like some huge, wise, awesome Nordic life-force. The Albert Hall recordings (Schubert, Bizet, Ravel) are good, the Festival Hall (Sibelius) excellent. These are great perfomances which can be revisited and revisited without any sense of diminishing returns. Don't hesitate!!"