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Bringing It All Back Home
Bob Dylan
Bringing It All Back Home
Genres: Blues, Folk, Pop, Rock, Classic Rock
 
  •  Track Listings (11) - Disc #1

Recorded in three short days in January 1965, Bringing It All Back Home found Dylan "going electric" and gaining his first Top 40 airplay with "Subterranean Homesick Blues." Sundazed proudly presents Bringing It All Back H...  more »

     
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CD Details

All Artists: Bob Dylan
Title: Bringing It All Back Home
Members Wishing: 1
Total Copies: 0
Label: Sony
Release Date: 10/25/1990
Genres: Blues, Folk, Pop, Rock, Classic Rock
Styles: Contemporary Blues, Contemporary Folk, Singer-Songwriters, Blues Rock, Folk Rock, Album-Oriented Rock (AOR)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 074640912825

Synopsis

Album Description
Recorded in three short days in January 1965, Bringing It All Back Home found Dylan "going electric" and gaining his first Top 40 airplay with "Subterranean Homesick Blues." Sundazed proudly presents Bringing It All Back Home in an exact reproduction on high-definition vinyl, featuring the album's original mono mix -- unavailable for over 30 years! -- and, as is Sundazed customary, all-analog mastering.

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CD Reviews

Bob Dylan: At His Best
Jokerman1983 | Malibu, USA | 04/01/2008
(5 out of 5 stars)

"Long having denied the implication that he created the folk-rock genre, rather giving the credit to Gene Clark of The Byrds, this release by the Bard from Hibbing would undoubtedly serve as the cornerstone of folk-rock through the ages! "Bringing It All Back Home" continues Dylan's introspection from "Another Side Of Bob Dylan" while adding electric instruments to the mix (a fact that, for some reason, would be acceptable to fans on record but not live at Newport). Here, Dylan can be at his most romantic one minute, with the Baez-inspired "Love Minus Zero / No Limit" or "She Belongs To Me," and simultaneously prophetic and surreal the next!



Introducing classics like "It's All Over Now, Baby Blue" and "Maggie's Farm" alongside concert stalwarts "Gates Of Eden" and "It's Alright Ma (I'm Only Bleeding)," this release would be the first of a trilogy ended all too soon by Dylan's supposed "motorpsycho nitemare." The other two albums in this trilogy are, of course, "Highway 61 Revisited" and the double-disc "Blonde On Blonde."



Many will say that this is Dylan at his finest, placing the artist into an uncomfortable categorization or time capsule, but he would continue to produce highly creative and innovative work both with The Band and The Traveling Wilburys, as well as via his solo career throughout the 1970's and 80's. "Bringing It All Back Home" merely brings folk-rock to the forefront, introduces his audience to "Another Side Of Bob Dylan," and provides some excellent entertainment for the unsuspecting yet open-minded listener."
What about "Outlaw Blues"?
Roy-D | 05/13/2006
(5 out of 5 stars)

"I'm carrying for good luck my black tooth? Every reviewer forgets to mention "Outlaw Blues". It's almost the complete embodiment of Dylan as a credo. "Don't ask me nothin bout nothin cause I just might tell you the truth". That one line could be a review for every Dylan song ever written."
Dylan at his Best
Ham On Wry | Decatur, GA USA | 08/18/2006
(5 out of 5 stars)

"While I flip-flop on the issue, today I consider this Dylan's finest album. When I first heard it back in the 70's, I considered the electric side dated and amateurish. Any pre-Hendrix guitar work was always going to sound behind the times, and it was just too - well, lo-fi! But the circle has turned, and lo-fi is in again, and this album miraculously sounds better than ever. The acoustic side, though, is the true miracle, with two of Bob's best-ever songs, "Mr. Tambourine Man" and "It's Alright Ma." If you've only heard the Byrds' version of Tambourine Man, you haven't heard the song. Nobody but Dylan can write songs that can be tough and tender at the same time, and he never did it better than right here."