Everytime I Think of You - Big Mama Thornton, Copeland
No Jody for Me - Big Mama Thornton, Robey
Let Your Tears Fall Baby - Big Mama Thornton, Robey
They Call Me Big Mama - Big Mama Thornton, Robey, D.
Walking Blues - Big Mama Thornton, Robey, D.
Hound Dog - Big Mama Thornton, Leiber, Jerry
Just Can't Help Myself - Big Mama Thornton, Robey, D.
Nightmare - Big Mama Thornton, Leiber, Jerry
Rockabye Baby - Big Mama Thornton,
Hard Times - Big Mama Thornton, Robey, D.
I've Search the World Over - Big Mama Thornton, Otis, Johnny
I Ain't No Fool Either - Big Mama Thornton, Robey, D.
The Big Change - Big Mama Thornton, Robey, D.
I Smell a Rat - Big Mama Thornton, Leiber, Jerry
Yes Baby - Big Mama Thornton, Ace
Willie Mae's Blues - Big Mama Thornton, Thornton
Stop Hoppin' on Me - Big Mama Thornton, Jenkins
Willie Mae "Big Mama" Thornton Only Notched Up One National Hit in her Lifetime, but it was a True Monster. "Hound Dog" Held Down the Top Slot on Billboard's R&B Charts for Seven Long Weeks in 1953. Thornton's Menacing... more » Growl was Indeed Something Special. The Hefty Belter First Opened her Pipes in Church but Soon Embraced the Blues. Thornton was Ensconced on the Houston Circuit When Peacock Records Boss Don Robey Signed her in 1951. She Debuted on Peacock with "Partnership Blues" that Year, Backed by Trumpeter Joe Scott's Band. But it was her Third Peacock Date with Johnny Otis's Band that Proved the Winner. With Pete Lewis Laying Down Some Truly Nasty Guitar Behind Her, Big Mama Shouted "Hound Dog", a Tune Whose Authorship Remains a Bone of Contention to this Day (Both Otis and the Team of Jerry Leiber and Mike Stoller Claim Responsibility), and Soon Hit the Road a Star. This Proper Intro Presents the Best of her Work.« less
Willie Mae "Big Mama" Thornton Only Notched Up One National Hit in her Lifetime, but it was a True Monster. "Hound Dog" Held Down the Top Slot on Billboard's R&B Charts for Seven Long Weeks in 1953. Thornton's Menacing Growl was Indeed Something Special. The Hefty Belter First Opened her Pipes in Church but Soon Embraced the Blues. Thornton was Ensconced on the Houston Circuit When Peacock Records Boss Don Robey Signed her in 1951. She Debuted on Peacock with "Partnership Blues" that Year, Backed by Trumpeter Joe Scott's Band. But it was her Third Peacock Date with Johnny Otis's Band that Proved the Winner. With Pete Lewis Laying Down Some Truly Nasty Guitar Behind Her, Big Mama Shouted "Hound Dog", a Tune Whose Authorship Remains a Bone of Contention to this Day (Both Otis and the Team of Jerry Leiber and Mike Stoller Claim Responsibility), and Soon Hit the Road a Star. This Proper Intro Presents the Best of her Work.