Les Troyens, opera, H. 133a: Act 1. Scene 1. Ha! What delight to breathe again
Les Troyens, opera, H. 133a: Act 1. Scene 1. The Greeks have quit the plain
Les Troyens, opera, H. 133a: Act 1. Scene 1. Corebus! And I could save him
Les Troyens, opera, H. 133a: Act 1. Scene 2. Almighty gods
Les Troyens, opera, H. 133a: Act 1. Scene 2. Wrestlers' Dance
Les Troyens, opera, H. 133a: Act 1. Scene 2. Andromache and her son!
Les Troyens, opera, H. 133a: Act 1. Scene 2. O King, behold me here
Les Troyens, opera, H. 133a: Act 1. Scene 2. At a doom so appalling
Les Troyens, opera, H. 133a: Act 1. Scene 2. May holy Pallas now protect us!
Les Troyens, opera, H. 133a: Act 1. Scene 2. I cannot bear the sight
Les Troyens, opera, H. 133a: Act 1. Scene 2. O thou whom Jove
Track Listings (14) - Disc #2
Les Troyens, opera, H. 133a: Act 2. Scene 1. Introduction
Les Troyens, opera, H. 133a: Act 2. Scene 1. O thou glory of Troy
Les Troyens, opera, H. 133a: Act 2. Scene 1. What hope is left us yet?
Les Troyens, opera, H. 133a: Act 2. Scene 1. O Vesta, be near us
Les Troyens, opera, H. 133a: Act 2. Scene 2. Not all are doomed to die
Les Troyens, opera, H. 133a: Act 2. Scene 2. Thus faithful to the story
Les Troyens, opera, H. 133a: Act 3. From a heaven serene
Les Troyens, opera, H. 133a: Act 3. Hail, all hail to the Queen
Les Troyens, opera, H. 133a: Act 3. It has been seven years
Les Troyens, opera, H. 133a: Act 3. This festal day
Les Troyens, opera, H. 133a: Act 3. O Queen, a strange fleet
Les Troyens, opera, H. 133a: Act 3. These fugitives unknown
Les Troyens, opera, H. 133a: Act 3. O royal lady
Les Troyens, opera, H. 133a: Act 3. Dreadful news brings me here
Track Listings (9) - Disc #3
Les Troyens, opera, H. 133a: Act 4. Scene 1. Tell me, I pray, what cause have you?
Les Troyens, opera, H. 133a: Act 4. Scene 1. What awful doom
Les Troyens, opera, H. 133a: Act 4. Scene 1. March for the entrance of the Queen
Les Troyens, opera, H. 133a: Act 4. Scene 1. Ballet
Les Troyens, opera, H. 133a: Act 4. Scene 1. It is enough... O Ceres, goddess fair
Les Troyens, opera, H. 133a: Act 4. Scene 1. I pray you forgive me, Iopas
Les Troyens, opera, H. 133a: Act 4. Scene 1. O think no more
Les Troyens, opera, H. 133a: Act 4. Scene 1. O sweet night
Les Troyens, opera, H. 133a: Act 4. Scene 2. Royal Hunt and Storm
Track Listings (13) - Disc #4
Les Troyens, opera, H. 133a: Act 5. Scene 1. O vale resounding
Les Troyens, opera, H. 133a: Act 5. Scene 1. The time has come
Les Troyens, opera, H. 133a: Act 5. Scene 1. Say, good friend
Les Troyens, opera, H. 133a: Act 5. Scene 1. There is no turning back
Les Troyens, opera, H. 133a: Act 5. Scene 1. Aeneas!... That voice again!
Les Troyens, opera, H. 133a: Act 5. Scene 1. Awake, awake!
Les Troyens, opera, H. 133a: Act 5. Scene 1. Thy footsteps I pursue
Jon Vickers in conversation with Jon Tolansky
Les Troyens, opera, H. 133a: Act 5. Scene 2. Farewell, Carthage of mine
Les Troyens, opera, H. 133a: Act 5. Scene 3. Tartarus, hear!
Les Troyens, opera, H. 133a: Act 5. Scene 3. The gods of Hades
Les Troyens, opera, H. 133a: Act 5. Scene 3. The Queen! She's dying
Les Troyens, opera, H. 133a: Act 5. Scene 3. Rome, Rome, stands eternal
From our privileged position, half a century on, there may be a temptation to feel superior and to undervalue the 1957 Covent Garden Trojans and what it achieved. We hear these distant sounds with ears familiar with the wo... more »rk from performances --conducted by the likes of Colin Davis, John Eliot Gardiner, James Levine and others --more assured and accurate than was possible for those worthy pioneers, tackling it for the first time. They had to make do with inaccurate performing material hired from the Paris firm of Choudens, disfigured by mistakes. But what Rafael Kubelik and his performers achieved was absolutely crucial. The Covent Gardent production vindicated Berlioz's original conception of a five-act opera embracing Troy and Carthage in a single span and did so in the face of a century of hostile, dismissive opinion.« less
From our privileged position, half a century on, there may be a temptation to feel superior and to undervalue the 1957 Covent Garden Trojans and what it achieved. We hear these distant sounds with ears familiar with the work from performances --conducted by the likes of Colin Davis, John Eliot Gardiner, James Levine and others --more assured and accurate than was possible for those worthy pioneers, tackling it for the first time. They had to make do with inaccurate performing material hired from the Paris firm of Choudens, disfigured by mistakes. But what Rafael Kubelik and his performers achieved was absolutely crucial. The Covent Gardent production vindicated Berlioz's original conception of a five-act opera embracing Troy and Carthage in a single span and did so in the face of a century of hostile, dismissive opinion.
"The Testament CD of Berlioz' THE TROJANS (as the title suggests, in English) is a valuable record of an invaluable occasion. Energetically conducted by Kubelik, it preserves, among other admirable portrayals, the Aeneas of a young Jon Vickers. What's more, the sound is more than satisfactory, beyond anything I had been led to expect. For opera and Berlioz enthusiasts, not to be missed!"