Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Requiem Et Kyrie
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Dies Irae
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Tuba Mirum
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Quid Sum Miser
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Rex Tremendae
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Quaerens Me
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Lacrymosa
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Offertorium
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Hostias
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Sanctus
Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5): Agnus Dei
The Requiem is just the sort of big, dramatic work that Dimitri Mitropoulos excelled in, and sparks fly in this live 1956 performance from the Salzburg Festival. The mono sound is contricted, though--the last thing you'd... more » want in a piece that even stereo can barely contain. But if you make the required mental adjustment, it's a ride worth taking. Leopold Simoneau is peerless in his solo turn, though his mellifluous tenor is heard in better sound on Charles Munch's RCA stereo recording made a few years later. But this well-filled disc (seconds shy of 80 minutes) is a valuable historical supplement. --Dan Davis« less
The Requiem is just the sort of big, dramatic work that Dimitri Mitropoulos excelled in, and sparks fly in this live 1956 performance from the Salzburg Festival. The mono sound is contricted, though--the last thing you'd want in a piece that even stereo can barely contain. But if you make the required mental adjustment, it's a ride worth taking. Leopold Simoneau is peerless in his solo turn, though his mellifluous tenor is heard in better sound on Charles Munch's RCA stereo recording made a few years later. But this well-filled disc (seconds shy of 80 minutes) is a valuable historical supplement. --Dan Davis