Benvenuto Cellini, opera, H. 76a, Op. 23: Ouverture
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Scene 1. No. 1. Introduction. Teresa!... Mais où peut-elle être?
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Scene 1. No. 2. Choeur de Masques. Enfin il est sorti
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Scene 2. No. 3. Récitatif. Les belle fleurs!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Scene 2. No. 3b. Cavatine. Entre l'amour et le devoir
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Scene 3. No. 4. Duo et Trio. Cellini! Teresa!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Scene 4, 5 & 6. No. 5. Récitatif. Ciel! Nous sommes perdus
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 1. Scene 4, 5 & 6. No. 6. Final. A nous, voisines et servantes!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 8. No. 7. Récitatif. Une heure encore
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 8. Romance. La gloire était ma seule idole
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 8. No. 8. Scène et Choeur. A boire, à boire, à boire!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 8. Chant des ciseleurs. Si la terre aux beaux jours se couronne
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 9, 10. Air. Cette somme t'est due
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 9, 10. No. 9b. Récitatif. C'est trop fort!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 9, 10. No. 10b. Air. Ah! Qui pourrait me résister?
Track Listings (17) - Disc #2
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 12. No. 12. Final. Vous voyez, j'espère
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 12. Ouverture de la Pantomime. Ah! Ah! Bravo!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 12. Pantomime du Roi Midas. Voici maître Arlequin
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 12. Ariette d'Arlequin. Regardons bien maître Arlequin Choeur
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 2. Scene 12. Cavatine de Pasquarello. Il plaît fort
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. No. 13. Entracte & Scene
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 1. No. 14. Choeur. A l'atelier
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 2. No. 15. Scène. Il n'a pas reparu!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 3. No. 26. Choeur. Bienhereux les matelots
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 4. No. 24. Air. Mais qu'ai-je donc?
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 5. No. 16. Récitatif. Ah! Qu'est-il devenue
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 6. No. 17. Récitatif. Teresa! Cellini!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 7. No. 16. Duo. Quand des sommets de la montagne
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 9. No. 20. Quintette. Ah! Je te trouve enfin
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 10. No. 21. Sextuor. Le pape ici!
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 11. No. 25. Récit et Air. Swul pour lutter / Scene 12. Scène. Son Eminence att
Benvenuto Cellini, opera, H. 76a, Op. 23: Act 3. Scene 12. No. 33. Final. Du métal! du métal!
"Norrington is a superb Berlioz conductor, who relishes every spark of invention in the score, every innovatory texture. Though he was conducting a modern-instrument orchestra, he applied some of the principles of perio... more »d performance, making the strings ration their vibrato and the timpanists use hard sticks, and the textures never blurred ... this performance really came alive!" -- The GuardianAn authentic live performance of a seldom-heard masterpiece with world-famous Roger Norrington leading a talented young continental cast. Issued in celebration of the 2006 Berlioz Year at the Royal Albert Hall, London.« less
"Norrington is a superb Berlioz conductor, who relishes every spark of invention in the score, every innovatory texture. Though he was conducting a modern-instrument orchestra, he applied some of the principles of period performance, making the strings ration their vibrato and the timpanists use hard sticks, and the textures never blurred ... this performance really came alive!" -- The GuardianAn authentic live performance of a seldom-heard masterpiece with world-famous Roger Norrington leading a talented young continental cast. Issued in celebration of the 2006 Berlioz Year at the Royal Albert Hall, London.