"Maria Callas was a supremely great artist, as was Joan Sutherland, Montserrat Caballe', etc. For people to throw brickbats at any of them is to show great ignorance of music. I am enthralled by all three of them, and know that each brought something uniquely wonderful to opera. That said, I find this Callas "Sommambula" quite impressive. Callas is in great form here. If the natural timbre of her voice disturbs you, you merely can pass on this recording. Others will appreciate its merits. Callas' phrasing here is exemplary, her technique completely secure, and her dramatic instincts right on target. Cesare Valletti is a lyrical Elvino. Leonard Bernstein's conducting is exciting, but perhaps too fast in certain sections. This is a live performance, taped at La Scala in March, 1955. It preserves what must have been a spectacular occasion, which has been validated by critics who have written about it. The sound of this recording is not anywhere near state-of-the art, but it is listenable, and provides a good documentation of what an evening at La Scala with Callas was like. For Callas fans, of course. For those who don't appreciate her, there's always Sutherland, who was equally great in her own way."
CALLAS IS THE BEST AMINA ON CD!
08/19/1999
(5 out of 5 stars)
"While Sutherland sang Amina with great beauty, she does not convince the listener as Callas does. This live recording captures La Divina on a truly magical night at La Scala. The voice, the trills, and the embellishments are breathtaking. She starts on a high plane and builds her miraculous performance with each scene. Just listening to "Ah Non Giunge" (final scene) as she climbs higher and higher, finally sending that miraculous voice out into the auditorium and ENCIRCLING the audience (WOW!) will absolutely bowl you over. The audience on the recording simply raises the opera house roof with applause and bravas! Live recording-ok sound, but a LEGENDARY performance. BRAVA MARIA!"
CALLAS AT HER GREATEST!
06/11/1999
(5 out of 5 stars)
"This performance marked one of the most spectacular evenings of the Callas career. She is in stupendous voice here, taking on the most taxing and difficult coloratura embellishments and tossing them out as though they were trifles. Callas takes all kinds of vocal chances here and gets away with all of them. Her legato singing is meltingly lyrical and beautiful as well. Her duets with Cesare Valletti (who is himself in great form) an object-lesson in great bel canto singing. The La Scala audience doesn't hesitate to show its approval. This was a golden period for Maria Callas at La Scala, and to have this performance documented, in aceptable sound, is something to be cherished."
3 Reasons to Own: Bellini, Callas, Bernstein!
an opera and callas fan | san jose, calif. | 06/17/2000
(4 out of 5 stars)
"This is a beatiful opera, one of Bellini's best and most beloved. I would love to have a translation of the libretto (it's only in Italian), but I have several synopses of the plot...and it's the music and the singing, anyway. The booklet is well produced and contains nice photos of the cast, conductor, and Maria Callas. I can only give the CD a "4" star rating due to the average, monophonic sound quality. However, there are two bonus tracks from a performance in Cologne with Votto conducting, and the quality of these tracks is very good, indeed. Bernstein conducts at his not unusual slow tempo, and this brings out the inherent beauty of the opera in every detail. It really works with the finale because it allows Mme. Callas to create beautiful decorative embellishments at what appears to be a rapid pace. This brings the audience at La Scalla to their feet with many bravos. One caution: I own an excellent CD player which only has 2x oversampling, and the first disc would not play."
Brava, Callas
an opera and callas fan | 10/09/1999
(5 out of 5 stars)
"Callas is the only singer that I know of who can sing both Wagner and Bellini. I feel that she is unique among singers of the twentieth century becaucse of this. I love this Sonnambula, it has everything to make it great. Callas sings all of Amina's arias with warmth and ease. Wow! I feel that Callas will go on history as one the wonders of the operatic world. As for the non-Callas lovers, leave them alone, don't talk to them, and they'll go away. I think that if I was to have only one recording of Sonnambula, it would be this one."