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Bela Bartok: Mikrokosmos
Bela Bartok, Gyorgy Sandor
Bela Bartok: Mikrokosmos
Genre: Classical
 
  •  Track Listings (88) - Disc #1
  •  Track Listings (57) - Disc #2

Bartók's Mikrokosmos ("Little World") essentially comprises 153 teaching pieces, divided into six books of progressive difficulty. These works make ideal vehicles for budding piano students who are ready to face the m...  more »

     
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CD Details

All Artists: Bela Bartok, Gyorgy Sandor
Title: Bela Bartok: Mikrokosmos
Members Wishing: 1
Total Copies: 0
Label: Sony
Original Release Date: 1/1/1993
Re-Release Date: 2/9/1993
Genre: Classical
Styles: Forms & Genres, Improvisation
Number of Discs: 2
SwapaCD Credits: 2
UPC: 074645252827

Synopsis

Amazon.com essential recording
Bartók's Mikrokosmos ("Little World") essentially comprises 153 teaching pieces, divided into six books of progressive difficulty. These works make ideal vehicles for budding piano students who are ready to face the myriad challenges of 20th-century keyboard music. They also reveal the kernels of the Hungarian composer's uncompromising compositional style. György Sándor was a piano pupil of Bartók's, and his fluid, perceptive playing is unfailingly idiomatic, from the simple, canon-like exercises at the start to the demanding Six Dances in Bulgarian Rhythm that crown the cycle. The mono engineering is thin but acceptable. Suffice it to say that the composer would have been proud of what his pupil achieves here. --Jed Distler
 

CD Reviews

The slender difference that makes the great difference!
Hiram Gomez Pardo | Valencia, Venezuela | 09/28/2006
(5 out of 5 stars)

"At the actual moments it's hard to find out that unusual and missed way of play Bartok with these well known dissonant inflections, for all of us who had the immense privilege to watch this legendary pianist twice in Caracas in the seventies and eighties. To this reviewer, it will be absolutely impossible to forget his egregious presence and powering [...], steeled phrasing hovered by that special reverberation and acidic lyricism at the moment to play Out of doors that cold night of December 9, 1982.



Without another intention in mind, but intending to illustrate and motive the newcomer listener, I would say that in just few counted occasions (Richter and Prokoviev, Ravel and Cortot) there has been such chemical rapport between composer and performer.



At least in my case, I have not heard about any other pianist able to sound so sarcastic, reverberating and genuinely Hungarian as Gyorgy Sandor did it.



So I really hope you to keep in mind all these previous considerations at the moment to make this wise choice. Go for this record without any shadow of doubt.



This album is now part of the mythic legend of the treasures for keyboard.



No other pianist will sound so astonishingly as Sandor does.



"