Piano Concerto No. 1 In C, Op. 15: I. Allegro con brio
Piano Concerto No. 1 In C, Op. 15: II. Largo
Piano Concerto No. 1 In C, Op. 15: III. Rondo: Allegro scherzando
Piano Concerto No. 2 In B-Flat, Op. 19: I. Allegro con brio
Piano Concerto No. 2 In B-Flat, Op. 19: II. Adagio
Piano Concerto No. 2 In B-Flat, Op. 19: III. Rondo: Molto allegro
Track Listings (6) - Disc #2
Piano Concerto No. 3 In C Minor, Op. 37: I. Allegro con brio
Piano Concerto No. 3 In C Minor, Op. 37: II. Largo
Piano Concerto No. 3 In C Minor, Op. 37: III. Rondo: Allegro
Piano Concerto No. 4 In G, Op. 58: I. Allegro moderato
Piano Concerto No. 4 In G, Op. 58: II. Andante con moto
Piano Concerto No. 4 In G, Op. 58: III. Rondo: Vivace
Track Listings (3) - Disc #3
Piano Concert No. 5 In E-Flat, Op. 73 'The Emperor': I. Allegro
Piano Concert No. 5 In E-Flat, Op. 73 'The Emperor': II. Adagio un poco mosso
Piano Concert No. 5 In E-Flat, Op. 73 'The Emperor': III. Rondo: Allegro
Recorded live in 1983, Alfred Brendel's third go-round with these works drastically improves on his previous Beethoven concerto cycles. He finds a calmer, more direct route to the Emperor Concerto, although the Fourth's fi... more »rst movement is still pock-marked with finicky phrase adjustments that pull focus from the music's poetic arcs. Levine provides sympathetic and alert support, yet is much more than a mere deferential accompanist. --Jed Distler« less
Recorded live in 1983, Alfred Brendel's third go-round with these works drastically improves on his previous Beethoven concerto cycles. He finds a calmer, more direct route to the Emperor Concerto, although the Fourth's first movement is still pock-marked with finicky phrase adjustments that pull focus from the music's poetic arcs. Levine provides sympathetic and alert support, yet is much more than a mere deferential accompanist. --Jed Distler
A first rate performance much preferable to his later work
03/31/1999
(5 out of 5 stars)
"In this release, Brendel again ventures - or should I say, ventured (back in 1983)? - forth on well-trodden ground, but his performance is defeinitely the best he has produced so far and much better than his recent live performances (BPO, VPO). It has a clarity and freshness that stands in sharp contrast to his later, more rigid and inflexilbe style. Levine and the CSO provide a perfect orchestral foil for his playing. The range and quality of sound are impeccable as well. (Wolfgang, from Vienna, Austria)"
Academic and expressive
Daniel Graser | Wappingers Falls, New York United States | 05/30/2005
(5 out of 5 stars)
"Alfred Brendel is probably the most knowledgeable Beethoven interpreter that we have seen in the past half century along with Richard Goode. It also helps that he is a phenomenal pianist and chamber musician. When listening to these performances I got a sense of a warmer more intimate ideal for the works, not everywhere, it was as soloistic as these need to be, but the connection between melody and accompaniment was very well balanced right on par with Fleisher and Szell. Levine gives the music everything it needs and the Chicago Symphony plays wonderfully. The live recording gives these works a wonderful atmosphere and the audience is reverently silent. If you want to seek out individual performances of these concertos by all means do it but for a box set of them all I would recommend this as well as his more recent with Rattle, as well as Fleisher and Arrau. All of them are wonderful however this is by far the best live recording of these works. Highly recommended"
A Warmer, More Expressive Brendel
John Kwok | New York, NY USA | 04/04/2001
(5 out of 5 stars)
"Alfred Brendel doesn't come across as a meticulous craftsman, but instead, as a lyrical, joyful interpreter of Beethoven in this version of Beethoven's piano concerto cycle which he recorded with James Levine and the Chicago Symphony Orchestra at the CSO's Ravinia Festival in the early 1980's. While this won't replace my recordings of Arrau, Perahia, Kovacevich or Ashkenazy performing these concerti, Brendel's third traversal is one of the best performed - and recorded - versions currently available. His warm, expressive playing reaches its peak in the last two concerti. Both Levine and the CSO are admirable, sympathetic accompanists. If you are looking for your first set of Beethoven piano concertos or your latest, then you certainly won't go wrong with these fine performances."
Not first tier, but pretty decent nonetheless
chefdevergue | Spokane, WA United States | 10/23/2003
(4 out of 5 stars)
"Echoing another reviewer, I don't believe Brendel's third go-round with the Beethoven concerto cycle is on a par with Arrau or Ashkenazy, but it is by far Brendel's best effort, demonstrating lyricism that, unfortunately, one cannot always depend on. It is a worthy addition to the serious music lover's collection, although I would not want to make it my only resource for the Beethoven concerti."
Beethoven's Piano Concerti - Brendel
Louise Mac Mahon | Ireland | 03/22/2008
(5 out of 5 stars)
"I had this years ago on cassette tape but they got clapped out from playing them so much. This set is a real joy, tremendous rapport between all parties involved. Rarely has a live performance been so full of life!"