Symphony No. 3 in E flat major ('Eroica'), Op. 55: Allegro con brio
Symphony No. 3 in E flat major ('Eroica'), Op. 55: Marcia funebre, Adagio assai
Symphony No. 3 in E flat major ('Eroica'), Op. 55: Scherzo, Allegro vivace
Symphony No. 3 in E flat major ('Eroica'), Op. 55: Finale, Allegro molto
Symphony No. 1 in C major, Op. 21: Adagio molto - Allegro con brio
Symphony No. 1 in C major, Op. 21: Andante cantabile con moto
Symphony No. 1 in C major, Op. 21: Menuetto, Allegro molto e vivace
Symphony No. 1 in C major, Op. 21: Finale, Adagio - Allegro molto e vivace
Track Listings (8) - Disc #2
Symphony No. 7 in A major, Op. 92: Poco sostenuto - Vivace
Symphony No. 7 in A major, Op. 92: Allegretto
Symphony No. 7 in A major, Op. 92: Presto
Symphony No. 7 in A major, Op. 92: Allegro con brio
Symphony No. 2 in D major, Op. 36: Adagio molto / Allegro con brio
Symphony No. 2 in D major, Op. 36: Larghetto
Symphony No. 2 in D major, Op. 36: Scherzo, Allegro
Symphony No. 2 in D major, Op. 36: Allegro molto
Track Listings (9) - Disc #3
Symphony No. 6 in F major ('Pastoral'), Op. 68: Allegro ma non troppo
Symphony No. 6 in F major ('Pastoral'), Op. 68: Andante molto moto
Symphony No. 6 in F major ('Pastoral'), Op. 68: Allegro
Symphony No. 6 in F major ('Pastoral'), Op. 68: Allegro
Symphony No. 6 in F major ('Pastoral'), Op. 68: Allegretto
Symphony No. 4 in B flat major, Op. 60: Adagio - Allegro vivace
Symphony No. 4 in B flat major, Op. 60: Adagio
Symphony No. 4 in B flat major, Op. 60: Allegro vivace
Symphony No. 4 in B flat major, Op. 60: Allegro ma non troppo
Track Listings (9) - Disc #4
Symphony No. 5 in C minor ('Fate'), Op. 67: Allegro con brio
Symphony No. 5 in C minor ('Fate'), Op. 67: Andante con moto
Symphony No. 5 in C minor ('Fate'), Op. 67: Allegro
Symphony No. 5 in C minor ('Fate'), Op. 67: Allegro
Symphony No. 8 in F major, Op. 93: Allegro vivace e con brio
Symphony No. 8 in F major, Op. 93: Allgretto scherzando
Symphony No. 8 in F major, Op. 93: Tempo di Meneutto
Symphony No. 8 in F major, Op. 93: Allegro vivace
Leonore Overture No. 3 in C major, Op. 72b
Track Listings (4) - Disc #5
Symphony No. 9 in D minor ('Choral'), Op. 125: Allegro ma non troppo
Symphony No. 9 in D minor ('Choral'), Op. 125: Molto vivace
Symphony No. 9 in D minor ('Choral'), Op. 125: Adagio molto e cantabile
Symphony No. 9 in D minor ('Choral'), Op. 125: Presto - Allegro assai / Recitative - Allegro assai
Compiled on five discs, these readings represent Arturo Toscanini's last thoughts on the Beethoven symphonies, recorded when he was in his mid-80s. They are taut, energetic, cohesive performances, and utterly distinctive i... more »n their balance of lyricism and dynamism. The NBC Symphony was not the greatest orchestra then, or ever; despite the legend that grew up around it, there are places where one can hardly help noticing the problems with tuning in the winds, the frayed string ensemble, the less-than-ideal tone in the brass. But these recordings capture an orchestra playing with absolute commitment, and one that had been superbly well rehearsed at that. With Toscanini, the music is always moving toward something. The sense of impetus in these accounts is truly remarkable, whether it expresses itself merely as a surging forward, or as an electrifying, headlong rush to the finish. The scherzo of "The Eroica" is wonderfully fleet and vibrant, the storm in the Pastorale violently powerful, the opening Allegro of the Second impetuous, brilliant, almost fierce. The whole of the Seventh Symphony is explosive, though the ensemble in the scherzo is not especially good. These are all studio recordings made in Carnegie Hall, except for Nos. 4 and 5, which are broadcast transcriptions (and noisier as a result), and No. 7, which is a hybrid. The sound, thanks to excellent remastering, has remarkable impact and clarity, with full dynamic range, good detail, and no evidence of the egregious processing that marred so many earlier incarnations of these readings. --Ted Libbey« less
Compiled on five discs, these readings represent Arturo Toscanini's last thoughts on the Beethoven symphonies, recorded when he was in his mid-80s. They are taut, energetic, cohesive performances, and utterly distinctive in their balance of lyricism and dynamism. The NBC Symphony was not the greatest orchestra then, or ever; despite the legend that grew up around it, there are places where one can hardly help noticing the problems with tuning in the winds, the frayed string ensemble, the less-than-ideal tone in the brass. But these recordings capture an orchestra playing with absolute commitment, and one that had been superbly well rehearsed at that. With Toscanini, the music is always moving toward something. The sense of impetus in these accounts is truly remarkable, whether it expresses itself merely as a surging forward, or as an electrifying, headlong rush to the finish. The scherzo of "The Eroica" is wonderfully fleet and vibrant, the storm in the Pastorale violently powerful, the opening Allegro of the Second impetuous, brilliant, almost fierce. The whole of the Seventh Symphony is explosive, though the ensemble in the scherzo is not especially good. These are all studio recordings made in Carnegie Hall, except for Nos. 4 and 5, which are broadcast transcriptions (and noisier as a result), and No. 7, which is a hybrid. The sound, thanks to excellent remastering, has remarkable impact and clarity, with full dynamic range, good detail, and no evidence of the egregious processing that marred so many earlier incarnations of these readings. --Ted Libbey
"Beethoven's symphonies are the benchmark of the classical repertoire. Nothing has that often been tried, nothing has that often been failed. Not the man himself, Arturo Toscanini. This is definately the definite Beethoven. It is a masterpiece of interpretation of these masterworks, never achieved again and probably not to be achieved in the future. Highest recommendation for these CD's. Everybody who at least loves music a little bit shoul not be without this wonderful set. In case you don't believe me, ask the famous German critic Jürgen Gahre."
Only Toscanini and Karajan came close...
madamemusico | Cincinnati, Ohio USA | 10/14/2000
(4 out of 5 stars)
"Many, many conductors have recorded the Beethoven Nine, but only two have come close in a complete "cycle," Toscanini and Karajan. This was/is Toscanini's only "approved" integral set of the Nine. Karajan made four, one with the Philharmonia and three with the Berlin Philharmonic. My overall favorite Karajan set is the third (second with Berlin), made in 1974-76, though his later Fifth is better-played.Anyway, to return to Toscanini...this set is very, very good. It was made better than earlier when, for this issue, the technically shoddy 1953 "Eroica" was replaced by the superior 1949 recording. Yet there are two readings here that are, if not poor, rather weak, the Fifth and the Ninth. This Fifth strives for a rugged, "structural" reading, yet it is not quite powerful OR lyrical enough, whereas Karajan's 1983 Fifth is a masterpiece on both counts. Likewise, this Ninth--though well-played by its own standards--lacks much of the fire and forward momentum of his earlier versions; and, in the last movement, the solo singers actually sound awkward as they try to negotiate their a capella passage near the end.But this doesn't mean that Toscanini is not the conductor to hear for great performances of all nine symphonies--far from it! He's just not at his best in all of THESE performances. My recommendation is to buy the newly-remastered versions of Symphonies 1-4 ("Immortal Toscanini," Vol. I), the New York Philharmonic versions of Symphonies 5 & 7 (on Magic Talent), the BBC Symphony versions of Symphonies 4 & 6, the single disc from this set with Symphonies 5 & 8, and the Grammofono reissue of his 1939 Beethoven Ninth. This will give you all nine symphonies on 6 CDs instead of 5, unfortunately, but you will be pleased with what you hear. And, if you want a more modern-sounding Ninth, there's always the late Karajan versions (both the 1976 and 1984 recordings are excellent)."
Beethoven, as Only Toscanini Could Play Him
D. J. Zabriskie | Park Ridge, NJ USA | 03/31/2002
(4 out of 5 stars)
"While this may not be a definitive reading of Beethoven's
9 symphonies (there were always problems with the NBC Symphony),
it is, nevertheless, a benchmark collection, a touchstone by
which to compare all other readings. This collection gives
the listener an excellent idea of what Toscanini is all about;
even if his take on Beethoven is not everybody's cup of tea.
If you want more sumptutious sonorities, go to Karajan; if
you want more romanticism go to Bernstein. Solti probablyrecorded a better set than any of these, but the virtues
of a Toscanini performance are evident throughout these
recordings. And what virtues they are! Toscanini's propulsive
rythymic momentum is a marvel to behold and always gives the
listener a sense of "purpose" and direction to the music. His
reading of the Seventh, despite some gaffes by the orchestra,
may be the best recording of that symphony extant! Listen to
the clarity of the orchestral textures: how each section ofthe orchestra shines on its own, bringing out the inner voices
as no subsequent recording has done, and how these sections
blend so marvelously into a whole which retains clarity and
definition! If you need more beer and brown gravy with
your Beethoven, fine! You won't get it here... just the
extraordinary revelation of all the little goodies to be
found in Beethoven's symphonies, if you study the scores
carefully and play them with rigor and taste!"
It's great!
D. J. Zabriskie | 09/12/2000
(5 out of 5 stars)
"This review may not go through because while I have bought a fair number of classical recordings from Amazon ( a developing interest), I did not get what have of "this set" here--but I couldn't resist a remark. What I have is BMG's - copyright 1998- Vol. I (of three volumes) of Arturo Toscanini conducting the NBC Sympony Orchestra playing Beethoven's 9 Symphonies-- it has 2 CD's on which are Symphonies 1-4 plus Egmont Overture. Vol. II, which I don't have has 5-8 and Vol. III has 9. Why I don't have the rest is, at the same time, why I have what I have. Somehow I got on the BMG Classical Records Club mailing list--and I joined. This (what I have) was (and is) one of the offerings--but only Volume I. (There is also a symbol on the back, next to the copyright) that looks like a P surrounded by a cirle--that date is 1990 [it too says BMG Entertainement]). I do absolutely think anyone who can afford to get all of these should. I have been procrastinating since I received them in playing disc 2--novice that I am, I didn't think that I liked Eroica that much--but I love it ( I haven't got much to offer in the way of expertise but...)--at least on this recording-- which should teach me something about recordings. Actually, I'd like to know how I can get Vols. II and III whan I can afford them--but clearly mine can't be combined with 2 of Amazon's because Amazon's are sold on an all or none basis and furthermore, the symphonies on Amazon's set ( the product info on this page says says copyright 1990) are all out of order on the CD's. The reason why this comment was so tempting is that a couple of days ago I was reading an Amazon.com cutomer review of a recording of Strauss' Salome and whoever wrote it said something like "the only possible competitive recording is BMG's with Rysanek ( maybe he also mentioned Bohm) which isn't available in this country yet". Since I had just received it in the mail (and that's one that BMG is no longer offering its record club members,) I was surprised. Anyway, that's a boon, and so is Amazon (including Ted Libbey's book, although these recordings of Toscanini's aren't in it). Anyway,in my very humble opinion, these are absolutely worth having."