"This Beethoven set was the first one I purchased many years ago; I "learned" many of the Beethoven symphonies through Lenny and the Vienna Phil. I couldn't have asked for better teachers. Actually, Bernstein is more like a tour guide through the mountains. What he shows you eludes so many other conductors who supposedly rule this terrain.
Bernstein is often overlooked or diminished as a conductor of the standard classical reportoire, but he was often just as brilliant with Mozart or Beethoven as he could be with Mahler or the Americans. Unlike the Sibelius or Elgar recordings from this new Bernstein Edition, his Beethoven set is a great place for anyone to begin with these works, and I still place it toe to toe with any of the other contenders. As for those who already own other DG sets by Karajan, Abbado, or Bohm, or have legendary sets by Szell, Walter, or Furtwangler, give this one a try, especially at the bargain price, and see where Bernstein and the Vienna Philharmonic take you. A word of caution. No journey through Beethoven is perfect, as every set has its mis-steps (some result in total disaster). Bernstein's only flaw here is the Fifth, where he favors a slow and old-fashioned performance. But this is easily remedied: simply buy the Kleiber recording with the same orchestra, also from DG, and you will have years of great performances to relish.
Beethoven's name stands front and center on a golden jewel above the stage in Lenny's old stomping grounds -- Symphony Hall in Boston. Originally, the designers were going to surround Beethoven with the names of other composers, but that never happened; they never reached a concensus on what other names were worthy to be enshrined in this symphonic crown. So, Beethoven remains the sole jewel in the crown. Perhaps no set of Beethoven symphonies deserves similar recognition, because there are so many other great perfomances out there. But Bernstein's Beethoven from Vienna comes pretty damn close."
Bedrock stuff
James Biques | Philadelphia, PA United States | 02/20/2007
(5 out of 5 stars)
"I couldn't live without recordings of classical music, but please, somebody shoot me if I ever get as snobbish as some of the reviewers nitpicking this box set. The sound quality is excellent. (These symphonies were all recorded live in concert, so the performances truly breathe.) The interpretations are, to my ear, deeply considered and extremely moving, especially the second movement of the Seventh. And best of all, you can't beat the price (and this is Deutsche Grammaphone we're talking about, usually the most expensive pressings). So if you know some person, young or old, who wants to know where to start with building a classical collection, get them this set as a gift. How can you not like this music?"
Still One of the Great Beethoven Symphony Cycles
John Kwok | New York, NY USA | 12/04/2004
(5 out of 5 stars)
"Critics have accused Leonard Bernstein of being too idiosyncratic in his interpretations, and some have claimed that his later recordings with Deutsche Grammophon were too flamboyant. I tend to disagree, since I have enjoyed listening to his Beethoven and Brahms symphony cycles with the Vienna Philharmonic and virtually all of his Mahler symphony recordings. Bernstein was as comfortable conducting Beethoven as he was with Mozart, Haydn, Mahler, Sibelius, or Copeland, to name but a few. And there were only a handful of orchestras with whom he had a great relationship, of which his partnership with the Vienna Philharmonic Orchestra surely ranks at the top, perhaps even more so than his critically acclaimed relationship with the New York Philharmonic Orchestra (I might add that he is still remembered by musicians in the Vienna Philharmonic Orchestra, who regard him as one of the most inspirational conductors with whom they've collaborated with.).
Bernstein's Beethoven symphony recordings were among Deutsche Grammophon's finest recording achievements in the late 1970's. This bargain CD set is thus a tribute not only to Bernstein and the Vienna Philharmonic, but also to the technical excellence demonstrated by Deutsche Grammophon's producers and recording engineers. My own personal favorites in this cycle are Bernstein's riveting accounts of the 1st, 2nd, 3rd, 4th, 6th and 7th symphonies (His interpretation of the 5th Symphony is a bit too slow for my taste, and doesn't quite seem nearly as riveting as Carlos Kleiber's electifying account with the Vienna Philharmonic recorded by Deutsche Grammophon a few years earlier.). Althought this is an excellent Beethoven symphony cycle, it will not replace my more recent recordings from Harnoncourt, Zinman and Abbado as my primary recommendations for a Beethoven symphony cycle, but nonetheless, it is an excellent cycle for those interested in hearing the recordings of one of the 20th Century's greatest conductors."
Surprisingly tame Beethoven from a great conductor
Santa Fe Listener | Santa Fe, NM USA | 07/21/2007
(3 out of 5 stars)
"The tameness of this Beethoven cycle from Bernstein and the Vienna Phil. was deliberate, I suspect. The conductor had already made a massive-sounding cycle in New York with the Philharmonic, and he apparently wanted to hear these works slimmed down, fleet, and classically inclined in Vienna. Even understanding the rationale, there are moments when the readings come close to being either tepid or ordinary. The VPO sounds lovely, and DG has improved on the original thin sonics from the LP era. But I can't square these cautious performances with the free-wheeling and inspired Bernstein I love. If you play any single movement side by side with, say, Riccardo Muti's middle-of-the-raod cycle from Philadelphia on a bargain EMI line, it's hard to tell where Muti ends and Bernstein begins. (Joining Muti and Bernstein, another firebrand conductor, Solti, also tended toward tameness when it came to Beethoven.)
I see that the reviewers here are sharply divided between champsions and naysayers. I'm not completey disappointed. The smaller, more graceful symphonies (#1, #2, #4, #8) are the best in the cycle, largely thanks to the orchestra's elegant execution. Of the heroic symphonies, the Fifth is dull, the Eroica and Seventh are better but by no means inspired, and the Ninth comes the closest to making one sit up and take notice. LB made a specialty of this work, but his three official versions don't really capture the magic. This one comes closest, and I much prefer it to the emotional wallow that LB indulged in with his famous "Ode to Freedom" performance at the Berlin Wall after it fell in 1989.
As for the reviewers here who heap superlatives on this set, I can't come close to agreeing, and I am a Bernstein fan par excellence."
Why bother?
Michael Capizzi | Illinois, USA | 05/25/2010
(2 out of 5 stars)
"I have been listening to the Beethoven symphonies for 50 years. More than any other symphonic output, or for that matter, any other genre of classical music, they are central to the core of classical music. Perhaps if I had listened to this set earlier in life, I might feel differently about it. But to it so recently, I just can't summon any enthusiasm for it. I find it bloated and pretentious. Both Bernstein and the Vienna deserve better than this and, together, they owe us better.
No one summoned more majesty for Beethoven than Bruno Walter with his pick up band. And then there is George Szell's classic cycle, perhaps the best ever to capture the heart and soul of the music. For modernists, ther is Sir Charles Mackerras in live recordings with the Scottish Chamber Orchestra/ Philharmonia Orchestra. Norrington and the London Classical Players is very good. Finally thre is a young, vital Bernstein with the NY Philharmonic.