One of the best sets around
J. Buxton | Waltham, MA United States | 10/31/1999
(5 out of 5 stars)
"This is Bernstein in his prime conducting the greatest symphonies ever composed, with the world's greatest symphony orchestra, the VPO. Bernstein never failed to put his individual stamp on interpretations, and these recordings are no exception. I like the "live" feel of the recordings, with numbers 3,6,7, and 9 particularly good. If you live in the U.S. the only way to purchase nos. 1,2,4,7, and 8 is in this set. You currently cannot purchase them individually (unless you order it from overseas). Number 7 is one of the best ever recorded in my opinion, and number 9 is the best of Bernstein's three versions available. The only letdown was number 5, which is quirky. On the whole a great set."
If you like Lenny, you'll love this cycle
Ytzan | Athens, GR | 05/06/2000
(5 out of 5 stars)
"I am a great fan of Bernstein. I believe he is (was) great in every recording he has made although I know that the critics won't agree. All the symphonies are great but for me the crown of this set are the No 5,6,7. Apsolutely magnificent. Although I also have Karajan's early cycle (1963) and I have heard his 1977 cycles I think Bernstein is much better."
Far short of bernstein's best Beethoven, which was in NY
Santa Fe Listener | Santa Fe, NM USA | 09/11/2005
(3 out of 5 stars)
"Bernstein in New York was the essence of "American" Beethoven: dynamic, extroverted, heedless of Germanic conventions, totally displaced from the long line leading from Nikisch to Furtwangler and Klemperer. In Vienna he lost his American perspective, but the one he gained wasn't better. The Viena Phil play wonderfully, as always, but this is their composer, not Bernstein's. In general the readings are much more fleet and small-scalled than in NY, and although nothing is wrong exactly, not a single performance, to my mind, is better than what he did before--the sound is certainly no great shakes, being dry and uninvolving. Bernstein shouldn't have tried to compete on hallowed gorund, not in Beethoven, at least. His Fidelio from Vienna is the one exception, but these readings aren't."