Larry VanDeSande | Mason, Michigan United States | 07/25/2007
(4 out of 5 stars)
"At least one major American publication of music criticism, American Record Guide, considers the Zdenek Macal-Milaukee Symphony Orchestra collaboration on Smetana's "Ma Vlast" the best performance currently available to buyers. And, since 2010, one European publication of music criticism -- The Penguin Guide to Recorded Classical Music 2010: The Key Classical Recordings on CD, DVD and SACD -- also considers this the "best recording" available to buyers of Bedrich Smetana's evergreen ptriotic suite of Czech music known as Ma Vlast or my homeland.
One listen to this remarkable performance tells you why they think this: Macal, a native of Brno, Czech Republic, leads an authoritative reading in good modern sound with a middle level American orchestra. What separates Macal's translation of Smetana's national language is the way he caresses the more musical and gentle phrases throughout, while still adhering to the big orchestral requirements of Slaivc nationalism that excite listeners during the "Sarka", "Tabor" and "Blanik" sections.
Indeed, it is Macal's leadership during Sarka -- a cinematic and episodic view of a young girl that swore vengeance on all men because of her oppression -- that characterizes his handling of this musical drama. Macal's description of Sarka, enthusiastically realized and avowed by the Milwaukee players, is at once simultaneously powerful, loving and fearful. Meanwhile, the idyllic poetry that begins "Blanik" is delivered wonderfully by Macal whose later attention to the martial, national conclusion is equally magnificent.
I thought this CD started out a little slowly in the two familiar tone poems that begin the sextet; but it picked up dramatically in the bigger, bolder sections and, by the end of the program, completely convinced me. I would rank this reading up there with either of Kubelik's later stereo versions, with the Czech Philharmonic and Boston Symphony orchestras, and better than most renderings I've heard because of Macal's sensitivity to the changing shades of drama and poetry -- especially the poetry -- that are inherent throughout the score. These endearing and frightening pictures of his homeland are transferred to our ears with rapt attention to modest alterations in tempo and dynmaics. Kubelik's first recording, the mono version on Mercury with Chicago Symphony Orchestra Smetana: Má Vlast, still reigns supreme for me but this one is the best stereo version I've heard.
Good notes on the meaning of the music and a brief bio of conductor and orchestra round out a good package. While the Milwaukee Symphony's strings and brass will never be a match for Philadelphia and Chicago, respectively, they play their hearts out for their music director in this recording, which is captured in closely detailed stereo at the top of our standard for 2007.
It's rare I am this convinced about a recording and this one is a contender among the better "Ma Vlast" renditions out there. For the modest asking price through Amazon and its vendors (there were several used versions available for one cent each when I wrote this), no one with any interest should hesitate. While Macal doesn't play up the dramatic moments quite like Kubelik did in Chicago, this recording is a winner that portrays the poetic and singing sections better than any other I've heard."
Rich
Sarah Bellum | Dublin, OH United States | 08/08/2006
(5 out of 5 stars)
"(4.5/5 stars) I agree with other reviewers that this recording sounds wonderful. The piece itself is one of my favorites. Smetana practically redefines "patriotism" with this powerful love song to his fatherland. While I have never ridden on the Moldau, Macal and the Milwaukee Symphony certainly provide the turbulence necessary to experience it with this digital recording. An essential piece of music and a thoroughly decent recording."
Fine Ma Vlast
Gregory M. Zinkl | Chicago, IL | 04/03/2001
(4 out of 5 stars)
"I hate to say it, but for me, Kubelik owns this piece, especially his Czech Phil recording on Supraphon (digital, too).That said, however, Telarc has done us a favor by bringing to the fore these excellent forces and Macal's idiomatic conducting. The engineering, too, is better than Kubelik's Supraphon recording--there is more aural depth. I do find the "highs" to be a little bit much for me, but hardly anything that should deter the interested buyer.The Milwaukee orchestra is a fine one, and while the strings are very sweet, I do hear some strain (are there enough violins?) that can sometimes be tiring, especially since Macal makes such demands.Overall, though, an excellent addition to the discography."
Excellent Ma Vlast Recording.
D. Seymour | Atlanta, GA USA | 01/30/2002
(4 out of 5 stars)
"Ma Vlast is one of my favorite pieces of music. And I firmly believe that Zdenek Macal gives a tremendous reading of it here on this disc. The performance is reverently passionate, the recording is lush, but not nearly as vibrant as it maybe could have been. I used to think this was a sad recording flaw. But, in fairness to Telarc engineering, I recently had the pleasure of hearing several pieces from Ma Vlast performed live in Atlanta. And I came to the realization that, just like Schumann, Smetana could sure write a tune, but was exceedingly murky and unimaginative when orchestrating. His muted symphonic range causes the orchestra to produce sounds that will remind you of a top notch analog transfer. Macal's forces, on the other hand, spend plenty of time lingering over the melodies and exuding nostalgia that you forget about the sonics by the end anyway. The terrific performance overcomes any objections I have to the lack of presence. Buy and enjoy."
Overall pleasing, but certainly with flaws!
Daniel Lantz | Sweden | 04/06/2009
(4 out of 5 stars)
"Smetana's "Ma Vlast" is one of the masterpieces of Romantic Orchestral music, containing some of the most beautiful and lyrical melodies and at the same time making great demands of its performers. The Telarc label has over the last 15 years built up a good reputation by issuing truly well-played performances by American Orchestras. Not only were the performances outstanding, the sound was unbelievably good. So, when buying the Telarc release of Ma Vlast, my expectations were relatively high.
While the sound on the disc is nothing short of stunning, the weakness of the recording surfaces the longer you listen to the orchestra. Although there are quite a few impressive tutti passages by the brass section as well as some fiery playing from the strings, there are some parts of the piece that are not too well executed. What relatively soon came to my attention was the sound of the string section during the whole piece. I get the impression that some players in the section play with a strong vibrato, while others play just straight notes, resulting in a slightly quivering, nervous tone throughout. Also, in some virtuosic passages, in particular the opening of 'Sarka', the strings are not in very good sync and sounding shaky, barely keeping in pitch with eachother. Another reviewer here said that the strings seem to be under strain - I couldn't agree more.
The brass impresses me more throughout, on the other hand, especially when they play together. However, weaker moments occur when they act as soloists. One example is the triplet fanfare in the trumpet and the trombone 7 minutes into 'Vysehrad', that sounds surprisingly awkward and shaky.
This is some heavy criticism directed towards the Milwaukee Symphony Orchestra, and I am no doubt influenced by the outstanding performances that the Telarc label has presented in the past. I give the recording 4 stars because as a whole, it truly is a wonderfully recorded, captivating performance with a lot of 'umph' from the Milwaukee orchestra. Many listeners may not even notice the weaknesses that I've listed above.
If you're looking for ONE top-notch recording of Smetana's magnum opus, and are expecting powerful, flawless execution that the Telarc label has become famous for, you should consider looking elsewhere."