An amazing effort--timeless
Bartleby1945 | New Britain, CT USA | 01/04/2006
(5 out of 5 stars)
"This review comes with a caveat--I have never heard the remastered version the previous reviewer finds offensive. He may very well be right. I bought the original CD about twenty years ago--actually one of my first CD's--and my comments pertain only to that Polydor release (821-930-2)
The album, musically and lyrically, is superb. I knew very little about BJH beyond "Mockingbird" when I first bought this, and it took me a little while to appreciate it. I think I was more taken by surprise than reluctant in any way, but I remember hearing "Suicide?" for the first time and being blown away by its complexity, its harmony, its plot, and its method of narration. It truly is a masterpiece--one which most people will never hear and never hear of.
Anyway, the original "unremastered" version is more than worth the price if you can find it. I paid $4.98 at a now defunct music shop that sold used CD's. It's worth ten times that amount. Well, five anyway."
Another nice album by Barclay James Harvest
Jeffrey J.Park | Massachusetts, USA | 05/22/2007
(4 out of 5 stars)
"This pleasant 1976 release continues in the tradition of richly arranged symphonic pop that characterized much of their output. In contrast with previous releases however, the arrangements seem a little more elaborate and even include the use of an orchestra and a choir. The overall feel of the album is a bit sad and somewhat dark.
The lineup on this album included Les Holroyd (bass; acoustic guitar; and vocals); Woolly Wolstenholme (Hammond organ; mellotron; synthesizers; and vocals); Mel Pritchard (drums and percussion); and John Lees (electric and acoustic guitars; vocals). In general, the one thing that really stands out on this album are the vocal harmonies, which are superb. I also love the use of synthesizers which add a great deal to the symphonic aspects of this album.
The seven tracks on the album range in length from 4'21" to 7'57 and are all excellent examples of symphonic pop. Arrangements are lush and the instrumentation emphasizes acoustic textures, although there are a few up-tempo and electric sections. One of my favorite moments on this album is during the choir section (augmented with a celestial, "churchy" sounding organ), whereby a smaller chorus of male voices sing in a completely different key and meter than the rest of the choir. Although the effect is subtle, I found the dissonance to be pretty cool. In large part however, the pieces are very well arranged songs that feature pleasant melodies and excellent vocal harmonies. In addition to the more lavishly arranged pieces, there are a few straightforward pop songs on here, e.g. Rock and Roll Star, that are vaguely reminiscent of American west coast soft rock (think Eagles here). There is a unifying mood to all of the pieces and that is one of melancholy. In fact, the last song describes someone committing suicide (complete with sound effects I might add). I think that it is this emotional sophistication that really makes the band work for me.
This remastered version is just great and features loads of liner notes, pictures of the group, and lyrics. The bonus tracks on the album include remixes of the same tracks included on the original album and do not add too much.
All in all, this is a great album of symphonic pop with a lot of emotional sophistication. Recommended along with Everybody is Everybody Else (1974) and a few other albums that are somewhat similar in texture including a few by the Strawbs (Hero and Heroine, 1974; Ghosts, 1975); and a few by The Alan Parsons Project (Tales of Mystery and Imagination, 1976; and I Robot, 1977)."
BJH, listen to it.
Dimitri V. Fields | 01/24/2010
(5 out of 5 stars)
"This was when bands had great musicians, and when you played the LP, you loved every song from start to finish. No filler, no junk. This is probably their best album. It's classic rock you may not have heard of, and it hardly gets radio play in the US. But it is relevant, original and inspiring. Maybe you could call it electric folk rock. It's progressive rock in the same genre as early Genesis and Yes. It is in the same calibre as Tull and Floyd. They are one of the greats. I was in the UK in the 70's, and this was considered a great album alongside Yellow brick road and all the true classics. They can rock, but they have more of a subtle feel. This music is timeless because it is thoughtful, introspective and mature, making relevant social statements. There was a lot of good music made in the 70's that had nothing to do with being commercial, wasn't made for dancing to and wasn't for head bangers. I've been into all kinds of genres, and this is the type of music that makes you think and feel, without making you feel agitated. It is not light like Air Supply or America, it's more hard edged than Crosby Stills Nash and Young. It can be emotional, it can be dark. It takes you places in your mind. It's the music you played in your study in a boarding school, alongside Bad Company, Doors and Stones. I miss albums which are truly created as art."
Track Listings (12) - Disc #1