Chester, Let Tyrants Shake Their Iron Rods, and Slav ry Clank Her Galling Chains
In Babilone, There s a Wideness in God s Mercy
Azmon, Oh, for a Thousand Tongues to Sing or Awake
O Waly Waly, Although I Speak with Angel s Tongue
Chorale Fantasy on Ein Feste Burg, A Mighty Fortress is Our God
Reverie on Vater unser, Our Father Who Art in Heaven
Finale on Ein Feste Burg, A Mighty Fortress is Our God
Kingsfold, I Heard the Voice of Jesus Say, Come Unto Me and Rest
Sufferer, They Crucified My Lord
Land of Rest, How Long, O God
American spiritual, Swing Low, Sweet Chariot, Comin for to Carry Me Home
Holy Manna, All Who Hunger, Gather Gladly
Gloria (B. Harbach), original 21st Century melody
Besançon, People, Look East
Antioch, Joy to the World
Forest Green, As Saints of Old
Darwall s 148th, Before You, Lord, We Bow
Llangloffan, Bless Now, O God, the Journey
African American Spiritual, Wade in the Water
Ar Hyd Y Nos, Go, My Children, with My Blessing
Hermas, On Our Way Rejoicing
The Morning Trumpet, Oh, When Shall I see Jesus, and Reign with Him Above?
Christ lag in Todesbanden, Christ Jesus Lay in Death s Strong Bands
Erre Gyere, traditional Hungarian melody
American composer BARBARA HARBACH has a large catalog of works, including symphonies, works for chamber ensemble, string orchestra, organ, harpsichord, musicals, choral anthems, film scores, modern ballets, and many arrang... more »ements for brass and organ of various Baroque works. She is also involved in the research, editing and publication of manuscripts of eighteenth-century keyboard composers as well as historical and contemporary women composers. Her works are available in both recorded and published form through labels including MSR Classics, Naxos, Gasparo Records, Kingdom Records, Albany Records and Northeastern Records, and publishers including Hester Park, Robert King, Elkan-Vogel, Augsburg Publishing, Agape Music and Vivace Press. Harbach has toured extensively as both a concert organist and harpsichordist, and her lively performances and recordings have captured the imagination of many American composers. The body of work written for and dedicated to Harbach is substantial. Musical America has called her nothing short of brilliant, and Gramophone has cited her as an acknowledged interpreter and, indeed, muse of modern harpsichord music. She was host of the weekly television music series Palouse Performance seen throughout the Inland Northwest. Currently professor of music at the University of Missouri-St. Louis, Harbach holds academic degrees from Pennsylvania State University (BA), Yale University (MMA), Musikhochschule (Konzertdiplom) in Frankfurt, Germany, and the Eastman School of Music (DMA). In 2002, she received an honorary doctorate in music, honoris causa, from Wilmington College, Ohio for her lifetime achievement as a composer, performer, editor and publisher. Harbach is also the editor of Women of Note Quarterly. Barbara Harbach initiated Women in the Arts-St. Louis, a celebration of the achievements of women creators. The more than 850 events by various cultural organizations in the St. Louis region provided audiences with new and historical examples of the work of women writers, composers and artists. She was the 2006 recipient of the Arts Education Award from the Missouri Arts Council for her work Women in the Arts St. Louis as well as the Yellow Rose Award from the Zonta International Club of St. Louis, 2006, Faculty Excellence Award, 2006 from the College of Fine Arts and Communication, University of Missouri-St. Louis and Hellenic Spirit Foundation Award-St. Louis in 2007.« less
American composer BARBARA HARBACH has a large catalog of works, including symphonies, works for chamber ensemble, string orchestra, organ, harpsichord, musicals, choral anthems, film scores, modern ballets, and many arrangements for brass and organ of various Baroque works. She is also involved in the research, editing and publication of manuscripts of eighteenth-century keyboard composers as well as historical and contemporary women composers. Her works are available in both recorded and published form through labels including MSR Classics, Naxos, Gasparo Records, Kingdom Records, Albany Records and Northeastern Records, and publishers including Hester Park, Robert King, Elkan-Vogel, Augsburg Publishing, Agape Music and Vivace Press. Harbach has toured extensively as both a concert organist and harpsichordist, and her lively performances and recordings have captured the imagination of many American composers. The body of work written for and dedicated to Harbach is substantial. Musical America has called her nothing short of brilliant, and Gramophone has cited her as an acknowledged interpreter and, indeed, muse of modern harpsichord music. She was host of the weekly television music series Palouse Performance seen throughout the Inland Northwest. Currently professor of music at the University of Missouri-St. Louis, Harbach holds academic degrees from Pennsylvania State University (BA), Yale University (MMA), Musikhochschule (Konzertdiplom) in Frankfurt, Germany, and the Eastman School of Music (DMA). In 2002, she received an honorary doctorate in music, honoris causa, from Wilmington College, Ohio for her lifetime achievement as a composer, performer, editor and publisher. Harbach is also the editor of Women of Note Quarterly. Barbara Harbach initiated Women in the Arts-St. Louis, a celebration of the achievements of women creators. The more than 850 events by various cultural organizations in the St. Louis region provided audiences with new and historical examples of the work of women writers, composers and artists. She was the 2006 recipient of the Arts Education Award from the Missouri Arts Council for her work Women in the Arts St. Louis as well as the Yellow Rose Award from the Zonta International Club of St. Louis, 2006, Faculty Excellence Award, 2006 from the College of Fine Arts and Communication, University of Missouri-St. Louis and Hellenic Spirit Foundation Award-St. Louis in 2007.