Combining elements of world music with a techno aesthetic could easily end up sounding contrived, but in Banco de Gaia's hands, the combination is light, bubbly, and incredibly fun. The sunny momentum and cleverness of "I ... more »Love Baby Cheesy" alone makes this one of the best dance releases of the year. --Matthew Cooke« less
Combining elements of world music with a techno aesthetic could easily end up sounding contrived, but in Banco de Gaia's hands, the combination is light, bubbly, and incredibly fun. The sunny momentum and cleverness of "I Love Baby Cheesy" alone makes this one of the best dance releases of the year. --Matthew Cooke
"I've never experienced anything like this in my life!"
Mychael Patrick | Lahaina, Maui | 10/15/1999
(5 out of 5 stars)
"My one-line summary is actually a portion of the vocal sampling from "I Love Baby Cheesy." I saw this CD on the listening rack at a local music store. The CD cover attracted me to it. I listened to the first track "I Love Baby Cheesy" and could hardly contain myself. After taking home The Magical Sounds of Banco de Gaia and playing it to death, I bought Banco de Gaia's other CDs. I think this album to be far superior than the others simply because some of the other albums' songs tend to be a little repetitive in spots. My other favorite song here is "Harvey And The Old Ones." But, "I Love Baby Cheesy" by itself is worth the price of the CD."
A stunning return to form!!!
05/28/1999
(5 out of 5 stars)
"The Magical Sounds of Banco de Gaia is a wonderful return to the uptempo style of the two 'classic' Banco cd's "Maya" and "Last Train to Lhasa." Although 1997's "Big Men Cry" was fantastic in it's own right, it drifted a bit from the brilliance of Banco. Well, The Magical Sounds... is an inspired collection of ambient keyboard washes, exotic vocal sound samples, and up-tempo hip-hop and dub influenced dance beats. "I Love Baby Cheesy" and "Frog's Diner" are, to me, the standout tracks, but the whole record is a beautfiul work that should attract new and old fans alike. Anyone looking for an album that combines the best of electronica and world music, go no farther than the new Banco de Gaia!!!!"
Recently rediscovered
Guy Elden Jr. | 09/29/2004
(5 out of 5 stars)
"I recently rediscovered this album while on vacation in Hawaii. Simply put, this is one of the best electronic albums ever made. Standouts (if I _had_ to pick them) include Harvey and the Old Ones, and 144K (which closes with 2 minutes of the most blissfully slamming samples you've ever heard). I've followed Banco de Gaia since his first album, Maya, and with each one, he just keeps getting better and better. Layering, creative sampling, instruments and sounds from all over the world, no one puts them all together like Toby does. If you only listen to one BdG album, definitely choose this one!"
My favourite album of all time.
Sjostedt Henrik | Lund, Sweden | 04/04/2005
(5 out of 5 stars)
"I've owned The Magical Sounds... for almost 6 years now, and it's still without a doubt the most complete album I've ever bought. No Rain is, for me, the weakest song, though mainly only because it's merely very good, as opposed to incredible. The climax of 144k? is jawdropping, the intro on Harvey... is glorious, Touching the Void really is magical... Toby Marks has simply produced a defining album that'll have you smiling for years.
Marks' masterstroke is the longevity of the music. I listened to the album literally every day for half a year, and it's never become boring. No mere words can do justice to the greatness of The Magical Sounds... Buy it, now. For your own good."
Fantastically complex and unique
Supabowl | Chicago, IL USA | 04/22/2003
(4 out of 5 stars)
"When people ask me why I don't care so much for trance, I play them "Touching the Void," which is the same concept (dramatic, building layers of ambient samples and synth layered over a monster dance beat), except a little bit slower and a heck of a lot better.
Banco de Gaia really doesn't keep a genre even within his own albums, but in general each album holds together. Compare this with a chronological neighbor, "Big Men Cry," and you will find that they are nothing alike. This album is definitely more focused on putting industrial breakbeats to a more peppy array of global chants and samples then some of its more mellow contemporaries, especially the drier follow-up, "Igizeh."
I confess that some of these songs are a bit long on the running time, but all of them are, as usual, masterfully crafted, original, and have something to say for themselves even when there's no words."