"C'est un enregistrement veritablement genial. Quelle musique!! Plus jamais un disque ne pourra faire aimer la musique de Bach comme ça... A se procurer immediatement."
The Magician at work!
Gregory M. Zinkl | Chicago, IL | 12/27/2000
(5 out of 5 stars)
"A lovingly produced album, worth every dime. Yes, the sound is variable, and the Toccata and Fugue in d minor can be had on a super-cheapie Magic Talent all-Stokowski program (with Stravinsky Rite) in about the same sound (but it's also one of the oldest recordings), but Pearl has done the music community a real service by providing such an anthology. The art of transcription seem to fallen out of favor and earned disrespect, but in truth, great artists can produce great transcriptions--such as these.While one can certainly obtain great modern sounding recordings of Stokowski transcriptions (Kunzel on Telarc comes to mind), and some of Stokowski's own stereo recordings with London on (I think) RCA and various orchestras on EMI, this is by far the most complete--and with the fantastic Philadelphians.A must-have."
Desert Island stuff!!!
Ryan Kouroukis | Toronto, Ontario Canada | 11/30/2004
(5 out of 5 stars)
"Better than his stereo renditions, these faboulous mono recordings show Bach at his most spiritual, intense, and beautiful...or should I say Stokowski?!
This is desert island material!
Thanks Pearl for this collection of wonder, inspiration and greatness!"
These transcriptions elevate and enrich Bach's supreme beque
"
If you carefully realize the artistic trajectory of Leopold Stokowski, you will notice his first job was as organist at St. James's Church, Piccadilly. When he was just 25 there were testimonies about his wonderful playing of Bach's D Minor Toccata and Fugue, so having exchanged the organ for the orchestra his impetuous necessity, nevertheless ceased. He knew how to capture the essence of the purest sound.
I just can imagine the profound ardor and incredible enthusiasm generated by Leopold at the moment to persuade the musicians of the New York Philharmonic and members of the NBC Orchestra for gathering them to record.
For most of purists it' s convenient to remark the fact the limitless potentialities did not exist in Bach's Ages. On the other hand, far from withdrawing the listeners from Bach, I rather think these transcriptions allow to approach them; because of the fact the superb genius of Bach sew in its own essence the germen of its expansion. I guess Bach would be glad to know about these transcriptions that enlarge still more the grandness of his immense genius.
And please, remember the crude sentence of Mahler: "Traditionalism is negligence."