Partita No. 5 In G Major, BWV 829: Tempo di Minuetto
Partita No. 5 In G Major, BWV 829: Passepied
Partita No. 5 In G Major, BWV 829: Gigue
Anyone who thinks Glenn Gould's riveting, ascetic approach changed Bach piano playing forever should listen to this disc. Richard Goode is too fine a musician to blur Bach's textures or to mess up the music with romantic ... more »tempo fluctuations. But he does play Bach as piano music, with plenty of dynamic gradations and a predominantly lyrical approach. His tempo for the Allemande of the Fourth Partita is daringly slow, although he can toss off a gigue like the wind, if he likes. While this is not the most stylish Bach playing by contemporary standards, every movement is strongly characterized and every note carefully considered. Call Goode a throwback, if you like, but even if you have second thoughts about his playing, it's completely convincing while you're listening. --Leslie Gerber« less
Anyone who thinks Glenn Gould's riveting, ascetic approach changed Bach piano playing forever should listen to this disc. Richard Goode is too fine a musician to blur Bach's textures or to mess up the music with romantic tempo fluctuations. But he does play Bach as piano music, with plenty of dynamic gradations and a predominantly lyrical approach. His tempo for the Allemande of the Fourth Partita is daringly slow, although he can toss off a gigue like the wind, if he likes. While this is not the most stylish Bach playing by contemporary standards, every movement is strongly characterized and every note carefully considered. Call Goode a throwback, if you like, but even if you have second thoughts about his playing, it's completely convincing while you're listening. --Leslie Gerber
"Goode plays simply, elegantly, and clearly. No unwanted striving for effects. If Bach is to be played on a modern piano, this is without a doubt preferable to the staccato harpsichord-like immitative style of, say, Tureck and can be favourably compared to Schiff. The lack of pretention is refreshing and Goode never forgets that these are dance suites. The absence of any audible groaning and crooning is a very welcome bonus."
Inflected, vital Bach
James DeWire | Charlottesville, virginia | 12/18/1999
(5 out of 5 stars)
"Goode does a great job of rescuing Bach from the Early Music folks and making him come alive on the piano. His playing is lively, with a beautiful sound and a flexible sense of rhythm. If you're tired of uninflected, rhythmically static Bach, you will definitely enjoy this album."
Goode makes a pianistic, but not stylistic impression
pianist27 | 04/16/1999
(3 out of 5 stars)
"Goode plays beautifully, although with a characteristic pianistic approach that shows that Richard is probably more at home with Beethoven than Bach. The unsurpassed recording is still Glenn Gould's Partitas, but Goode brings in a clarity that is becoming. Goode is a good chioce for those that want a straight-forward interpretation, but for those that want more Bach magic and can live with some eccentricity - get Glenn Gould."
Exquisite
pianist27 | 04/22/1999
(4 out of 5 stars)
"Beautiful playing, more similar to Andras Schiff than anyone. His clarity brings out the distinct counterpoint. His playing is not overly-romantic, yet pianistic. As it should be; there's no point in playing Bach on the piano by pretending it's a harpsichord.Hopefully, he will release the other 3 Partitas. This recording is an excellent choice. But, then again, anything other than Glenn Gould would be."
The spirit of the composer captured
pianist27 | Chicago | 07/15/2003
(5 out of 5 stars)
"Richard Goode's recording of the 2nd, 4th, and 5th partitas of Bach can be analyzed, compared, contrasted, etc. but what really matters is the way this pianist communicates the spirit of Bach. This is playing neither of false piety nor self glorification.
Goode's thorough concept of these pieces is put at the service of the composer and communicates the genuine human nature, faith, and life affirmation which are the hallmarks of Bach's music.
More importantly than this or that tempo or such a phrasing, Goode gets through to the meaning of the music. That's why I listen to this recording."