Concerti No.1 in F Major: IV. Menueto - Trio I - Polacca - Trio II
Concerto No.2 In F Major: I. No Tempo Indicated
Concerto No.2 In F Major: II. Andante
Concerto No.2 In F Major: III. Allegro assai
Concerto No.3 In G Major: I. No Tempo Indicated
Concerto No.3 In G Major: II. Adagio - Allegro
Track Listings (9) - Disc #2
Concerto No.4 In G Major: I. Allegro
Concerto No.4 In G Major: II. Andante
Concerto No.4 In G Major: III. Presto
Concerto No.5 in D major: I. Allegro
Concerto No.5 in D major: II. Affetuoso
Concerto No.5 In D Major: III. Allegro
Conceto No.6 In B-flat Major: I. No Tempo Indicated
Conceto No.6 In B-flat Major: II. Adagio na non tanto
Concerto No.6 In B-flat Major: III. Allegro
The Brandenburg Concertos seem to be Bach's most popular works by far, and there are so many recordings of them out there--on period instruments and "modern," and at all price ranges. Of course, it's hard to pick out o... more »ne or even two to call the "best"--but this reissue of a 1989 recording by the Orchestra of the Age of Enlightenment has a good claim for the title of "Best Buy Brandenburgs." These performances don't have the splashy extroversion of Il Giardino Armonico or the caffeine-pumped, high-velocity thrill of Musica Antiqua Köln, but they're not overly reserved or dull, as some English ensembles are accused of being. The OAE's instrumental playing is very skillful indeed, with particularly nice work from the horns in the third movement of the First Concerto, and from trumpeter Mark Bennett in the Second; and the tempos are moderately quick (which means that they would have been considered rather fast before 1980 or so), but without being breathless. The slow movements sing sweetly--the viola playing of Monica Huggett and Pavlo Besnosiuk in the slow movement of the Sixth Concerto is especially lovely--and the quick outer movements have an infectiously bouncy pulse. If money is no object, you might want to consider Il Giardino Armonico or the Akademie für Alte Musik Berlin, but these here are surely the best Brandenburgs available at such a low price. --Matthew Westphal« less
The Brandenburg Concertos seem to be Bach's most popular works by far, and there are so many recordings of them out there--on period instruments and "modern," and at all price ranges. Of course, it's hard to pick out one or even two to call the "best"--but this reissue of a 1989 recording by the Orchestra of the Age of Enlightenment has a good claim for the title of "Best Buy Brandenburgs." These performances don't have the splashy extroversion of Il Giardino Armonico or the caffeine-pumped, high-velocity thrill of Musica Antiqua Köln, but they're not overly reserved or dull, as some English ensembles are accused of being. The OAE's instrumental playing is very skillful indeed, with particularly nice work from the horns in the third movement of the First Concerto, and from trumpeter Mark Bennett in the Second; and the tempos are moderately quick (which means that they would have been considered rather fast before 1980 or so), but without being breathless. The slow movements sing sweetly--the viola playing of Monica Huggett and Pavlo Besnosiuk in the slow movement of the Sixth Concerto is especially lovely--and the quick outer movements have an infectiously bouncy pulse. If money is no object, you might want to consider Il Giardino Armonico or the Akademie für Alte Musik Berlin, but these here are surely the best Brandenburgs available at such a low price. --Matthew Westphal
"It is on a very rare occasion that recording artists as well as recording engineers come together, as if by fate, to make an illustrious recording as done here. I believe that has happened with this recording of Bach's Brandenburg Concerti. The musicians play with much vigor, excitement, and virtuosity throughout. They rely upon the use of period instruments that definetely, to my ears, sound much more fitting to this music than the modern instruments used today. The recording engineers are every bit as talented as as the musicians in their own regard. All the musicians are recorded with plenty of breathing room allowing them space to blend well whereas 99% of recordings today are so closely miked it's as if the instrument is in your face. I'd have to say that of my entire music collection this budget priced cd is now my audiophile reference disc(s). I've listened to snippets of various recordings of this work at prices in the $30 range and have not been impressed by the music making and sound quality as I am here. This is a must have recording of these Concerti."
One of the best recordings of Branderburg concertos
Erez Katz | CA, USA | 03/05/2006
(5 out of 5 stars)
"I own quite a few recordings of the Branderburg concertos (Suzuki, Saval, Boston Baroque...) this one is one of the best.
There is an evident feel of musical joy coming out of this recording. I can't find other ways to describe it.
The musicians are enthusiastic about the work they are playing, restrained most of the time but when it is called for they give their best.
Highly recommended."
Try before you buy
Douglas Whittet | Albany, NY United States | 11/23/2005
(3 out of 5 stars)
"Watch out for a manufacturing error with this 2CD set. I found that the exact same music (Concertos 4-6) was recorded on each CD in the set (they are labelled CD1 and CD2 but both contain the music for CD2). I returned it, obtained a replacement, and the replacement has the exact same problem, so it is not an isolated event. I believe these performances would be excellent if I could only get to hear them all."
Production Error
Matthew Simpson | 12/07/2005
(2 out of 5 stars)
"I would like to confirm the problem reported by Mr. Whittet. I purchased the disks in November 2005 and found the same mistake that he did. Disk 1 has the same music as Disk 2.
In other ways this is a spectacular recording. The Orchestra of the Age of Enlightenment gives a graceful and articulate reading of the concertos, and the recorded sound is clear, warm, and spacious. But, despite the bargain price, it's not worth it just to get two copies of concertos 4-6."