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Bach, Beethoven, Schubert
Johann Sebastian Bach, Ludwig van Beethoven, Franz [Vienna] Schubert
Bach, Beethoven, Schubert
Genre: Classical
 
  •  Track Listings (12) - Disc #1

This live recital in Queen Elizabeth Hall from 1969 shows Wilhelm Kempff at his magical best. Some of us can remember concerts when the German pianist's technique was stretched to its limit. There are no such moments here....  more »

     
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CD Details

All Artists: Johann Sebastian Bach, Ludwig van Beethoven, Franz [Vienna] Schubert, Wilhelm Kempff
Title: Bach, Beethoven, Schubert
Members Wishing: 0
Total Copies: 0
Label: BBC Legends
Original Release Date: 1/1/1969
Re-Release Date: 11/14/2000
Album Type: Original recording remastered
Genre: Classical
Styles: Chamber Music, Forms & Genres, Fantasies, Sonatas, Historical Periods, Baroque (c.1600-1750), Classical (c.1770-1830), Modern, 20th, & 21st Century, Romantic (c.1820-1910)
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 684911404524, 068491140452

Synopsis

Amazon.com
This live recital in Queen Elizabeth Hall from 1969 shows Wilhelm Kempff at his magical best. Some of us can remember concerts when the German pianist's technique was stretched to its limit. There are no such moments here. The music--by Bach, Beethoven, and Schubert--is not technically demanding, and it permits Kempff to demonstrate the qualities that made him a great pianist: delicacy of color, subtlety of phrasing, deep reserves of lyricism, and a profound grasp of structure. Kempff, who was also an organist, had a keen sense for counterpoint. He combines this ability to illuminate several voices with a beautiful legato and sense of line for one of the most satisfying performances on disc of Bach's Chromatic Fantasy and Fugue. Kempff's way with Beethoven was airy, graceful, and intimate, and it is perfectly suited to the composer's two-movement Sonata No. 22. He fills the stormy octaves of the opening movement with whimsy and humor and makes the perpetual motion of the finale buzz with irrepressible impudence and energy. Kempff's Schubert may have been even more successful than his Beethoven. His interpretations of the composer's Sonata in F Minor (D 625), of the late Three Piano Pieces (D 946), and of the G-flat and A-flat Impromptus (D 899) quietly pierce the heart with suggestive power and depth of feeling. --Stephen Wigler

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CD Reviews

Excellent cross-section of Kempff in good form
10/07/2002
(5 out of 5 stars)

"This would probably be as good a disc as any for someone looking for an introduction to Kempff. Here the qualities that distinguish Kempff's playing--a compelling combination of poetry and logic--are consistently in evidence, and the repertoire is well suited to his distinctive style. The downside from the repertoire perspective is that neither sonata is exactly essential Beethoven or essential Schubert (though Kempff does make the Beethoven sound much more interesting than it might in other hands).How do these compare to Kempff's studio recordings of the Beethoven and Schubert sonatas? The Schubert seems slightly freer and more fluent than the studio version, but in both cases the overall approach is I think basically the same. If you're happy with the studio versions, there probably isn't a compelling reason to get these live ones too (and if you really don't like the studio versions you probably won't like these any better). However, the D. 946 piano pieces aren't included in Kempff's studio Schubert sonatas and may make this disc worth acquiring even if you do own that set."