Track Listings (11) - Disc #1| All Artists: BR549 Title: Dog Days Members Wishing: 1 Total Copies: 0 Label: Dualtone Music Group Original Release Date: 1/1/2006 Re-Release Date: 1/10/2006 Genres: Country, Pop, Rock Styles: Americana, Neotraditional Number of Discs: 1 SwapaCD Credits: 1 UPC: 803020122628 |
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Search - BR549 :: Dog Days
 | BR549 Dog Days Genres: Country, Pop, Rock
Comfortably into their second phase, Dog Days continues the revitalization begun in 2003 with BR549's Tangled in the Pines. Prior to that album co-founder/vocalist Gary Bennett and longtime bassist Jay McDowell departed. C... more » |
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Amazon.com Comfortably into their second phase, Dog Days continues the revitalization begun in 2003 with BR549's Tangled in the Pines. Prior to that album co-founder/vocalist Gary Bennett and longtime bassist Jay McDowell departed. Chuck Mead's confident writing (he wrote or cowrote nine of the set's eleven tunes) embraces honkytonk, country weepers, roadhouse rave-ups and gospel--the latter inclination is given glorious wings by guest singers the Jordanaires on "The Devil in Me." Throughout, their sharp mix of acoustic and electric instruments makes for a rich and warm sound. One of the band's strengths is their ability to flow through contrasting styles, making it all sound like their own, resulting in a bracing full-album experience. --David Greenberger Similarly Requested CDs
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CD ReviewsYet another stellar album from one of country's best DanD | 01/13/2006 (5 out of 5 stars) "BR549 is one of those bands that appeals not only to traditional country fans, but also to people who claim to "hate" country music (despite the prominent fiddle and steel you find on BR549 records). Why is this? Simple--their music is honest and, in its own subtle way, brilliant. Not to say DOG DAYS is a masterpiece; it has its flaws, though right off the top of my head I can't think of any. It's a perfect, albeit calmer, follow-up to TANGLED IN THE PINES, their previous (and, let's face it, best) effort. DOG DAYS ranges wildly in style and content, from the bluesy "Lower Broad St. Blues," to the rocker "Leave It Alone," to the clever gospel of "Let Jesus Make You Breakfast," to the stark depression of "I'm Goin' Down," to the witty social commentary in "Bottom Of Priority." Lead vocalist/guitarist Chuck Mead gets self-deprecating on "The Devil & Me" (with the Jordanaires adding their own confirmation via superb harmony vocals), and later slaps Nashville in the face by declaring: "I'm A-1 on the jukebox, but nowhere on the charts." Along with drummer Shaw Wilson, fiddle/steel/keyboardist Don Herron, and newly-recruited bassist Mark Miller (who shows on "You Are the Queen" that he is capable of sharing lead vocals with Mead), BR549 is one of the best fringe-country bands out there. They've gone through several personnel changes, and some career highs and lows; they've never had a hit, and probably never will. But that doesn't mean they aren't worth checking out. DOG DAYS is a great album to start your BR549 collection, if you aren't already a fan; if you are a fan, then you really have no need to be reading this review; you know darn well you're getting a great traditional country record, full of wit and wisdom and everything that makes country music what it is...and what it should be." The whole package, fun, entertaining, brilliant Burns | Tacoma WA | 01/12/2006 (5 out of 5 stars) "These BR549 guys have been around quite awhile now, but they have figured out how to put together a collection of music that will get you up and moving and just entertain the heck out of you. This has a big sound, with awesome musicians giving you the best of what they got, and they succeed 100%. I listened to this on the internet, bought it half way through listening to the cd, and was not disappointed I had while I finished listening. Excellent is the understatement of the New Year. I can't wipe the smile off of my face. I would give it 12 stars if Amazon would let me!!" It's a free country K. Freudenberg | Dallas, TX | 01/02/2007 (2 out of 5 stars) "I am a BR5-49 aficionado from the early days at Robert's when the band played for tips and usually played requests until 2am with little or no breaks. Admittedly, I long for those days as much as I long for stirrups in Major League Baseball. So I'm nostalgic, "IT'S A FREE COUNTRY." It is also legal for a band to evolve and morph in any which way it feels. Yet, whenever I read a review in some fishwrap publication that states that a band has "matured," I can do nothing but cringe. Here's the flowchart: Band starts out - Band plays hard - Band gets cult following - Band gets reputation - Band strikes out on road - Band gets contract - Band gets a little more pub. - Band gets contract with bigger label - Band gets new management supplied by label - Band gets "coached" in next recording - Band changes faces along the way - Band changes label again - Band gets new direction from new label - Band fights for identity - Band produces new "mature" album - Band gets lost as cult finds new local acts beginning this process.
Gee, I sure hope this isn't how the end of BR5-49 comes about, but enough of the doom and gloom of impending implosion. This record is OK. Of course, I realize that any band can't just re-hash the same 'ol stuff on every album, but part of what got these guys so much early attention was the raw exhuberance they displayed both live and on the vinyl. One part of this was their ability to do cover songs usually better than the originals, and a simple taste of this is what I sorely miss in the last few recordings. This band live used to be a wild, jittery, moving organism on stage, and although they are still a solid live show (saw them on the last tour at Poor David's Pub in Dallas), something has settled down. Chuck is a great talent, but an early appeal of the band was the vocal volley of Chuck and Gary Bennett. Ok, I'll go cry me a river, but dammit, just go listen to the Big Backyard Beat Show one more time. Mature? I just don't want to grow up that bad." |
