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Drugs I Need
Austin Lounge Lizards
Drugs I Need
Genres: Country, Folk, Pop
 
  •  Track Listings (13) - Disc #1

Their second album on Blue Corn contains more than the usual share of songs about current events. In 2005, the Lizards were commissioned to write five songs for various consumer advocacy groups. "The Drugs I Need" tackl...  more »

     
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CD Details

All Artists: Austin Lounge Lizards
Title: Drugs I Need
Members Wishing: 8
Total Copies: 0
Label: Blue Corn Music
Original Release Date: 1/1/2006
Re-Release Date: 10/10/2006
Genres: Country, Folk, Pop
Styles: Bluegrass, Neotraditional
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 677967060325, 677967060363

Synopsis

Album Description
Their second album on Blue Corn contains more than the usual share of songs about current events. In 2005, the Lizards were commissioned to write five songs for various consumer advocacy groups. "The Drugs I Need" tackles the prescription drug industry, "The Tower" concerns the monopolization of big media, "Christmastime For Visa" takes on credit card debt, "Go Ahead And Die" is about health insurance, and "Toast The Earth" is concerned with a boycott of Exxon/Mobil. All five songs are on this release and they've been paired with hilarious animation, available for viewing on the Internet. "The Drugs I Need" is featured on Jib Jab and is one of the site's most popular numbers. Other songs here feature gospel-tinged tunes, a bilingual Tex Mex tune, a Les Barker poem set to music, an American folk classic, and a German hip-hop song.

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CD Reviews

You know you want it.
Random Reviewer | Florida | 01/11/2007
(4 out of 5 stars)

"The only reason I withheld one star is that too many repetitions of a couple of the songs make me feel like I've spent too long cruising blogs. Xmas Time For Visa and Exxon-Mobil don't inspire a lot of re-plays for that reason only. I can get depressed over that stuff on my own, but the messages might sink in with other folks.



The rest is gold. One True God is perfect for these troubled times. I DARE you to quit playing Wer Ist Da?, even though, y'know, the whole German hip-hop swing thing has just been done to death. A Spanish-fluent friend cracked up when I played her Buenos Dias, Budweiser -- apparently the English translations provided don't match up to the Spanish 100%. She LOVED it. (And there may be no better reading of a line, ever, than, "I would risk hell.") Conrad sounds fine on Arnold, which is just silly and fun, and Hank's voice is at its hike-up-your-socks-and-start-living-again best in Crappy Times Before. And Neighbor of the Beast always works.



You don't even have to ask your doctor if The Drugs I Need is right for you. Available without a prescription from Amazon.com."
I Want Progenitorivox!
David Zimmerman | Baton Rouge, LA USA | 08/11/2007
(4 out of 5 stars)

"Those masters of musical mirth, the Austin Lounge Lizards, turn their attention to corporate America in "The Drugs I Need" with mixed results. As mentioned in the product description, five of the songs were commissioned as satirical pieces about various industries--health insurance, pharamaceuticals, financial services, big oil and communications. Of these, the last three fall kind of flat--I find myself skipping past them to other tracks that are much fresher and funnier. "Go Ahead and Die" (a pirate song sung by health insurance executives--"I've got mine and I feel fine, so go ahead and die.") has a fun tune and clever rhymes of various diseases and injuries. The title song "The Drugs I Need", is the best of the commissioned songs and a highlight of the CD. The drug is the fictional Progenitorivox, "a life-enhancing miracle, but there are some things you should know", the boys tell us, leading into a musical recitation of the drugs many side effects ("male lactation" and "rust-colored urination" are my favorites (rhymingwise that is)). The second verse describes the financial risk of taking "two twelve dollar pills each day for fifty years", including "debtors' prison" and "life as seen in Dickens fiction." As good as the song is, the spoken disclaimer at the end is even better--an all-time great Lizards moment as we learn among other things that Progenitorivox "may not be reproduced without the express written consent of Major League Baseball", that "if death occurs, please discontinue use of Progenitorivox" and that finally "batteries not included".



As a whole the uncommissioned songs are better than the commissioned ones. Highlights are "Buenos Dias, Budweiser"--a Tex-Mex alcoholics love song to his favorite beer, sung in Spanish, and translated (loosely) into both English and German ("Guten Morgan, Budweiser"). I laugh 'til tears flow every time I listen to this one. Newest Lizard Korey Simeone contributes "Wer Ist Da?", a "schwingin'" bluegrass beer hall hip hop number that you won't hear the likes of again soon. For their obligatory religious number, the Lizards offer "One True God", about who gets to decide which of many "gods" is the true one. It concludes with the cheery sentiment "even some people who call God God/worship God in a way that's odd/We have to kill them, it's a shame/They only have themselves to blame". Also on the religious side is "The Neighbor of the Beast", the story of child 666's upbringing as told by the boy who lives in 667.



Four stars for the mixed content of "The Drugs I Need"--still a must-have for fans of the famous, fearless and flamboyant band from Austin. Newcomers to the band might prefer the more consistently funny Employee of the Month or Paint Me on Velvet"
Smart and funny as ever
A. Schmidt | Wautoma, WI USA | 03/09/2007
(5 out of 5 stars)

"I've been following the Austin Lounge Lizards for decades, and find this recording a refreshing return to their original perennial subjects for satire: drugs, beer, alienation and religion. How American... What makes these guys different is their highly intelligent wit AND quality musicianship. Harmonizing beautifully, articulating effectively so you can understand the lyrics, and including banjo, fiddle and slide guitar puts these guys a cut above. As with many maturing musical groups, they've finally added a female voice - a welcome change. So glad they're still keeping us laughing and singing along!"