Best Audra yet...
Sandy | Mesa, AZ USA | 06/22/2009
(5 out of 5 stars)
"I'm always excited at the release of a new Audra CD, because I've loved their music for a long time, and sorry to say, it's been a while. But I'm very happy to say that this one *doesn't* disappoint! The textures, moods, and power from the past are all here, but the much developed songwriting/vocal/playing skill and CD's tight, crisp production make this their finest yet. I think they've become better at sharing their unique world, which remains dark but on occasion lets some light shine through. The previous albums were awesome beginnings; on this one, they're locked and loaded, fully-realized.
The CD starts with 3 killer tracks - "100 Years Old" with its soaring, stomping, churning guitar/drums, "Everything Changes" sporting outstanding harmonies (bringing more depth to Audra), a nice range on Bret's vox, and perfect guitar, and "What's Meant to Be" with a guitar segment that can lift you out of any bad mood - the guitar (acoustic and electric) make this song special. Some songs by other artists make me feel as light as this one does, but it's rare! Absolutely great musical phrasing! "Take me away..."
My other faves pop up throughout: "I Just Can't Let Go" (Robin Wilson's vocals make a nice counterpoint to Bret's resonance, plus Bart's guitars and insistence towards the end cap a great experience - a nice climax), "Plastic Horses" (like a dream and a nightmare - love the way melody/lyrics tread on light/dark, and the "horn" sounds), and "Syd Barrett" (hypnotic - "I can't remember your name" and "I'm not all right!" with a *beautiful* buildup - LOVE the programming too!). Then there's "Life on this Planet." LOTP is nothing short of amazing. It's like nothing I've ever heard. I enjoy thinking it might have a double meaning - like someone who's in despair but wants life, or an alien who's checked out the situation on earth and decided that we're hopeless! Vocals (main/background), chant, effects - all make for one remarkable track. (LOTP's just as incredible live too - I was blown away!!! I can guarantee that it'll be a centerpiece of their live set - intense! Audra, please tour more so others can see this one.)
Also notable - the driving power on "Ocean" and the sad tale of "Jason And the Doors" (I'd love to know the story behind that one) - the latter featuring very nice drums and strings (or what sounds like strings); both might have fit just as well thematically/compositionally on previous Audra discs. "Silver Music" is a sweet, delicious bit of poetry and sustains the Audra feel too.
In all, it's got layers, beauty, outstanding sonic treatment. What a great move to work with a few big guns (Vallier, Wilson) whose touches only made Audra stronger! I've listened to it repeatedly (can't even count the number of times) and I'm not tired yet.
As a side note: Nice they offer it digitally, but I notice that if you buy on the band's website, it helps the band - Indies can use all the help they can get! If you buy the plastic, you won't be disappointed. Photos, lyrics, credits, beautiful cover of a carousel gone wrong (in Iraq!). [Anyone else notice a carousel theme in Audra's music? On this CD alone, it's in Plastic Horses and Syd Barrett - the photo works!] So take a look at their site and don't deprive yourself of a thrilling, dramatic, satisfying experience.
"
Audra is back, and better than ever.
Bruce W. Barnes | 05/28/2009
(5 out of 5 stars)
"The wait has been worth it. Audra has never shied away from breaking new ground lyrically or musically, and they've put out something that's passionate, attention-catching, and unforgettable.
Everything Changes features intricacies of harmonies, guitar and drum work, as well as some great distortion and reverb in the tracks.
The longing and passion in Bret's voice is still around, but he's developed some vocal chops from touring that have added an incredible maturity and understanding.
Bart's guitar leads feature no-frills playing that comes at you like tracer bullets, creating just the right tension. J. De Wolfe's drumming has melded with Bret's bass work to form a sync that only comes after years of playing together.
The opening track, 100 Years Old, is an amazing layering of guitars, vocals, drums and bass, and creates a state of awe that won't quit for the whole album. I Just Can't Let Go has a distinct retro feel, featuring a rhythm section that can't miss a lick, twangy guitar work from Bart, and nice backup vocals from Robin Wilson.
Audra has always had a soft spot for the misanthrope, and this is present again in Jason and the Doors; still, they don't take it over the top. Bart's sparse piano work, plus Robb Vallier's slide guitar create just the right mood. Compassionate but not sappy, sad but not mawkish. Bret's vocals take us on a real trip that makes Jason's discomfort come alive.
These are not pretty boys playing in a teen band. They're men; professinal musicians with a statement to make. Here is a band that has arrived."
It's About the Time For This
Ms. Scarecrow | San Diego, CA | 05/26/2009
(5 out of 5 stars)
"This is the third CD from Mesa Arizona's Audra and their first after leaving Projekt Records. I was originally concerned when I heard they left Projekt but those concerns quickly dissipated upon hearing this masterpiece. The production on this CD is perfect thanks to the collaborative efforts of both Helm brothers and producer Robb Vallier. It is rare that much attention is given to track sequencing but this album has done so and it's "about the time for that". Audra has proven with this CD that they are about so much more than being dark. They are well-rounded and very talented musicians and song writers capable of crossing many genres.
The CD opens with "100 Years Old" which starts out with nothing but bass and drums, then slowly adds layers of guitars and vocals. The second track "Everything Changes" is equally strong and can easily stand on its own as a single. "What's Meant To Be" shows off Bret's amazing baritone voice. "Just Can't Let Go" has elements reminiscent of "The Pixies". You just can't help but sing along with the chorus.
"Jason and the Doors" is beautifully eerie in b flat and is such a tragic story. "Ocean" is an anxious song that has tons of energy. "Life On This Planet" is one of the best songs that I have ever heard. Enough said. "Plastic Horses" is very strong both lyrically and musically. "Silver Music" is beautiful in its simplicity and exemplifies the versatility of the band. The last track on the CD "Syd Barrett" is nothing short of incredible. The drums begin as very prominent in the mix, and then as the song builds and layers are added, they fade yet keep the song anchored. It is a truly brilliant ending for Everything Changes.
This album is best experienced in its entirety so do yourself a favor and download the whole album then listen to it loud! Additionally, if you ever have the opportunity to experience Audra live, do so without hesitation.
"
Track Listings (10) - Disc #1