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Paray Works Vol. VI Symphonies
Assumption Grotto Orchestra
Paray Works Vol. VI Symphonies
Genre: Classical
 
  •  Track Listings (9) - Disc #1

Paul Paray: The Symphonies Paul Paray composed two symphonies, written only five years apart (1935-1939). The Symphony #1 in C was first performed in Paris under the direction of the composer by the orchestra of the Ass...  more »

     
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CD Details

All Artists: Assumption Grotto Orchestra
Title: Paray Works Vol. VI Symphonies
Members Wishing: 1
Total Copies: 0
Label: Grotto Productions
Original Release Date: 1/1/2006
Re-Release Date: 8/15/2006
Genre: Classical
Styles: Forms & Genres, Concertos, Historical Periods, Modern, 20th, & 21st Century, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 826227000926

Synopsis

Product Description
Paul Paray: The Symphonies Paul Paray composed two symphonies, written only five years apart (1935-1939). The Symphony #1 in C was first performed in Paris under the direction of the composer by the orchestra of the Association des Concerts-Colonne, at a time when Paray had only recently succeeded Gabriel Pierné as conductor of that orchestra. The work is divided into four parts; the first and second movements are played without a break. The mounting tension in the world as it neared the outbreak of the Second World War may account for the shift from the impetuous optimism of the First Symphony to the persive sobriety of the Second. The Symphony #2 in A is a full-scale, four movement work in the late Romantic French symphonic tradition. It owes its inspiration to the composer's personal recollections of his youth and later life in the seaport of Le Tréport whose natural rich sights and sounds of the sea stimulated his creative genius. This Symphony was awarded the first Charlse-Martin Loeffler Prize by the Institute of France.

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CD Reviews

Unsung masterpieces
Charles W. Rileigh | Madison Hts, MI USA | 12/06/2006
(5 out of 5 stars)

"Paul Paray was music director of the Detroit Symphony Orchestra from 1951-1963. Occasionally, he conducted his own scores in Detroit. Among the works I heard in person were the Joan of Arc Mass, Symphonies #1 and 2, the Fantasy for Piano and orchestra (with Jose Iturbi), and several orchestrated songs.



The new disc from Grotto productions confirms what I heard in the DSO performances in the 1960s: Paray's scores are first-class and deserve to be heard more often -- on record and in concert. The performances in this Grotto disc are positive and life-affirming. The ad hoc Orchestra, while not the Detroit Symphony of Paray's time, is excellent, nonetheless. Fr. Perrone is quite attuned to the difficulties of the scores, and while rhythm may occasional falter (something that never happened in a Paray-led performance!), all parties acquit themselves handsomely. This is a wonderful disc, filled with deeply committed music making. Heartily recommended!"