Guitar-driven folk songs backed by a beautifully minimal of keys, accordian and strings, Charcoal Lane is exemplary narrative songwriting from Archie Roach. Took The Children Away is a stand-out on this album of heart-wren... more »ching, socially-guided songs. Essential.« less
Guitar-driven folk songs backed by a beautifully minimal of keys, accordian and strings, Charcoal Lane is exemplary narrative songwriting from Archie Roach. Took The Children Away is a stand-out on this album of heart-wrenching, socially-guided songs. Essential.
Dr R Mark Hodge | Westerville, OH USA (Aussie abroad) | 09/26/2001
(4 out of 5 stars)
"Archie Roach is not only unknown in the US (see last reviewer comments), but also not terribly well known in mainstream Australia. He is one of several Australian singer-songwriters to be associated with Paul Kelly, (who deserves a lot of credit for lending his name and influence to artists who have a great deal to contribute but scant opportunity), and shares some of Kelly's uncomplicated, storytelling songwriting style. I bought Charcoal Lane years ago after I saw Roach perform at the Royal Derby Hotel in Brunswick St., Fitzroy - an inner suburb of Melbourne where Roach spent a great deal of time in his youth - and was immediately affected by the pure emotion in "Took the Children Away", an autobiographical piece that draws on the experiences of both Roach and his wife. Roach has trodden a hard road, among other things beating alcohol, prejudice and the experience of being removed from his family at a young age, part of the infamous "stolen generation" of koorie children removed from their families in Australia in the 50's and 60's under the then government's reprehensible "White Australia" policy. Other songs, such as the title track and "Down City Streets", tell of life in Melbourne's inner city, while "Native Born" details the depth of aboriginals' connection with the land and nature. The wonderful thing about Roach's art is the straightforward manner in which he talks about his heritage, his experiences and his struggles without surrendering to bitterness or hatred. Artists such as Roach, Kev Carmody, Paul Kelly, Yothu Yindi and Midnight Oil (to name a few) have played a critical role in informing the Australian public about issues central to the aboriginal psyche in such a manner as to educate without leveling blame in an overly aggressive fashion, allowing the public to come to terms with a shameful chapter in Australia's past without blame-shifting and defensiveness. The result has been an admittedly slow, but clear shifting of national sentiment (particularly amongst the younger generation) towards reconciliation between black and white Australia, a process that most reasonable people see as both inevitable and necessary, and which most recently led to the symbolic (and almost universally acclaimed) choice of Cathy Freeman to ignite the Olympic flame in Sydney. Anyone interested in uncomplicated honesty and a clear example of the unparalleled ability of music to communicate, educate and facilitate healthy dialog about difficult and complex issues could do much worse than listen to this wonderful piece of music. Its uncomplicated, straightforward style is rewarding and accessible on a number of levels, and to my mind ranks amongst the most important pieces of Australian music of the last 25 years."
Powerful, life-affirming
T. Grimsrud | Harrisonburg, VA USA | 02/14/2001
(5 out of 5 stars)
"Archie Roach is, as near as I can tell, virtually unknown in North America. That is a shame, because he is one of the most life-affirming singer-songwriters I know of. All three of his albums are terrific. He, perhaps, can be characterized as having a voice that is cross between Ray Charles and Sam Cooke. I wouldn't exactly call it pretty, but it is a powerfully effective vehicle for some of the most gut-wrenching songs around. I will only mention one from CHARCOAL LANE, "Took the Children Away." I suspect this is a mostly autobiographical indictment of Australia's anti-aboriginal racist policies that took Roach from his parents as a young child, ending with a word of hope, "I came back.""
'Real'
simonskeg@hotmail.com | Australia | 12/02/1999
(5 out of 5 stars)
"Real is the only word to describe this album. The heartfelt passion that Archie Roach puts into each one of his songs is amazing. From songs about the pain his people have felt to the beautiful spirit of his people, this album fully moves you. Arguably one of the great albums of all time."
From the ashes of Charcoal Lane
DirkL | Sydney, NSW Australia | 02/22/2007
(5 out of 5 stars)
"My oh my, Muntana will make you cry.
I have rarely heard such a deeply moving song. It's a confronting and true story that American listeners may relate to, as it recalls the tragedy of a young man and his native Australian mother, Muntana (pronounced Mun-ya-na). He was taken from her by the authorities as a young child and adopted out to a family in the US. I don't know the whole story but he ended up on the wrong side of the tracks as they say and was eventually convicted of rape and murder a few years back. The death of a young woman, the incarceration and potential death of a young man, three damaged families. Tragedy upon tragedy - the song asks who will shed a tear for Muntana.
I actually did cry and it's not usual for me to do that while listening to music. Archie also tells the tale of his own redemption from the drunken hell of his lost years on the grog. Deeply moving stuff and full of hope despite the undertone of sorrow and loss."