Blistering redefinition of time and musical space
oregontalk | Brooklyn, NY United States | 08/01/2003
(5 out of 5 stars)
"Quoting the review from the New Music Center's online magazine:
Embarking on Andrew Violette's Piano Sonata 7 is as thrilling as it may seem daunting. Clocking in at around 3 hours, the piece begins at a slow, digestible pace, understatedly majestic and somber. It wavers between very personal utterances and extroverted proclamations-it can be said that this is the blueprint of the entire piece. It moves from the first Adagio into a fast paced dance section, expanding on its quasi-tonal language. A cinematic jump cut gesture that later becomes a cadence is used to suddenly transition into the spiraling Chaconne. This pluralistic approach propels the work, as thematic areas and sonorities get reincarnated Violette's approach allows his materials to naturally spore and spate. Three hours may sound extreme to some, but it is a journey worth taking, even when factoring in the final disappointment arising from a desire for the piece to continue after it has ended-really! For contrast, Violette's short and serial Sonata 1 appears after 7's conclusion. "
Can't say it any better than that!"