Venezuela's resident musical maniacs and former Latin Grammy nominees are back with covers of seventeen tunes they knew and loved during their teen years, a few of which, such as "Miss Venezuela," complete with samples of ... more »a simpering beauty queen, actually sound strangely familiar. Their rampant satirical stance and penchant for studio wizardry still firmly in place, they wallow in neo-nostalgia, running amok in Caracas Oldieville, abetted by producer DJ Dimitri of Paris and their own polymorphous tendencies. Nods to Isaac Hayes, Nigerian superstar Fela Kuti, sixties bossa nova as sanitized via the American west coast, P-Funk, Santana, and even The Fifth Dimension do a crazed buck-and-wing around hip-hop, lounge and latter-day dance club machinations. The contexts shift so rapidly that if the listener weren't so busy boogying, vertigo might well set in. By the third track, the flagrantly over-ripe, increasingly bizarre sets of cross-pollinations begin to seem almost normal, as a kind of sonic Stockholm Syndrome sets in. Going with the flow becomes not only a matter of self-preservation, but a hilarious, booty-shaking journey into the group's seductive, endlessly inventive brand of lunatic genius. --Christina Roden« less
Venezuela's resident musical maniacs and former Latin Grammy nominees are back with covers of seventeen tunes they knew and loved during their teen years, a few of which, such as "Miss Venezuela," complete with samples of a simpering beauty queen, actually sound strangely familiar. Their rampant satirical stance and penchant for studio wizardry still firmly in place, they wallow in neo-nostalgia, running amok in Caracas Oldieville, abetted by producer DJ Dimitri of Paris and their own polymorphous tendencies. Nods to Isaac Hayes, Nigerian superstar Fela Kuti, sixties bossa nova as sanitized via the American west coast, P-Funk, Santana, and even The Fifth Dimension do a crazed buck-and-wing around hip-hop, lounge and latter-day dance club machinations. The contexts shift so rapidly that if the listener weren't so busy boogying, vertigo might well set in. By the third track, the flagrantly over-ripe, increasingly bizarre sets of cross-pollinations begin to seem almost normal, as a kind of sonic Stockholm Syndrome sets in. Going with the flow becomes not only a matter of self-preservation, but a hilarious, booty-shaking journey into the group's seductive, endlessly inventive brand of lunatic genius. --Christina Roden
Lil' Creeper | Los Angeles, CA United States | 09/24/2006
(3 out of 5 stars)
"Let's be candid, this album is not as well-produced or infectious as the prior 3 Los Amigos Invisibles albums. I love these guys to death, I'm not trying to be negative. But I find myself having no urge to re-listen to "Superpop Venezuela", whereas I always loved to revisit the Luaka Bop releases. Los Amigos Invisibles are an incredible live act, so perhaps this new material is better in concert.
If you're looking for a new act that has some of the same inspiration and creativity as prior Los Amigos Invisibles releases, you could do well by picking up The Pinker Tones debut "The Million Colour Revolution." They are from Barcelona and have a lot of the same good vibes LAI once had.
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De lo mejor del 2006: Trae grandes recuerdos!
Manny Hernandez | Bay Area, CA | 09/20/2006
(5 out of 5 stars)
"Los Amigos Invisibles se embarcaron en un proyecto interesante con "Superpop Venezuela". Manteniendo la linea tipicamente divertida de su musica, se enfocaron en estos 18 temas en rendir tributo a algunas de las canciones que fueron legendarias en los años ochenta en Venezuela. Desde el tema del concurso Miss Venezuela hasta clasicos como "No Es Facil Amar" (de Adrenalina Caribe), "San Agustin" (de Vytas Brenner), "Si Tu Te Vas" (de Colina) y "Media Luna" (de Yordano), el album entero reverbera con musica que trae grandes recuerdos para cualquiera que crecio en Venezuela en los ochenta.
Si no conoces la musica, tambien vas a encontrar suficientes razones a lo largo de "Superpop Venezuela" para bailar, cantar y reir, como para que este album de clasicos se convierta pronto en un nuevo clasico de Los Amigos Invisibles."
Directly from Venezuela this time!
tak1 | 09/05/2006
(5 out of 5 stars)
"I have to admit that this is an ambitious project from LAI and a very creative one as well. They're taking their favorites from Venezuelan artists and just making it their own basically.
The selection is quite diverse. For example, it's entertaining to hear them cover a song from Diveana because I'd consider her basically the Britney of merengue pop.
This is a must for hardcore LAI fans!
This is a band that given with the right promotion and dedication from a record label can go far!"
Finally something different and good.
Oscar Martinez | Orange County, CA | 12/05/2006
(5 out of 5 stars)
"I LOVE this album! It is so much fun! It's got a killer mix of styles that showcase what Los Amigos Invisibles do best. They create a great dance party with some Disco, Salsa, Funk, House and other styles too. Dmitiri from Paris gave it a really nice vibe as the producer. There are songs to chill out to, songs to laugh to and most of all songs to dance to. This album will definitely put a smile on your face. I have a two hour drive to work and can honestly say that I can listen to this album from beginning to end and not get bored. Definately worth every penny and have bought some copies for friends and family as stocking stuffers this x-mas. Enjoy."