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Verdi: Oberto
Alison Browner
Verdi: Oberto
Genre: Classical
 
  •  Track Listings (9) - Disc #1
  •  Track Listings (8) - Disc #2

Play some of this, Verdi's first opera, for opera-loving friends and ask them to guess the composer, and you are likely to hear the name Bellini. Outside of musical parlor games, this disc is of interest to those who yearn...  more »

     
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CD Details

All Artists: Alison Browner
Title: Verdi: Oberto
Members Wishing: 0
Total Copies: 0
Label: Orfeo
Release Date: 10/26/1992
Album Type: Import
Genre: Classical
Style: Opera & Classical Vocal
Number of Discs: 2
SwapaCD Credits: 2
UPCs: 750582324321, 4011790105222

Synopsis

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Play some of this, Verdi's first opera, for opera-loving friends and ask them to guess the composer, and you are likely to hear the name Bellini. Outside of musical parlor games, this disc is of interest to those who yearn for completeness and those who are curious about how Verdi began. The music is good, though it lacks some of the inexorable logic and emotional strength of the mature Verdi. The performance is well-styled despite a few moments of strain from Carlo Bergonzi and Rolando Panerai. --Joe McLellan

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CD Reviews

Rare opera, odd cast, great conductor...I like it!
Armindo | Greece | 04/02/2005
(4 out of 5 stars)

"Pairing the ever-elegant Carlo Bergonzi with the volcano of the 80s, Ghena Dimitrova is one of the wildest cast choices one could ever make (think of honey with pepper!). Funnily enough, I found the results most fascinating.



Both Bergonzi and Panerai are old-timers and past their vocal prime but they know the secrets of Verdian singing. The legendary tenor inevitably struggles with most high notes but he does more with one phrase than others do in an entire performance. Great singing does not need tricks to be affective but it does need technique and Mr. Bergonzi defines vocal technique. Panerai in the title bass role makes a noble Oberto but sounds vocally dry.



Benefiting from her stylish partners, Dimitrova gives us a calm Leonora despite her fiery voice. She sings well both in the lyrical and dramatic parts of the role. As usual with big voices (e.g. Tebaldi, Nilsson) the size of her instrument is not captured well in a studio. What is captured well is her Slavic accent but it didn't annoy that much (and I'm picky when it comes to this). Ruza Baldani in the meaty mezzo role sings well if slightly detached.



Maestro Gardelli once again wins my praise for his sensitive conducting. While far from Verdi's best operas, Oberto has much to offer and this recording, though outrageously expensive here, helps us appreciate it.

"