It Ain't Necessarily So - Alex de Grassi, Gershwin, George
The Man I Love - Alex de Grassi, Gershwin, George
Hey! Bo Diddley [Variations] - Alex de Grassi, McDaniel, Ellas
You Go to My Head - Alex de Grassi, Coots, J. Fred
Little Rootie Tootie - Alex de Grassi, Monk, Thelonious
You've Changed - Alex de Grassi, Carey, Bill
Georgia on My Mind - Alex de Grassi, Carmichael, Hoagy
Bess, You Is My Woman Now - Alex de Grassi, Gershwin, George
Darn That Dream - Alex de Grassi, DeLange, Eddie
Goodbye Pork Pie Hat - Alex de Grassi, Mingus, Charles
The Woody Woodpecker Song - Alex de Grassi, Idriss, Ramez
Come Sunday - Alex de Grassi, Ellington, Duke
'Round Midnight - Alex de Grassi, Hanighen, Bernie
A work of quiet sophistication and subtle pleasures (including a jazz-tinged take on a cartoon character's theme music, off all things), guitarist Alex de Grassi's Bolivian Blues Bar is another collection of understated ex... more »cellence from a fingerstyle specialist admired for his inquisitive musical nature. The album's title is a touch misleading; you'll find little "Bolivian" here other than a note explaining how de Grassi first tinkered with these vintage tunes with a friend from that country. Most of its 13 tracks are jazz standards (Monk's "'Round Midnight" and "Little Rootie Tootie"; a trio of selections from George and Ira Gershwin; plus three songs associated with Billie Holliday), which de Grassi, working strictly as an acoustic soloist, arranged with hopes of coaxing a vocalist's expressiveness from his six strings. He succeeds most effectively with the late-night coziness of "You Go to My Head" (Holliday), a handsome rendering of Charles Mingus's "Goodbye Pork Pie Hat," and the concluding Monk selection. A subdued recording, but not entirely a sleepy one. --Terry Wood« less
A work of quiet sophistication and subtle pleasures (including a jazz-tinged take on a cartoon character's theme music, off all things), guitarist Alex de Grassi's Bolivian Blues Bar is another collection of understated excellence from a fingerstyle specialist admired for his inquisitive musical nature. The album's title is a touch misleading; you'll find little "Bolivian" here other than a note explaining how de Grassi first tinkered with these vintage tunes with a friend from that country. Most of its 13 tracks are jazz standards (Monk's "'Round Midnight" and "Little Rootie Tootie"; a trio of selections from George and Ira Gershwin; plus three songs associated with Billie Holliday), which de Grassi, working strictly as an acoustic soloist, arranged with hopes of coaxing a vocalist's expressiveness from his six strings. He succeeds most effectively with the late-night coziness of "You Go to My Head" (Holliday), a handsome rendering of Charles Mingus's "Goodbye Pork Pie Hat," and the concluding Monk selection. A subdued recording, but not entirely a sleepy one. --Terry Wood
Carol S. from PARADISE, CA Reviewed on 3/10/2007...
Very mellow relaxing guitar music...
CD Reviews
A Walk On The Bluesy Side
Bill Binkelman, Wind and Wire | Minneapolis, MN United States | 06/10/2000
(4 out of 5 stars)
"This is a great late-night CD if you're an urbanite like me. While this CD may not play well out in the country with the sounds of crickets, if your window opens up on a street corner, maybe even graced by some neon lights, this will put you in the mood. Soulful, passionate blues played on an acoustic guitar with equal parts fire and ice, Bolivian Blues Bar will fit perfectly with the tinkle of ice in a tumbler of scotch and low lights.If you're looking for romantic music that is never sappy or maudlin, or if you need some blues that are "quiet" and not in your face, this is your ticket to hep-ville! Alex deGrassi is, of course, a consummate guitarist. But what may surprise you with this CD is his soulfulness. Frankly, I didn't know he had it in him!"
Alex de Pass?
renato oliveros | USA | 02/04/2000
(5 out of 5 stars)
"This fingerstyle guitar album moves into the territory of jazz guitar masters Joe Pass and Martin Taylor. What makes Alex de Grassi unique is the pure tone he gets from the acoustic-steel guitar he plays to interpret Thelonious Monk's Round Midnight and Little Rootie Tootie, Charlie Mingus' Goodpie Pork Hat, Gershwin's The Man I Love and Bess You Is My Woman, and classic tunes from Ellington and Carmichael. This is a gold mine for those who have been searching for acoustic guitar music in a jazz context. De Grassi does not need a back-up band for he also swings and handles those running-bass lines convincingly. Just listen to Mingus' Goodpie Pork Pie Hat, and Monk's Little Rootie Tootie. Improvisations are kept to the minimum as he works to bring the melodies of these jazz classics up-front. His move into jazz may disappoint some of his new age fans but this project wins the respect of jazz listeners and musicians alike."
Smooth Solo Effort!
deepbluereview | SACRAMENTO, CALIFORNIA USA | 11/05/2001
(4 out of 5 stars)
"Sometimes a certain genre does not fit a particular artist for all releases. Unfortunately, because De Grassi is normally classified as a "New Age" artist, this little gem of a release went virtually unnoticed by jazz and blues fans alike. Some artists profess to be solo only in the sense that they are not with their regular band members. However, on this CD, De Grassi is truly solo, no drums, no bass, no percussion, just De Grassi and his acoustic nylon string guitar. On the CD, De Grassi takes music from the 1930's through the 1950's and adds a touch of folk and blues to a jazz rendition of these old tunes. Some of the tunes are well known and easily recognizable, such as Charles Mingus' "Goodbye Pork Pie Hat", Thelonious Monk's "Little Rootie Tootie" and Hoagy Carmicheal's "Georgia On My Mind". But even these tunes sound fresh and updated by De Grassi. Overall, the performance is first class and smooth all the way."