Arpeggio, Fuga, and Corrente, for keyboard (Naples Conservatory MS 71): Arpeggio (Napoli, ms.71)
Arpeggio, Fuga, and Corrente, for keyboard (Naples Conservatory MS 71): Fuga (Napoli, ms.71)
Arpeggio, Fuga, and Corrente, for keyboard (Naples Conservatory MS 71): Corrente (Napoli, ms.71)
Toccata for keyboard (Toccate per Cembalo No. 12)
Fugue, primo tono, for keyboard in D minor (Toccate per cembalo)
Fugue, secondo tono, for keyboard in G minor (Toccate per cembalo)
Fugue, terzo tono, for keyboard in A minor (Toccate per cembalo)
Toccata for keyboard (Coimbra MS MM60)
Toccata for keyboard (Toccate per Cembalo No. 28): Toccata (New Haven, ms. 164 = ms. Higgs)
Toccata for keyboard (Toccate per Cembalo No. 28): Fuga (Allegro) (New Haven, ms. 164 = ms. Higgs)
Toccata (Spiritoso, Largo) for keyboard (Milan, Fondo Noseda MS L22-7)
Toccata and 2 Fugues, for keyboard (Milan, Fondo Noseda MS L22-7): [Toccata] (Milano, Fondo Noseda, L 22-7)
Toccata and 2 Fugues, for keyboard (Milan, Fondo Noseda MS L22-7): Fuga (Milano, Fondo Noseda, L 22-7)
Toccata and 2 Fugues, for keyboard (Milan, Fondo Noseda MS L22-7): Fuga (Milano, Fondo Noseda, L 22-7)
[Toccata] Largo, Allegro and [Fugue], for keyboard (Turino Fondo Fo?-Giordano MS 394)
Toccata d'intavolatura for keyboard in D minor ('d'ottava stesa' or 'Primo Tono')
Recently, the importance of Alessandro Scarlatti has been reevaluated particularly as the real founder of the important "Neopolitan keyboard music school." Scarlatti's keyboard music, at one time considerably obscured by... more » preference for his son's corpus of sonatas, directly or indirectly influenced the keyboard works of his contemporaries Gaetano Greco (1657-1728). Alessandro Scarlatti's reputation at the beginning of the 18th century can be deduced from the enormous quantity of manuscript copies of his works conserved in libraries all over Europe. This is true, above all, of his keyboard compositions, which come from multiple scattered sources.« less
Recently, the importance of Alessandro Scarlatti has been reevaluated particularly as the real founder of the important "Neopolitan keyboard music school." Scarlatti's keyboard music, at one time considerably obscured by preference for his son's corpus of sonatas, directly or indirectly influenced the keyboard works of his contemporaries Gaetano Greco (1657-1728). Alessandro Scarlatti's reputation at the beginning of the 18th century can be deduced from the enormous quantity of manuscript copies of his works conserved in libraries all over Europe. This is true, above all, of his keyboard compositions, which come from multiple scattered sources.