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The Zar - Trance music for Women
Abou Gheit
The Zar - Trance music for Women
Genres: International Music, New Age
 
  •  Track Listings (11) - Disc #1

For centuries women in Africa and the Middle East have used Zar music to cure pain in times of stress or illness. Followers of the Zar cult believe that sometimes their illnesses are caused by "red spirits" - the Zar - who...  more »

     
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CD Details

All Artists: Abou Gheit
Title: The Zar - Trance music for Women
Members Wishing: 1
Total Copies: 0
Label: Sands of Time
Original Release Date: 9/1/2005
Release Date: 9/1/2005
Genres: International Music, New Age
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 783499050205

Synopsis

Album Description
For centuries women in Africa and the Middle East have used Zar music to cure pain in times of stress or illness. Followers of the Zar cult believe that sometimes their illnesses are caused by "red spirits" - the Zar - who use human bodies as hosts. These spirits attract attention to themselves by making their hosts sick. Only after acknowledging a spirit?s presence and meeting its demands can a woman hope to attain a symbiotic relationship with her possessor --- and she discovers the identity of this intruder by dancing to this music until she collapses into a trance.

A quote from Lucy - the famous Egyptian belly dancer:

"I started dancing when I was 12 years old. Since I can remember, whenever I heard music my body would just start to move. I couldn?t control it. I used to love it when the old women got together for a Zar. A Zar was called when someone was possessed by evil spirits. If you were mad, or sad, or upset, that?s how you would get it out. As a young girl, when I went to the Zar, I was always very affected by it. I would get so exhausted that I would collapse and fall. I realized that the music took me over. The beat can get inside of you and make you crazy. The rhythm gets you. You know, like when you?re listening to Western rock music, you get hysterical. You have to get up and dance. You can?t stop moving."

This album was recorded in Cairo by one of the few remaining Abou al-Gheit Zar groups left in Egypt, Awlad Abou al-Gheit. Their Sudanese roots can be heard in the music's distinctive African drum rhythms. Each spirit is believed to answer to a specific song and rythm. The album contains a 32 page color booklet about the history of the Zar, the ceremony itself and translations of all the lyrics. There is also an extensive section about the Jinn - spirits made of fire and air by Allah and mentioned in the Quran.
 

CD Reviews

Amazing music and culture
Karen M. Best | 11/02/2005
(5 out of 5 stars)

"Anthropologists, social historians, Middle Eastern culture buffs and dancers all benefit greatly from this thoughtfully put together and presented CD.

The 32 page booklet gives amazing insight into the culture of the Zar rituals and includes translations of the lyrics. Something I've never seen on any other zar recording.

The rich music is not for dance performance. But the CD will provide the dancer with an understanding of the ritual behind the rhythms often incorporated in Middle Eastern dance music."
Wow!
S. Sied | Pacific NW, USA | 11/14/2007
(5 out of 5 stars)

"I really appreciated the liner notes for this cd. These liner notes are actually a well-researched 29 page booklet that describes the zar ceremony and explains it's development, music and meaning in an easy-to-read way. The cd contains zar music (with translations included in the liner notes). This is a great cd for anyone curious about the zar or interested in women's rituals or trance dancing."
EVERY TRACK IS A VOCAL
Khezla Durr | St. Louis MO | 08/06/2008
(1 out of 5 stars)

"I wish I had known that every track on this CD is a vocal and there are no purely instrumental selections. For that reason, this CD is useless to me. I am an American doing middle eastern dance and was hoping this would be something I could make use of with my dancing, as I like the 2/4 ayoub rhythm used for the zar. The vocals will sound harsh and dissonant to the Western ear because of the untrained voices and the singing style. The vocals overpower the instrumental background music. The tracks are undanceable and because of the ever-present vocals and their style, unpleasant for listening. This CD may be useful to somebody doing an academic study of the niche in Arab culture the enclosed info booklet describes. I give this one star because of the well-researched booklet. However, I must say, it's the first time I have ever paid $16 for a small information booklet, which is what this purchase was for me."