William E. (unholyblackdeath) from GRAPEVINE, TX Reviewed on 1/7/2008...
Another great release from Maynard and company. The highlight of this one is "Counting Bodies Like Sheep To The Rythem of The War Drums". Worth a listen for sure. I give it four stars.
CD Reviews
Good--depressing, but good
A. Stutheit | Denver, CO USA | 02/19/2006
(4 out of 5 stars)
"Nowadays, if you're a celebrity, there are really two ways you can protest a war or government. You can either do what one Fred Durst did, and make a holy fool of yourself by grabbing the mic at an awards show and saying to the crowd "I hope we're all in agreeance that this war should go away"; or plan b) you can make a protest album. Maynard James Keenan and his side project, A Perfect Circle, have a little intelligence on their side, so they chose the latter option. "Emotive," APC's third release, is a protest/covers album; it covers everything from John Lennon ("Imagine") to Depeche Mode ("People Are People") to Black Flag ("Gimmie Gimmie Gimmie"). Plus, there are two original songs (tracks which aren't covers). Track five, "Passive," is actually a remake of a song written by Keenan and Nine Inch Nails' Trent Reznor, and "Counting Bodies Like Sheep to the Rhythm of the War Drums" (catchy title, huh?) is, contrary to popular belief, not a remix of the song "Pet" (which appeared on A Perfect Circle's last album, "13th Step"). Rather, this song is a continuation/second part of "Pet."
Some fans think that "Emotive" isn't an anti-war album, because of comments made by Maynard before the album's release. But, with lyrics like "war is not the answer" (in "What's Going On," a song originally done by Marvin Gaye), it's hard to believe there isn't an underlying political or anti-war message, here.
Almost every song on here is moving and touching. "Emotive," as a whole, is very depressing, but it's also very pretty. Plus, some of the songs (like "Imagine" and "Passive") are even kind of catchy.
The album begins with "Annihilation," which has very creepy, almost bonechilling whispers about power. The next song, "Imagine," is the single. It has some funeral-like piano playing, occasional string plucking, and a rhythmic drum beat; but it's mainly catchy because of Maynard's vocal style. Tracks three and eleven, ("What's So Funny `Bout) Peace Love and Understanding" and "When The Levee Breaks," find Maynard singing in a clear, limpid, feminine, almost falsetto tone. Plus, the former track is very atmospheric, with reverberating piano keys, a violin, and a resonating drum beat.
Elsewhere, "What's Going On" has very spacey singing with humming, almost static-y synthesizers; "Passive" is rather up-tempo and fast; and the album closer, "Fiddle and the Drum," is almost breathtaking (with nasal, a capella singing).
"Emotive" doesn't raise the bar for Maynard or A Perfect Circle, so it's understandable that some fans would be quite disappointed by this album. Plus, if you think a protest album should uplift the listener's spirits and give you a feeling of empowerment, you'll definitely not have any luck with this C.D.. But if you're an anti-war Maynard aficionado who's looking for some peace love and understanding, or if you just want a C.D. that's very calming and soothing, look no further."
Weak and powerless...
S. Walden | Woodstock, GA United States | 12/12/2004
(1 out of 5 stars)
"Cover songs can be beautiful things. When well-chosen and deftly executed, a band can bring new life to a classic cut. A prime example, of course, would be APC's take on Failure's "The Nurse Who Loved Me", which managed to maintain the feeling of hopeful longing central to the original yet making it truly the band's own. And while we're in MJK-land let's not forget TOOL's reworking of Peach's "You Lied", which might just be the single greatest cover ever recorded.
The cover album, and it's close cousin the tribute album, are different animals entirely. They rarely work. The obvious problem is in the song selection -- Pick a classic, well-loved track and a band is hard-pressed to maintain the fell of the original while bringing something new. Pick obscure songs, and, well, nobody really cares.
And therein lies the main problem of "Emotive": song selection. In some cases, it couldn't get any better. A sinister-nursery-rhyme "Annihilation"? Great. Turning "Imagine" into a dirge? Brilliant. And "Passive" is an outstanding track, although as an original it would have been more at home on "Thirteenth Step". But what else is there? Most of the other songs are fair at best -- not necessarily BAD, but limp and uninspired. A slow version of "Gimmie Gimmie Gimmie"? Nice try, but slow Black Flag is like drinking warm beer -- it might get you there, but it's definitely a bad idea. "Freedom of Choice" -- yeah that's a great DEVO cut, but here it's utterly bland, like it was phoned-in. And "Counting Bodies Like Sheep..." is the biggest piece of filler crap on this CD -- "Pet" was a great track on "Thirteenth Step", here it's just a sorry repetitive remix. Again, zero effort.
My other beef with this weak offering is in its tone. With any of MJK's other work, the lyrics are touched with a subtlety that is nearly sublime. The songs are intentionally abstract, leaving the listener open to take whatever interpretation is desired. In contrast, the political agenda of "Emotive" shines like a diamond in a goat's a$$. Quite frankly, when I pay money to be entertained, I expect to be entertained, not preached to (regardless if I agree with the subject matter or not). And if you ARE going to push an agenda in the guise of a "new" album, at least have the common decency to do it in a convincing manner -- you're not going to get too many people to listen when it's obvious not a lot of effort went into the project. Evidently there are plenty of others who agree with me on this point: At the time of this review, "Emotive" has garnered an astonishingly crappy 3-star rating from 247 reviews, and there are 97 copies availible on amazon from people who didn't feel this album was worth the money they paid.
In closing, one of MJK's favorite quotes seems to be Dr. Timothy Leary's great "Think for yourself. Question authority." Well, I DO think for myself, and I DO question authority. Which includes APC's authority over my vote and my wallet. If APC happens to crank out another ORIGINAL album, I will be interested. But if it's another uninspired, effortless, over-hyped piece of propaganda, I'll go read Marx."
Give it a chance people
Bonghitter420 | 11/03/2004
(4 out of 5 stars)
"As I looked at the other reviews (poor reviews mostly) I decided to go back and look at reviews from the last two albums. The lesser reviews on this album criticize that the last two albums were way better than this once and that people would soon be reaching for thirteenth step after going through this release. The reviews lesser reviews about thirteenth step noted that Mer de Noms was the better cd and thirteenth step was a waste of money. Going all the way back to Mer de Noms reviews, everyone compared the cd to tool and called it too mainstream. What I'm saying is that people that want to hear a specific sound or song over and over again get pissed when albums don't all sound the same. However, when they do sound the same people complain about the music being repatitious. As far as judging cover songs, some people don't want to hear the same song played the same way by different people and others do. This band chose to incorporate there own style into each cover and I think that is cool and creative. When you listen to this album don't think about Thirteenth Step, Mer de Noms, or Tool. Think about the creative and artistic touch this band put into some classic favorites. You may like it or you may not, but the band has held true to their style and beliefs here and I think the album is increadible. THINK FOR YOURSELF!"
Challenging Yet Rewarding
Grant Colburn | Green Bay, WI | 11/03/2004
(5 out of 5 stars)
"Sooo this is A Perfect Circle's 3rd album. I've seen many reviews here who seem to have to believe this CD should not be considered a "real" APC album due to it being mostly covers. I've also seen others who believe that the original versions of these songs are some kind of "hallowed ground" not to be tramped upon. I guess I don't agree with either. Personally for me it matters little that these are covers, the reworking of them often leaves little but the lyrics and a slight hint of the original. This is actually great by me. I have no interest in listening to the original versions of Depeche Mode, John Lennon, Marvin Gaye or Black Flag whether "classic" songs or not. In almost all cases the music being heard is A Perfect Circle and that's what I am interested in. What I find interesting is how different each of these 3 APC albums sound. The first was perhaps the closest to a hard rock band sound, the 2nd seemed to involve a bit more of psychedelia and the Cure, this new one seems more linked to the sound of NIN and Peter Gabriel. All of these sounds and styles to me are legitimate and well done. It is unfortunate when a band has an audience that NEEDS each album to sound like the others.
Like others have mentioned people complained about the first album not being like Tool enough, then the 2nd wasn't like the first album enough. Now of course this album isn't like the 1st and 2nd enough. And the amazing thing is that somehow these so-called fans seriously believe these changes were not ON PURPOSE. It is truly ironic that fans continue to underestimate the intelligence of this band while the band perhaps overestimates the intelligence of their audience. Or maybe its not. Regardless this is a great album. Unique music, unique sounds and a move forward in APC's progression.
Am I hoping for a new APC of all original music? Sure. A concert DVD would be nice too, so would a new Tool CD and DVD. But considering how long it has been since I've bought anything new and interesting to listen to this CD will fill a void for at least a few more days until such new music comes into existence. When I heard that APC was releasing a CD of covers my expectations were greatly lowered, I have almost no interest in such things. But when confronted with the unique, original and intelligent arrangements the band found for these songs I was greatly impressed and surprised.
All in all this is a highly worthy addition to APC's catalog regardless of covers verses new material."
Growing Artist
Shannon Smith | Lubbock, TX | 11/19/2004
(5 out of 5 stars)
"What is the deal with everyone pointing fingers at MJK? First of all...MAYNARD IS NOT THE BAND LEADER! Pull your head out of the crevice. Billy Howerdel is the band leader. He created this band. Maynard wasn't even the first choice, for the vocalist, however, he had to support the selections, at least somewhat, to stand behind the record. This said, he is not necessarily a hypocrite. How many years have passed since he sang about people learning to swim? He was in his 20s, at the time. He is in his 30s, now. People grow up. People lose the youthful angst. It does not make him a hypocrite. Even if presented at the same time, the songs on this album don't necessarily contradict the views of previous albums. Just because you hate stupid people doesn't mean you enjoy or support war. The song "Aenema" is about the earth being cleansed of stupid people - by the means of natural selection - not war.
::Steps off soap box::
The album, musically, is amazing. The covers are arranged beautifully. "Imagine" has always been my favorite Lennon song, and I think that he would be proud of the job that A Perfect Circle did, with it. As a huge Zep fan, I was impressed by the cover of "When the Levee Breaks". The piano is simply gorgeous, on that song. The arrangement of "Fiddle and the Drum" took a classic song and revived it with a modern spirit. "Let's Have a War" kicks you in the head and wakes you up."