Symphony In G, Hob. I:92 'Oxford': 3. Menuet. Allegretto
Symphony In G, Hob. I:92 'Oxford': 4. Presto
Symphony In G, Hob. I:94 'mit dem Paukenschlag': 1. Adagio - Vivace assai
Symphony In G, Hob. I:94 'mit dem Paukenschlag': 2. Andante
Symphony In G, Hob. I:94 'mit dem Paukenschlag': 3. Menuet. Allegro molto
Symphony In G, Hob. I:94 'mit dem Paukenschlag': 4. Finale. Allegro di molto
Track Listings (12) - Disc #9
Symphony In D, Hob. I:96 'The Miracle': 1. Adagio - Allegro
Symphony In D, Hob. I:96 'The Miracle': 2. Andante
Symphony In D, Hob. I:96 'The Miracle': 3. Menuetto. Allegretto
Symphony In D, Hob. I:96 'The Miracle': 4. Finale. Vivace
Symphony In G, Hob. I:100 'Militaire': 1. Adagio - Allegro
Symphony In G, Hob. I:100 'Militaire': 2. Allegretto
Symphony In G, Hob. I:100 'Militaire': 3. Menuet. Moderato
Symphony In G, Hob. I:100 'Militaire': 4. Finale. Presto
Symphony In D, Hob. I:101 'The Clock': 1. Adagio - Presto
Symphony In D, Hob. I:101 'The Clock': 2. Andante
Symphony In D, Hob. I:101 'The Clock': 3. Menuetto. Allegretto
Symphony In D, Hob. I:101 'The Clock': 4. Finale. Vivace
Track Listings (8) - Disc #10
Symphony In E flat, Hob. I:103 'mit dem Paukenwirbel': 1. Adagio - Allegro con spirito
Symphony In E flat, Hob. I:103 'mit dem Paukenwirbel': 2. Andante piu tosto allegretto
Symphony In E flat, Hob. I:103 'mit dem Paukenwirbel': 3. Menuet
Symphony In E flat, Hob. I:103 'mit dem Paukenwirbel': 4. Finale. Allegro con spirito
Symphony In D, Hob. I:104 'London': 1. Adagio - Allegro
Symphony In D, Hob. I:104 'London': 2. Andante
Symphony In D, Hob. I:104 'London': 3. Menuet. Allegro
Symphony In D, Hob. I:104 'London': 4. Finale. Spiritoso
When you compose more than 100 symphonies, all of them good, it's only natural that the public will find ways to identify the ones they like the most. These symphonies with nicknames are not necessarily better than those... more » without, but they do give an excellent overview of Haydn's unsurpassed achievement as a symphonist. From the early trilogy of "Morning, Noon, and Night" Symphonies (Nos. 6-8), which Haydn composed as a sort of sequel to Vivaldi's "The Four Seasons," right up to the last of them, the so-called "London" Symphony (No. 104), the history of Haydn's symphonies is the history of music in the Classical period. Marriner's performances are praiseworthy. --David Hurwitz« less
When you compose more than 100 symphonies, all of them good, it's only natural that the public will find ways to identify the ones they like the most. These symphonies with nicknames are not necessarily better than those without, but they do give an excellent overview of Haydn's unsurpassed achievement as a symphonist. From the early trilogy of "Morning, Noon, and Night" Symphonies (Nos. 6-8), which Haydn composed as a sort of sequel to Vivaldi's "The Four Seasons," right up to the last of them, the so-called "London" Symphony (No. 104), the history of Haydn's symphonies is the history of music in the Classical period. Marriner's performances are praiseworthy. --David Hurwitz